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BYU - HUM - 101
Hansen 1 Amy Hansen Lauri Haddock Humanities 101 Section 2 October 10, 2007 World of Dance Performance Report During the World of Dance Performance, I enjoyed watching Hip Hop, Ballet, Social Dancing, Tap, Modern, and International Folk Dance numbers. I e
BYU - HUM - 101
Understanding Beauty Questions 1. What is beauty?2. Why is beauty a vital component of the human experience?3. How do we determine what is beautiful?4. In this film, what is proposed as beautiful?5. Describe the mathematical ratio the Greeks used to c
BYU - HUM - 101
Humanities 101, MWF 111-12:00 Winter 2011DateTopicsAssignmentsW - Jan 05 Introduction and Orientation F - Jan 07 Aesthetic Judgment Read Chapters 1 and 2M - Jan 10 Aesthetic JudgmentRead Chapter 3W - Jan 12 Four Ways to Judge ArtRead Chapter 4F -
BYU - HUM - 101
Slides to know for Exam One
BYU - REL C - 212
Fried FrothWhen crises come in our livesand they willthe philosophies of men interlaced with a few scriptures and poems just wont do. Are we really nurturing [the saints] in a way that will sustain them when the stresses of life appear? Or are we giving
BYU - REL C - 212
The SacramentI am a witness that there is a spirit attending the administration of the sacrament that warms the soul from head to foot; you feel the wounds of the spirit healed, and the load being lifted. Comfort and happiness come to the soul that is wo
BYU - REL C - 212
Bro. Stan Johnson Winter 2011New Testament 212 Sections 2, 3, 7Study Guide for Quiz #4This quiz will cover the epistles of Hebrews, James, I Peter, II Peter, I, II and III John, and Jude. Understand the problem of Gnosticism (their claim to special kno
BYU - REL C - 212
Bro. Stan Johnson Winter 2011 Study Guide for Quiz #1 New Testament 212 Sections 2, 3, 7Understand why Luke is considered the Author of both the Gospel of Luke and the Book of Acts. From our class discussion, review why there are mistakes in the transl
BYU - REL C - 212
Bro. Stan Johnson Winter 2011 Study Guide for Quiz #1 New Testament 212 Sections 2, 3, 7Understand why Luke is considered the Author of both the Gospel of Luke and the Book of Acts. From our class discussion, review why there are mistakes in the transl
BYU - REL C - 212
Brother Stan Johnson Winter 2011New Testament Sections 2, 3, 7Midterm Study GuideThe midterm covers material from Acts 1-28, I & II Thessalonians and I Corinthians 1-15. The review sheets for quiz #1 and #2 will be helpful and are available on Blackboa
BYU - REL C - 212
Bro. Stan Johnson Winter 2011New Testament 212 Sections 2, 3, 7Study Guide for Quiz #3 This quiz will cover material presented in the epistles of Romans, Galatians,Ephesians, I and II Timothy, and Titus. Review the background material concerning all
BYU - REL C - 212
THE NEW TESTAMENT Rel A 212 Winter 2011 Stanley_Johnson@byu.edu (801) 422-7689 Text: The LDS Bible (KJV) Course Objectives: In a talk given in the October 2008 General Conference, President Thomas S. Monson said, Who is this man of sorrows, acquainted wit
BYU - REL C - 212
The Holy Ghost When a man has the manifestation from the Holy Ghost, it leaves an indelible impression on his soul, one that is not easily erased. It is Spirit speaking to spirit, and it comes with convincing force. A manifestation of an angel, or even th
BYU - REL C - 212
A Pearl of Great Price Please encourage your students toread more slowly and more carefully and with more questions in mind. Help them to ponder, to examine every word, every scriptural gem. Teach them to hold it up to the light, and turn it, look and see
