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Course: ENGLISH 467, Spring 2011
School: Cornell
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4120 ENGL MidTerm Oliver Twist: -item of mortality: less than a person; born to die; just another number in the system; poor law debate; name given at random; -found him a pale, thin child, somewhat diminutive in stature, and decidedly small in circumference. But nature or inheritance had implanted a good sturdy spirit in Olivers breast: it had had plenty of room to expand, thanks to the spare diet of the...

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4120 ENGL MidTerm Oliver Twist: -item of mortality: less than a person; born to die; just another number in the system; poor law debate; name given at random; -found him a pale, thin child, somewhat diminutive in stature, and decidedly small in circumference. But nature or inheritance had implanted a good sturdy spirit in Olivers breast: it had had plenty of room to expand, thanks to the spare diet of the establishment: inheritance his mother had given him his pureness and made him uncorruptable; -So they established the rule, that all poor people should have the alternative (for they would compel nobody, not they) of being starved by a gradual process in the house, or by a quick one out of it.They made a great many wise and humane regulations; instead of compelling a man to support his family as they had theretofore done, took his family away from him, and made him a bachelor: Dickens shows sarcasm toward the poor laws and the effects on the poor -It is the custom on stage in all good murderous melodramas to present the tragic and comic scenes in as regular alternation as the layers of red and white in a side of streaky, wellcured bacon: this shows the issue of digression; transitions from funny to tragic; streaks of life; -the hideous old man seemed like some loathsome reptile, engendered in the slime an darkness though which he moved, crawling forth by night in search of some rich offal for a meal.: description of Fagin The Jew; he is portrayed like a reptile; question of anti-Semitism and the convenient villain; feeding on Christian babies -It is my living, and the cold, wet, dirty streets are my home; and youre the wretch that drove me to them long ago, and thatll keep me there day and night, day and night till I die: realization that Nancy is a prostitute; poor laws; prostitution; the fallen woman and her inability to get back up; she is not helpless, she just wants Bill to change with her -It is a simple question of identity, you will observe, said that doctor: trying to decide if Oliver is the thief; trying to make them doubt that he is; ironic because the book is about mistaken identity -The many who growledthe kind of legs which in some costume always look in an unfinished and incomplete state without a set of fetters to garnish them: Sikes is immediately recognizable as a criminal; -crime, like death, is not confined to the old and withered alone. The youngest and fairest are often its chosen victims: this is ironic because he is saying dont judge a book by its cover, but the whole book is doing that -But if the spirits of the Dead ever come back to earth to visit spots hallowed by love ay, though it is a church, she was weak and erring: sarcasm and sympathy for Agnes Dr. Jekyll and Mr. Hyde: -He is not easy to describe. There is something wrong with his appearanceI never saw a man I so disliked, and yet I scarce know whyhe gives a strong feeling of deformity, though I couldnt specify the point.: first description of Hyde; he looks deformed, but in no particular way; people see his evil nature and assume deformity; he is disturbing and people default to deformity; primitive -where is friend lay asleep, dreaming and smiling in his dreams, and then the door to that room would be opened, the curtains of the bed plucked apartthere would stand by his side a figure to whom power was given, and even at that dead hour, he must rise and do its bidding: slavery; Jekyll is a slave to Hyde, according to Utterson; blackmail; undertone of homosexuality -And still the figure had no face: Uttersons dream does not show Hyde with a face; he cant figure him out or read him; -If he could but once set eyes on himhe might see a reason for his friends pleasure or bondage: Utterson is still trying to figure out why Jekyll has set his will to Hyde; wants to see him