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Course: MUET 220, Spring 2011
School: Maryland
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Carter BIO Shawn was born on December 4, 1969. He was brought up on the mean streets in the Marcy Projects of Brooklyn, New York. During a difficult childhood he was part time rapper and full time hustler. Carters father abandoned the family before he became a teenager. The fledgling rapper was known as "Jazzy" which he modified into Jay-Z. Other names that he went by later in his career were the...

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Carter BIO Shawn was born on December 4, 1969. He was brought up on the mean streets in the Marcy Projects of Brooklyn, New York. During a difficult childhood he was part time rapper and full time hustler. Carters father abandoned the family before he became a teenager. The fledgling rapper was known as "Jazzy" which he modified into Jay-Z. Other names that he went by later in his career were the Jiggaman, HOV and Hova. After his fathers departure Jay-Z took solace in his rap on the streets, he used the money from his hustling to fund his rap career. One of Jay-Zs closest friends was Christopher Wallace, who was later known as the Notorious B.I.G. Jay-Z had the magical ability to create an entire track without writing it down even once. While he tests out a few sample tunes the lyrics just flow from the top of his head. Jay-Z had heard a lot of stories how record companies exploited young rappers with talent. The fruits of their hard work were enjoyed by the company. The rapper needed the company to give him his first break because he did not have the funds to manage the studio costs. Jay-Z wanted to avoid this situation. In an unprecedented move he formed his own company along with fellow street pals Damon Dash and Kareem "Biggs" Burke. He wanted to cut out the middleman who would drain the profits; Roc-a-Fella Records was created. Jay-Z struck a deal with Priority Records for the distribution of his album. It is testimony of his systematic method of functioning that he managed all this before he released his first album. Jay-Z was all set to release his first album called "Reasonable Doubt." The album was a hit with the critics and had a gold single but it did not have much of an impression with the masses. There was a risk that Jay-Zs high risk and high reward strategy would not pay off. It was Jay-Zs third album, Vol. 2: Hard Knock Life that catapulted him into the mainstream of rap. Strike when the iron is hot. Jay-Z embarked on a large-scale arena tour, elevating his popularity to dizzying heights. Another factor that perversely helped Jay-Z were the killings of Tupac Shakur and his friend the Notorious B.I.G. These two were the rap superstars of the time and their deaths left Jay-Z as the numero uno rapper on the east coast. In the next five years Jay-Z sold more than ten million records. He had more songs on the radio than any contemporary rapper. Jay-Z has scored a number of hits over the years, they include, "The Originator's," "Streets Is Watching," "Can I Get Open," "Ain't No N**a," "You Must Love Me," "Can't Knock the Hustle" and "Feelin It." Anyone in the forefront of the rap world spawns millions of fans. Jay-Z had become a cultural symbol for millions of people. The one way of taking advantage of this phenomenon was to expand. Roc-A-Fella Films Have released films such as "Streets is Watching", "Backstage" and "State Property". Three feature films - Paid in Full, Paper Soldiers and Death of a Dynasty are on the anvil. Jay-Z started his own clothing line called Rocawear in 1999. Rocawear grossed $150 million in 2001. This is a global initiative with outlets in Europe, Japan and Canada. It carries loungewear, hats and belts for men, women and children. Roc-a-fella distributed Armadale Premium, a two grain, triple distilled Scottish vodka. He opened the 40/40 Club Elite sports bar in New York City. Another first to Jay-Zs name is endorsement of Reebok shoes. The S. Carter shoe collection marks the first time a nonathlete ever had a signature shoe. Jay-Z has encouraged many of his protgs who have gone on to make a big name for