BYU - ENG - 311
Cover Letter and Rsum Packet 1 Grading Rubric: Cover Letter and Rsum Write a cover letter and rsum for a job you anticipate applying for. Follow the guidelines in Paxman p. 3-11.Cover Letter: 1. A
BYU - ENG - 311
Art Review Packet 1Art Review: InstructionsWrite a 750 1,000-word (MLA format, double-spaced) review of a work of art (film, concert, painting, etc.). You need to tailor your review to suit the needs of a specific publication. Thus, s
BYU - ENG - 311
Formatting Example Hope Eternal E. Christianson English 311H 4 February 2009 Eternal1 Literary Revie
BYU - ENG - 311
311H Winter 2011Literary Review and Annotated Bibliography Research Activity 3: (approx. 6 8 hoursso budget you time!) (Note: This is graded for quality) Task: Gather, read, and evaluate at least 8 background sources (sources covering the last 30 years o
BYU - ENG - 311
English 311: Writing for the Arts and the HumanitiesWinter 2011 Section 002 T Th 9:30 10:45 382 BRMBInstructor Information_Elizabeth Christianson Email: e.christianson@ymail.com Office : 3004 JKB Office Hours: Tue and Thu at 12:30-2:00 Box: University
BYU - ENG - 311
From Topics to QuestionsClick toWayne C. The Craft of style Booth, edit Master subtitle Research, 3rd ed. Chicago: U of Chicago P, 31-50.4/8/11Your task: to find a topic specific enough to let you master a reasonable amount of information on it in the
BYU - SLS - 492
Oxford History of World Cinema, AMERICAN FILM GENRES, Rick Altman musical films can be loose term for great deal of diegetic music, some produced by principal characters musicals featuring not only music but a shared configuration of plot patterns, charac
BYU - SLS - 492
Midterm Questions TMA 492Winter 2011 Note: This is an open book; the primary dimension of the test is your understanding and application of Altmans concepts to a specific musical film. The finished exam should be at least three pages long, 1.5 or 2 spaced
BYU - SLS - 492
Small Group Signup Sheet TMA 492Winter 2011 Report 1: Broadway Musicals on Screen FEBRUARY 2 1. Khaliel Kelly 2. Chris Francia 3. Nick ThackerReport 2: Animated Films (mostly Disney, must include Brave Little Toaster) FEBRUARY
BYU - SLS - 492
Rick Altman, American Film Musical Chapter 3Structure of the American Musical All genre films are about redemption in some way. (from the conclusion) Remember this from Chapter 2: Seen as a cultural problem-solving device, the musical takes on a new and f
BYU - SLS - 492
TMA 492Paper Topic and Final Essay Information Paper topic: The essay is a micro/macrocosmic exercise. You identify a single film text (or two, if youre feeling ambitious) as a microcosm of how the musical genre operates, selecting one or two aspects of t
BYU - SLS - 492
Altmans The American Musical Genre Chapter 4Structure Earlier key points: Dual focus Narrative: Seen as a cultural problem-solving device, the musical takes on a new and fascinating identity. Society is defined by a fundamental paradox: both terms of the
BYU - SLS - 492
Rick Altman American Musical notes Chapter 2-Dual Focus Narrative Parallel not sequential structures, (multiple cinematic pairings to reinforce and lead viewer to interpretation; narrative-arrangement of scenes within sequences (montage segments); charact
BYU - SLS - 492
Altman, Chapter 5The Problem of Genre History (The American Film Musical) A. Conventional and the proposed, improved model (Altmans) 1. The two conventional primary approaches to genre history are; a. Mythical qualities: audiences ritual relationship to g
BYU - SLS - 492