and figure it out; blackmail; tone of homosexuality -the hand lying half shut on the bed clothes was lean, corded, knuckly, of a dusty pallor and shaded thickly with a swart growth of hair. It was the hand of Edward Hyde. :hand paints him as primitive and hairy -It turns me cold to think of this creature stealing like a thief to Harrys bedside: again worrying about his friend with homosexual undertone -It was on this side that my new power tempted me until I fell in slavery.: enslaved by his evil side -man is not truly one, but twoman will be ultiamely known by a mere polity of multifarious, incongruous, and independent denizens: repression of evil; there is a society of evil selves within; perhaps there is no true authentic self; The Picture of Dorian Gray: -To reveal art and conceal the artist is arts aim; There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all; All art is quite useless: -there is a separation of art and the artist; -art is separate from morality and reality; -it serves no actual purpose in reality -Why is your friendship so fatal to young men?: Basil is telling Dorian about all of the rumors; everyone he has been friends with has become disgraced; sexual sins, if not homosexual; the men have fallen from grace, but he hasnt; he has remained untarnished (appearance) -Sin is a thing that writes itself across a mans face. It cannot be concealed.: Basil doesnt believe that rumors about Dorian because it doesnt show them on his face; he remains beautiful; goes back to the idea of a legible person (Hyde, Oliver, Fagin) -The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who reveals himself; The reason I will not exhibit this picture is that I am afraid that I have shown it is in the secret of my own soul: the painter shows himself, not the sitter; he cant show Dorians picture because it will reveal a secret about him; -Notion of influence: Lord Harry says that influence is immoral; that the goal of the person should be to develop oneself and realize ones nature perfectly; then he influences Dorian very carefully because he says that they seemed to have come really from himself: being influenced but doesnt feel like it; says he plays him on a violin; To project ones soul into some gracious form, and let it tarry there for a momentthere was a real joy in it: Harry is enjoying influencing Dorian; he started off as a completely blank, empty, and impressionable form; even the pose in the picture is influenced by Harry; You never sat better -Basil talks about why he has such an interest in Dorian; his personality has suggested to me an entirely new manner in art, an entirely new mode of style; I see and think things differently. Quote: almost a homosexual passion; confesses his feelings by talking about the Greeks; he paints Dorians exterior, his interior -Dorian shows Basil the portrait and how it has changed; he doesnt recognize it because he has become old and withered; then he sees his signature and believes it was his fault; -She is never Sibyl Vane. She is all the great heroines of the world in one. She is more than an individual.: Dorian likes Sybil more for her acting than herself; he likes the characters she plays, not herself; likes that she is never herself; she decides to embrace reality and stop actingthis kills her because she wanted reality; You made me understand what reality is. You made me understand what love really is; he says she is shallow and stupid for throwing away his love for her lack of reality; backwards meaning of shallow too (shallow for having an identity) -It was such love as XXX could have known. Yes, Basil could have saved him. But it was too late now. That past could always be annihilated. Regret, denial, or forgetfulness could do that. But the future was inevitable. There were passions in him that would find their terrible outlet, dreams that would make the shadow of their real evil: describes Basils confession; also his answers at his trial; those people were homosexual
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Rutgers - ART HIST - 105
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OTTONIAN ART (11.23.09) Revival of the Carolingian idea of renovatio (=revival ofConstantinian and Justinianic periods, i.e. 4th and 6thcent) Church architecture sees introduction of alternatesupport system (columns and piers) and galleries Revival
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Rutgers - ART HIST - 105
