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BYU - REL C - 212
Bro. Stan Johnson Winter 2011 Study Guide for Quiz #1 New Testament 212 Sections 2, 3, 7Understand why Luke is considered the Author of both the Gospel of Luke and the Book of Acts. From our class discussion, review why there are mistakes in the transl
BYU - REL C - 212
Bro. Stan Johnson Winter 2011 Study Guide for Quiz #1 New Testament 212 Sections 2, 3, 7Understand why Luke is considered the Author of both the Gospel of Luke and the Book of Acts. From our class discussion, review why there are mistakes in the transl
BYU - REL C - 212
Brother Stan Johnson Winter 2011New Testament Sections 2, 3, 7Midterm Study GuideThe midterm covers material from Acts 1-28, I & II Thessalonians and I Corinthians 1-15. The review sheets for quiz #1 and #2 will be helpful and are available on Blackboa
BYU - REL C - 212
Bro. Stan Johnson Winter 2011New Testament 212 Sections 2, 3, 7Study Guide for Quiz #3 This quiz will cover material presented in the epistles of Romans, Galatians,Ephesians, I and II Timothy, and Titus. Review the background material concerning all
BYU - REL C - 212
THE NEW TESTAMENT Rel A 212 Winter 2011 Stanley_Johnson@byu.edu (801) 422-7689 Text: The LDS Bible (KJV) Course Objectives: In a talk given in the October 2008 General Conference, President Thomas S. Monson said, Who is this man of sorrows, acquainted wit
BYU - REL C - 212
The Holy Ghost When a man has the manifestation from the Holy Ghost, it leaves an indelible impression on his soul, one that is not easily erased. It is Spirit speaking to spirit, and it comes with convincing force. A manifestation of an angel, or even th
BYU - REL C - 212
A Pearl of Great Price Please encourage your students toread more slowly and more carefully and with more questions in mind. Help them to ponder, to examine every word, every scriptural gem. Teach them to hold it up to the light, and turn it, look and see
BYU - ENG - 311
Cover Letter and Rsum Packet 1 Grading Rubric: Cover Letter and Rsum Write a cover letter and rsum for a job you anticipate applying for. Follow the guidelines in Paxman p. 3-11.Cover Letter: 1. A
BYU - ENG - 311
Art Review Packet 1Art Review: InstructionsWrite a 750 1,000-word (MLA format, double-spaced) review of a work of art (film, concert, painting, etc.). You need to tailor your review to suit the needs of a specific publication. Thus, s
BYU - ENG - 311
Formatting Example Hope Eternal E. Christianson English 311H 4 February 2009 Eternal1 Literary Revie
BYU - ENG - 311
311H Winter 2011Literary Review and Annotated Bibliography Research Activity 3: (approx. 6 8 hoursso budget you time!) (Note: This is graded for quality) Task: Gather, read, and evaluate at least 8 background sources (sources covering the last 30 years o
BYU - ENG - 311
English 311: Writing for the Arts and the HumanitiesWinter 2011 Section 002 T Th 9:30 10:45 382 BRMBInstructor Information_Elizabeth Christianson Email: e.christianson@ymail.com Office : 3004 JKB Office Hours: Tue and Thu at 12:30-2:00 Box: University
BYU - ENG - 311
From Topics to QuestionsClick toWayne C. The Craft of style Booth, edit Master subtitle Research, 3rd ed. Chicago: U of Chicago P, 31-50.4/8/11Your task: to find a topic specific enough to let you master a reasonable amount of information on it in the
BYU - SLS - 492
Oxford History of World Cinema, AMERICAN FILM GENRES, Rick Altman musical films can be loose term for great deal of diegetic music, some produced by principal characters musicals featuring not only music but a shared configuration of plot patterns, charac
BYU - SLS - 492
Midterm Questions TMA 492Winter 2011 Note: This is an open book; the primary dimension of the test is your understanding and application of Altmans concepts to a specific musical film. The finished exam should be at least three pages long, 1.5 or 2 spaced