Harvey Girls (1946, 102 min, George Sidney)Director: George Sidney (Anchors Aweigh, Bye Bye Birdie) Producer: Arthur Freed for MGM D.P: George Folsey Editor: Albert Askt Screen Play: Edmund Beloin, Nathaniel Curtis, Harry Crane, James O'Hanlon and Samson
BYU - SLS - 492
Altmans Dual Focus Semantic/Syntactic MusicalFilm New Moon 1940 Robert Z. LeonardOpposit es Female: rich cultured , beautifu l, easily offende d; the male, poor, practica l energeti c, tenacio us *Gasto n& Gigi (sexual differen tiation; gender; beauty/r
BYU - SLS - 492
Rick Altman American Musical notes For March 9, 2011 Chapter 8The Folk Musical A. Introduction 1. Mythical vision of the folk musical grapples with a lived reality, transformed by the power of memory. As a mediatory factor (between real and unreal, betwee
BYU - SLS - 492
Across the Universe (2007, 133 min, PG-13) Director: Julie Taymor Revolution Studios; dist by Columbia Pictures Script is based on an original story credited to Taymor, Dick Clement, and Ian La Frenais. It incorporates 34 compositions originally written b
BYU - SLS - 492
Aspect Semantics drawn from materials of different visual, social & economic realms (124) settings Syntactic typology (based on primary relationships between the musicals love plot and the cultural plots it supports) (126) ALL SUPPORT AN AMERICAN MYTH OF
BYU - SLS - 492
Altmans Conclusion American culture is marked by a sense of absence, a sense of loss which is repeatedly assimilated to the Christian notion of the Fall. In consequence, much American imaginative endeavor is self-consciously redemptive in nature. . .the n
BYU - SLS - 492
The Umbrellas of Cherbourg (Les parapluies de Cherbourg, 1964) Director: Jacque Demy Screenwriter: Demy D.P.: Jean Rabier Producer: Meg Bodard Music: Michel Legrand Editor: Anne-marie Cotret & Monique Teisseire Anne Vernon: Mme Emery Mireille Perrey: Aunt
BYU - SLS - 492
Once (2007, R, 85 min, John Carney) Director & Screenwriter: John Carney Music: Glen Hansard, Markta Irglov, Interference Editing: Paul Mullen The Guy: Glen Hansard Darren Healy: heroin addict Marcella Plunkett: ex-girlfriend Producer: Martina Niland D.P.
BYU - SLS - 492
Rick Altman American Musical notes Chapter 9 Genre & Culture/ Part I A. Intro: 1. At the beginning, established the importance of interpretive community in fixing textual meaning, developing a corpus, definition of a musical, tracing the musicals history;
BYU - SLS - 492
Swensons Key Genre Terms authorship: what is the source of power in creation/perpetuation of genres? Is it the audience (a ritualistic, mythic view)? Or is it the Hollywood studios (bourgeois capitalist power structures perpetuating their devious control
BYU - SLS - 492
COURSE SYLLABUS TMA 492 Film Genre: The Musical Winter 2011 I. Instructor: Sharon Lee Swenson Office Hours: Wednesdays, noon to 1 p.m.; Thursdays, 1 to 2 p.m and by appointment Office: F-450 HFAC E-Mail: Sharon_Swenson@byu.edu Phone: 422-6648 (work) 801-5
BYU - SLS - 492
B Y U D e p a rtm e n t o f T h e a tre & M e d ia A rts S e le c tio n , V ie w in g a n d C re a tin g P o lic y A p ril 2 0 1 0 T h e s e le c tio n , v ie w in g a n d c re a tio n o f m e d ia is s tru c tu re d w ith in th e f ra m e w o rk o f th e
BYU - TMA - 319
SETUP SHEETDAT E LOCATION SCENE #S OV E R H E A D : _ _ _ DAY # _ SHOT #S _ ST RYBRD REF _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _S H OT #DIALOGUE (VISUAL ) COVERED
BYU - TMA - 319
(Name of Project) by (Name of First Writer)(Based on, If Any)Revisions by (Names of Subsequent Writers, in Order of Work Performed)Current Revisions by (Current Writer, date)Name (of company, if applicable) Address Phone Numberhttp:/www.weeklyscript.
