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- Terms Propaganda - The activity of spreading particular ideas, opinions etc according to an organized plan, by a government; the ideas etc spread in this way -This is an important term because leaders, especially King Phillip IV hired artists to portray himself and his government in a positive way and make Spain look powerful and sophisticated. Paintings that use propaganda were meant to glorify a victory or royalty. -example: Surrender of Breda Diego Velazquez 1635 -Camera Obscura - Latin for dark room an ancestor of the modern camera in which a tiny pinhole, acting as a lens, projects an image on a screen, the wall of a room, or the ground-glass wall of a box. Often used as an aid by artists in the 17th, 18th and early 19th centuries. -example: Allegory of the Art of Painting Jan Vermeer 1670-1675 Historians believe that Jan Vermeer used a camera obscura to help with the composition of his paintings. Compare and Contrast Ecstasy of St. Teresa Interior of the Cornaro Chapel Gian Lorenzo Bernini 1654-52 and Hotel de Soubise, Salon de la Princesse Germain Boffrand 1732 The Ecstasy of St. Teresa and Hotel de Soubise are both great examples of the over the top architecture and interior design. Ecstasy of St. Teresa is from the baroque period, its exaggerated and even theatrical qualities; the including shocking and extreme religious depictions deemed necessary by the catholic church embody the period. The passion and drama of the chapel and sculpture were meant to recreate spiritual experiences which was though to increase devotion and piety. Similar to the interior design of the baroque period is the style of Rococo, which came about in France as a signifier of elegance, sophistication, luxury and extravagance. French aristocrats preferred this style for their salons because it diminished hard architectural lines into lavish sinewy over designed rooms that reflected the aristocratic clothing style and life style. Both styles and rooms are very similar in that they are designed to enchant viewers with visual ecstasy, the difference was in the intentions of the visual ecstasy. - Judith Slaying Holofernes Artemisia Gentileschi 1614-20 and - The Swing Jean-Honore Fragonard 1766 Judith Slaying Holofernes and The Swing are again, both strong examples of boroque and Rococo. Gentileschi s work is very true to the baroque style with dramatic religious subject matter and dramatic lighting. The Swing reflects the rococo style s dramatic elegance. These pieces both represent their respective styles key elements, religious passion and drama versus aristocratic drama and bliss.

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