BYU - SLS - 492
Small Group Signup Sheet TMA 492Winter 2011 Report 1: Broadway Musicals on Screen FEBRUARY 2 1. Khaliel Kelly 2. Chris Francia 3. Nick ThackerReport 2: Animated Films (mostly Disney, must include Brave Little Toaster) FEBRUARY
BYU - SLS - 492
Rick Altman, American Film Musical Chapter 3Structure of the American Musical All genre films are about redemption in some way. (from the conclusion) Remember this from Chapter 2: Seen as a cultural problem-solving device, the musical takes on a new and f
BYU - SLS - 492
TMA 492Paper Topic and Final Essay Information Paper topic: The essay is a micro/macrocosmic exercise. You identify a single film text (or two, if youre feeling ambitious) as a microcosm of how the musical genre operates, selecting one or two aspects of t
BYU - SLS - 492
Altmans The American Musical Genre Chapter 4Structure Earlier key points: Dual focus Narrative: Seen as a cultural problem-solving device, the musical takes on a new and fascinating identity. Society is defined by a fundamental paradox: both terms of the
BYU - SLS - 492
Rick Altman American Musical notes Chapter 2-Dual Focus Narrative Parallel not sequential structures, (multiple cinematic pairings to reinforce and lead viewer to interpretation; narrative-arrangement of scenes within sequences (montage segments); charact
BYU - SLS - 492
Altman, Chapter 5The Problem of Genre History (The American Film Musical) A. Conventional and the proposed, improved model (Altmans) 1. The two conventional primary approaches to genre history are; a. Mythical qualities: audiences ritual relationship to g
BYU - SLS - 492
Harvey Girls (1946, 102 min, George Sidney)Director: George Sidney (Anchors Aweigh, Bye Bye Birdie) Producer: Arthur Freed for MGM D.P: George Folsey Editor: Albert Askt Screen Play: Edmund Beloin, Nathaniel Curtis, Harry Crane, James O'Hanlon and Samson
BYU - SLS - 492
Altmans Dual Focus Semantic/Syntactic MusicalFilm New Moon 1940 Robert Z. LeonardOpposit es Female: rich cultured , beautifu l, easily offende d; the male, poor, practica l energeti c, tenacio us *Gasto n& Gigi (sexual differen tiation; gender; beauty/r
BYU - SLS - 492
Rick Altman American Musical notes For March 9, 2011 Chapter 8The Folk Musical A. Introduction 1. Mythical vision of the folk musical grapples with a lived reality, transformed by the power of memory. As a mediatory factor (between real and unreal, betwee
BYU - SLS - 492
Across the Universe (2007, 133 min, PG-13) Director: Julie Taymor Revolution Studios; dist by Columbia Pictures Script is based on an original story credited to Taymor, Dick Clement, and Ian La Frenais. It incorporates 34 compositions originally written b
BYU - SLS - 492
Aspect Semantics drawn from materials of different visual, social & economic realms (124) settings Syntactic typology (based on primary relationships between the musicals love plot and the cultural plots it supports) (126) ALL SUPPORT AN AMERICAN MYTH OF
BYU - SLS - 492
Altmans Conclusion American culture is marked by a sense of absence, a sense of loss which is repeatedly assimilated to the Christian notion of the Fall. In consequence, much American imaginative endeavor is self-consciously redemptive in nature. . .the n
BYU - SLS - 492
The Umbrellas of Cherbourg (Les parapluies de Cherbourg, 1964) Director: Jacque Demy Screenwriter: Demy D.P.: Jean Rabier Producer: Meg Bodard Music: Michel Legrand Editor: Anne-marie Cotret & Monique Teisseire Anne Vernon: Mme Emery Mireille Perrey: Aunt
BYU - SLS - 492
Once (2007, R, 85 min, John Carney) Director & Screenwriter: John Carney Music: Glen Hansard, Markta Irglov, Interference Editing: Paul Mullen The Guy: Glen Hansard Darren Healy: heroin addict Marcella Plunkett: ex-girlfriend Producer: Martina Niland D.P.