BYU - TMA - 319
http:/www.aellea.com/script/citizenkane_script.txtCITIZEN KANE by Herman J. Mankiewicz & Orson Welles PROLOGUE FADE IN: EXT. XANADU - FAINT DAWN - 1940 (MINIATURE) Window, very small in the distance, illuminated. All around this is an almost totally blac
BYU - TMA - 319
http:/www.scifiscripts.com/scripts/strangelove.txtDR. STRANGELOVE Or: How I Learned To Stop Worrying And Love The BOMB CAST AT BURPELSON AIR FORCE BASE General Jack D. Ripper.Base Commander Major Mandrake.Executive Officer to General Ripper Colonel "Bat"
BYU - TMA - 319
(Name of Project)by (Name of First Writer)(Based on, If Any)Revisions by (Names of Subsequent Writers, in Order of Work Performed)Current Revisions by (Current Writer, date)Name Address PhoneINT DAY: OLIVE OIL OFFICES (SUMMER 1945) Looking toward th
BYU - TMA - 319
(Name of Project)by (Name of First Writer)(Based on, If Any)Revisions by (Names of Subsequent Writers, in Order of Work Performed)Current Revisions by (Current Writer, date)Name Address Phone78INT. ED MILLER'S CABIN - CONTINUOUS ACTION78JESSE ent
BYU - TMA - 319
http:/www.aellea.com/script/nightofthehunter.txtThe Night of the Hunter by James Agee, David Grubb & Charles Laughton FULL SHOT - THE STARLIT SKY VOICE And he opened his mouth and taught them, saying. FADE sky to DAY. LAP DISSOLVE TO LONG SHOT - HELICOPT
BYU - TMA - 319
!"#$#%&'(%)#%)(*+Written by Paul Thomas Anderson Based on "Oil!" by Upton SinclairFINAL SHOOTING SCRIPTPink 7.25.06 Blue 5.18.06 White (Numbered) 2.20.06This script is the confidential and proprietary property of Paramount Vantage, and no portion of i
BYU - TMA - 319
http:/www.weeklyscript.com/Psycho.txt"PSYCHO" By Joseph Stefano Based on the novel by Robert Bloch REVISED December 1, 1959FADE IN: EXT. PHOENIX, ARIZONA - (DAY) - HELICOPTER SHOT Above Midtown section of the city. It is early afternoon, a hot mid-summe
BYU - TMA - 319
(Name of Project) by (Name of First Writer)(Based on, If Any)Revisions by (Names of Subsequent Writers, in Order of Work Performed)Current Revisions by (Current Writer, date)Name (of company, if applicable) Address Phone NumberINT. LIVING ROOM. EVENI
BYU - TMA - 319
(Name of Project) by (Name of First Writer)(Based on, If Any)Revisions by (Names of Subsequent Writers, in Order of Work Performed)Current Revisions by (Current Writer, date)Name (of company, if applicable) Address Phone NumberEXT. SOCCER FIELD -DAY
BYU - TMA - 319
http:/www.weeklyscript.com/Signs.txt"SIGNS" by M. Night ShyamalanFADE IN: INT. WINDOW - MORNING We are looking out a second story window of a house. The backyard is large and green with a wooden jungle gym, worn from use. A single tree throws shade onto
BYU - TMA - 319
http:/www.weeklyscript.com/Searchers,%20The.txt"THE SEARCHERS" Revised Final Screenplay by Frank NugentFADE IN Behind the main title and the credits: EXT. PLAINS COUNTRY - CLOSE SHOT - MOVING JUST ABOVE GROUND LEVEL - A STUDY OF HOOFPRINTS - LATE AFTERN
BYU - TMA - 319
TMA 319 Course Syllabus Winter `11Instructor: Thomas Russell Office: F348 Office Phone: 422-1887 Email: film62@comcast.netTextsThe Visual Story by Block On Filmmaking: An Introduction to the Craft of a Director by Mackendrick Moviemakers Master Class: