This preview has intentionally blurred parts. Sign up to view the full document

View Full Document

Unformatted Document Excerpt

Analysis of Dudley Randalls The Ballad of Birmingham Racial tension soared throughout the 1960s. White supremacist groups, such as the Ku Klux Klan, prevailed. Racial discrimination was a common theme among society. Dudley Randalls, The Ballad of Birmingham, dramatizes the bombing of a predominately black church in Birmingham, Alabama. While the poem is plainly composed, Randall develops the ballad about the consequences of racial tension and discrimination through his use of setting, imagery, diction, speaker, and situational irony. To fully understand the poem, one must first look at its structure. The Ballad of Birmingham consists of eight total stanzas and follows the format of a traditional ballad. The ballad is written in four line stanzas, with a repetitive refrain of No, baby no, you may not go, it has a dialogue between two characters, follows a distinct rhyming pattern, and is characterized by direct narration and quick action (lines 5 and 13). The poem is written in free verse with enjambments. Although there is no definite meter, there is a natural rhythm created by the end- rhymes in the second and fourth line of each stanza. The Ballad of Birmingham was published in 1969, only 6 years after the bombing took place. Racial issues were still undeniably present and although the bombing may have faded from the news, it was still fresh in the minds of the black community. Randall is an African- American male and although he did not experience the bombing, he likely faced similar racial discrimination. Because of Randalls background, a definite purpose is revealed behind the poem. The solemn tone reflects the poets own attitude towards the subject and is meant to further express the terrible nature of the bombing. further express the terrible nature of the bombing.... View Full Document

End of Preview

Sign up now to access the rest of the document