BYU - SLS - 492
Rick Altman American Musical notes Chapter 9 Genre & Culture/ Part I A. Intro: 1. At the beginning, established the importance of interpretive community in fixing textual meaning, developing a corpus, definition of a musical, tracing the musicals history;
BYU - SLS - 492
Swensons Key Genre Terms authorship: what is the source of power in creation/perpetuation of genres? Is it the audience (a ritualistic, mythic view)? Or is it the Hollywood studios (bourgeois capitalist power structures perpetuating their devious control
BYU - SLS - 492
COURSE SYLLABUS TMA 492 Film Genre: The Musical Winter 2011 I. Instructor: Sharon Lee Swenson Office Hours: Wednesdays, noon to 1 p.m.; Thursdays, 1 to 2 p.m and by appointment Office: F-450 HFAC E-Mail: Sharon_Swenson@byu.edu Phone: 422-6648 (work) 801-5
BYU - SLS - 492
B Y U D e p a rtm e n t o f T h e a tre & M e d ia A rts S e le c tio n , V ie w in g a n d C re a tin g P o lic y A p ril 2 0 1 0 T h e s e le c tio n , v ie w in g a n d c re a tio n o f m e d ia is s tru c tu re d w ith in th e f ra m e w o rk o f th e
BYU - TMA - 319
SETUP SHEETDAT E LOCATION SCENE #S OV E R H E A D : _ _ _ DAY # _ SHOT #S _ ST RYBRD REF _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _S H OT #DIALOGUE (VISUAL ) COVERED
BYU - TMA - 319
(Name of Project) by (Name of First Writer)(Based on, If Any)Revisions by (Names of Subsequent Writers, in Order of Work Performed)Current Revisions by (Current Writer, date)Name (of company, if applicable) Address Phone Numberhttp:/www.weeklyscript.
BYU - TMA - 319
http:/www.aellea.com/script/citizenkane_script.txtCITIZEN KANE by Herman J. Mankiewicz & Orson Welles PROLOGUE FADE IN: EXT. XANADU - FAINT DAWN - 1940 (MINIATURE) Window, very small in the distance, illuminated. All around this is an almost totally blac
BYU - TMA - 319
http:/www.scifiscripts.com/scripts/strangelove.txtDR. STRANGELOVE Or: How I Learned To Stop Worrying And Love The BOMB CAST AT BURPELSON AIR FORCE BASE General Jack D. Ripper.Base Commander Major Mandrake.Executive Officer to General Ripper Colonel "Bat"
BYU - TMA - 319
(Name of Project)by (Name of First Writer)(Based on, If Any)Revisions by (Names of Subsequent Writers, in Order of Work Performed)Current Revisions by (Current Writer, date)Name Address PhoneINT DAY: OLIVE OIL OFFICES (SUMMER 1945) Looking toward th
BYU - TMA - 319
(Name of Project)by (Name of First Writer)(Based on, If Any)Revisions by (Names of Subsequent Writers, in Order of Work Performed)Current Revisions by (Current Writer, date)Name Address Phone78INT. ED MILLER'S CABIN - CONTINUOUS ACTION78JESSE ent
BYU - TMA - 319
http:/www.aellea.com/script/nightofthehunter.txtThe Night of the Hunter by James Agee, David Grubb & Charles Laughton FULL SHOT - THE STARLIT SKY VOICE And he opened his mouth and taught them, saying. FADE sky to DAY. LAP DISSOLVE TO LONG SHOT - HELICOPT
BYU - TMA - 319
!"#$#%&'(%)#%)(*+Written by Paul Thomas Anderson Based on "Oil!" by Upton SinclairFINAL SHOOTING SCRIPTPink 7.25.06 Blue 5.18.06 White (Numbered) 2.20.06This script is the confidential and proprietary property of Paramount Vantage, and no portion of i
BYU - TMA - 319
http:/www.weeklyscript.com/Psycho.txt"PSYCHO" By Joseph Stefano Based on the novel by Robert Bloch REVISED December 1, 1959FADE IN: EXT. PHOENIX, ARIZONA - (DAY) - HELICOPTER SHOT Above Midtown section of the city. It is early afternoon, a hot mid-summe
BYU - TMA - 319