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Rutgers - ART HIST - 105
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Rutgers - ART HIST - 105
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Rutgers - ART HIST - 105
OUTLINE FOR ROMAN IMPERIAL ART I(Copyright 2009 - John F. Kenfield)HISTORICAL BACKGROUND:The Hellenistic type monarchy imposed on the Roman world with theascension of Octavianus, (henceforth known to the world as Augustus) as aresult of the Battle of
Rutgers - ART HIST - 105
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Rutgers - ART HIST - 105
OUTLINE FOR HELLENISTIC BAROQUE SCULPTURE(Copyright 2008 - John F. Kenfield)Sculpture produced in the Hellenistic capital city of Pergamon achieves the fullest expression of theincreasing taste for realism combined with the dramatic. This style, termed
Rutgers - ART HIST - 105
OUTLINE FOR HELLENISTIC BAROQUE SCULPTURE(Copyright 2008 - John F. Kenfield)Sculpture produced in the Hellenistic capital city of Pergamon achieves the fullest expression of theincreasing taste for realism combined with the dramatic. This style, termed
Rutgers - ART HIST - 105
OUTLINE FOR HELLENISTIC ART (Copyright 2008 - John F. Kenfield)HISTORICAL BACKGROUND 323 B.C. (Death of Alexander the Great) - 31 B.C. (The Battle ofActium):After Alexander's untimely death in Babylon (near modern Baghdad) at the age of 31, the empire
Rutgers - ART HIST - 105
OUTLINE FOR ETRUSCAN AND ROMAN REPUBLICAN ART(Copyright 2009 - John F. Kenfield)Historical Background: (650 B.C. - 31 B.C.)Italys participation in Classical European civilization is a result of the Greekcolonization of southern Italy and Sicily in the
Rutgers - ART HIST - 105
OUTLINE FOR EGYPTIAN ARTKey Concepts: Egypts need for stability and continuity throughout its 2400 years ofindependence is reflected in art and religion. Organized, state-sponsored religion lendssacred significance to the central values of the establis
Rutgers - ART HIST - 105
OUTLINE FOR EARLY CLASSICAL GREEK ARTAll of the components for the humanist revolution of the Classical period were in placeby the late Archaic period, but the generally recognized date for the change is 480/479B.C. when the Greek city states under the
Rutgers - ART HIST - 105
OUTLINE FOR ARCHAIC GREEK SCULPTUREAND PAINTINGOwing to the good services of Greek mercenaries, in the early seventh century B.C. anEgyptian pharaoh gave the Greeks two settlements in the Nile Delta. The Greek artistsattracted to these settlements lea
Rutgers - ART HIST - 105
OUTLINE FOR ARCHAIC GREEKARCHITECTURE AND ARCHITECTURALSCULPTUREThe foremost architectural expression of ancient Greek culture was always the peristyletemple. This kind of temple is rectangular in plan, usually consisting of three roomsplaced one beh
Rutgers - ART HIST - 105
OUTLINE FOR AEGEAN ART OF THE BRONZE AGEHistorical background:While the early advanced civilizations of Mesopotamia in the Near East and Egypt in thenortheastern corner of Africa were creating remarkable artistic achievements during thethird millenium
Rutgers - ART HIST - 105
GOTHIC ART 2 (12.10.09) Illuminated books now also commissioned by laypatrons (royal family) and produced in the cities(Paris) in secular workshops Style: swaying, elongated tiny figures, lyricalsweeps of folds in drapery, grace, exaggeratedposes, f
Rutgers - ART HIST - 105
Rome, Summer Study Abroad this summer? Or Paris?GOTHIC ART 1 Age of cathedrals, esp. around Paris Architecture: pointed arch, ribbed vault, flyingbuttresses, stained glass. Effects: soaringverticality, lightness and multicolored light, lessand less
Rutgers - ART HIST - 105
Early Christian Art 10/26/09Before Edict of Milan (313), early Christian art can be found in afunerary context (catacombs and sarcophagi). Personal imageryproviding hope for the afterlife (Orant, Good Shepherd, Jonah)Syncretism: assimilation of imager
Rutgers - ART HIST - 105
BYZANTINE ART I 10/29/09 324AD: Constantine moves the capital of theempire from Rome to the Greek city ofByzantium on the Bosphorus and renames itafter himself Constantinople (the new Rome) Byzantium=eastern Roman empire whichcontinues to exist unti
Rutgers - ART HIST - 105
105 Lecture 12 Roman Imperial Art IIHouse of the Samnite at Herculaneum, 1st or Encrustation Styleof Roman wall painting, late 2nd cent. B.C.Dionysiac Frieze, Villa of the Mysteries, Pompeii, 2nd orArchitectural Style, ca. 50 B.C.Odyssey Landscape Fr