(Name of Project) by (Name of First Writer)(Based on, If Any)Revisions by (Names of Subsequent Writers, in Order of Work Performed)Current Revisions by (Current Writer, date)Name (of company, if applicable) Address Phone NumberINT. LIVING ROOM. EVENI
BYU - TMA - 319
(Name of Project) by (Name of First Writer)(Based on, If Any)Revisions by (Names of Subsequent Writers, in Order of Work Performed)Current Revisions by (Current Writer, date)Name (of company, if applicable) Address Phone NumberEXT. SOCCER FIELD -DAY
BYU - TMA - 319
http:/www.weeklyscript.com/Signs.txt"SIGNS" by M. Night ShyamalanFADE IN: INT. WINDOW - MORNING We are looking out a second story window of a house. The backyard is large and green with a wooden jungle gym, worn from use. A single tree throws shade onto
BYU - TMA - 319
http:/www.weeklyscript.com/Searchers,%20The.txt"THE SEARCHERS" Revised Final Screenplay by Frank NugentFADE IN Behind the main title and the credits: EXT. PLAINS COUNTRY - CLOSE SHOT - MOVING JUST ABOVE GROUND LEVEL - A STUDY OF HOOFPRINTS - LATE AFTERN
BYU - TMA - 319
TMA 319 Course Syllabus Winter `11Instructor: Thomas Russell Office: F348 Office Phone: 422-1887 Email: film62@comcast.netTextsThe Visual Story by Block On Filmmaking: An Introduction to the Craft of a Director by Mackendrick Moviemakers Master Class:
BYU - TMA - 387
BREAKING DOWN A SCRIPTTOOLS FOR SCRIPT BREAKDOWN 1. 2. 3. Straight Edge (Ruler) Colored Pencils Pencil with eraser (or Pen with whiteout)STEPS TO SCRIPT BREAKDOWN 1. 2. 3. 4. 5. Re-read the script (or have read it within the last 48 hours) Line the Scri
BYU - TMA - 387
TIME SHEETSTUDENT NAME AND POSITION: DATE DESCRIPTION START TIME END TIME TOTALTMA 387 Section 001 Winter 2011
BYU - TMA - 387
TMA 387 SYLLABUSADVANCED PRODUCING / PRODUCTION MANAGEMENT WINTER 20114:00 6:50PM MONDAY F322 HFACInstructor: Class: Phone:Courtney Russell courtneyar@comcast.net 801.319.1954Required Texts Film Production Management, Third Edition by Sebastian Cleve
BYU - TMA - 387
SCRIPT BREAKDOWN Speaking Cast - RED Extras/Atmosphere - GREEN Silent Bits - YELLOW Props - LIME GREEN Set Dressing - PURPLE Wardrobe - CIRCLE Makeup - ASTERISK Stunts - ORANGE Special Effects - BLUE Sound Effects - BROWN Special Equipment - BOX AROUND AC
BYU - TMA - 387
TMA 387 Winter 2011Courtney Russell courtneyar@comcast.net 801.319.1954 ofce hours: mondays 9:00 am to 3:30 pm [or by appt.] F348 [Toms ofce] or D160-CTuesday, January 11, 2011ASSIGNMENTS Reading: [See syllabus for text and pagenumbers] Begin Tokens
BYU - TMA - 387
Weekly Progress Report [Project Name]Last modified: This report will help us track pre-production progress on a weekly basis. Enter and/or edit Director information in the appropriate fields and turn in weekly. You may modify the fields to suit Producer
BYU - TMA - 387
PreProductionOrganizationalChartEXECUTIVE PRODUCER/S [Name]PRODUCER [Name] ACCOUNTANT [Name]UPM [Name]DIRECTOR WRITER [Names]Initial Script BreakdownThe ScriptDraft Budget Key Contracts Shooting Script Script Timing Draft Budget Draft SchedulePre-
BYU - MCOMM - 320
M COM 320 Practice Grammar Test #2 Key 1 D 2 D 3 B 4 A 5 C 6 B 7 D 8 A 9B 10C 11 12 13 14 15 16 17 18 19 20 B D C A B B C A B A21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41B A B B B C A C D D A B C D B A D A C C B42 43 44 45 46 47 48 4
BYU - MCOMM - 320
2PhrasesPhrase Definition CGroup CRelated words CWITHOUT a subject AND a verb Phrase Types (by function) CIntroductory CInterruptive CConcluding Phrase Types (by part of speech) CNoun CVerb CPreposition CAdjective CAdverb1BasicSentence Components CSu