themselves. He has sold more than seventeen million albums. Jay-Z has undertaken many philanthropic activities in New York City. The Team Roc charitable organization helps underprivileged children in the city. Shawn Carter Scholarship Fund pays for the college tuition of deserving Marcy area high school students. During the annual Jay-Z Santa Claus Toy Drive, Jay-Z provides toys to children of the Marcy projects area in Brooklyn. Jay-Z won the 2001 Grammy award for Best Rap Album - "Vol.3. Life And Times of S. Carter and the Best Rap Performance by Duo or Group - "Big Pimpin" He won the 1999 Best Rap Video for "Can I Get A" WIKI Shawn Corey Carter (born December 4, 1969),[1] better known by his stage name Jay-Z, is an American hip hop artist and businessman. He is one of the most financially successful hip hop artists and entrepreneurs in America,[2] having a net worth of over $150 million,[3] selling over 30 million copies of his albums in the United States alone and receiving several Grammy Awards for his musical work.[4] Jay-Z co-owns The 40/40 Club and the NBA's New Jersey Nets and is also the creator of the clothing line Rocawear. He is the former CEO of Def Jam Recordings[5], one of the three founders of Roc-A-Fella Records and recently, the founder of his new venture Roc Nation. He is also the current holder for the record of most number one albums by a solo artist on the Billboard 200.[6] Jay-Z also had 4 number ones on the Billboard Hot 100, one as lead artist. (Heartbreaker with Mariah Carey, Crazy in Love with Beyonce, Umbrella with Rihanna and Empire State of Mind featuring Alicia Keys.) Along with his financial and musical success, Jay-Z is known for being involved in the feud between him and fellow New York rapper Nas, which was eventually settled in 2005.[7] He married singer Beyonc Knowles on April 4, 2008.[8] Contents [hide] 1 Early years 2 Musical career o 2.1 199697: Reasonable Doubt and In My Lifetime, Vol. 1 o 2.2 19982000: Vol. 2... Criminal charges and mainstream success o 2.3 200102: Feud with Nas, The Blueprint and The Blueprint o 2.4 200305: The Black Album, retirement and Collision Course o 2.5 200507: "I Declare War", Kingdom Come and American Gangster o 2.6 2008present: Glastonbury, New Record Deal and The Blueprint 3 3 Business ventures 4 Personal life o 4.1 Relationship with Beyonc o 4.2 Philanthropy 5 Discography 6 Awards 7 Filmography 8 References 9 External links Early years Jay-Z (top) with a friend (left) in Trenton, New Jersey, circa 1988 Originally from Marcy Houses housing project in the Bedford-Stuyvesant neighborhood of Brooklyn in New York City,[9] Jay-Z was abandoned by his father and at 12 years old, he had shot his brother in the shoulder for stealing his jewelry.[10][11] Jay-Z attended Eli Whitney High School in Brooklyn, along with rapper AZ, until it was closed down. After that he attended George Westinghouse Information Technology High School in Downtown Brooklyn, which fellow rappers The Notorious B.I.G. and Busta Rhymes also attended, and Trenton Central High School in Trenton, New Jersey, but did not graduate.[12] In his music he refers to having been involved in selling crack cocaine.[11] According to his mother, Gloria Carter, a young Jay-Z used to wake his siblings up at night banging out drum patterns on the kitchen table. Eventually, she bought him a boom box for his birthday, sparking his interest in music. He began freestyling, writing lyrics, and followed the music of many artists popular at the time.[13] In his neighborhood, Carter was known as "Jazzy", a nickname that eventually developed into his stage name, "Jay-Z". The moniker is also an homage to his musical mentor, Jaz-O, as well as to the J/Z subway lines that have a stop at Marcy Avenue in Brooklyn.[9] Jay-Z can briefly be heard on several of Jaz-O's early recordings in the late 1980s and early 1990s, including "The Originators" and "Hawaiian Sophie". Jay-Z was also involved in and won several battles with rapper LL Cool J in the early 90's as part of a plan to get a sought-after record deal.[14] He first became known to a wide audience by being featured on the posse cut "Show and Prove" on the 1994 Big Daddy Kane album Daddy's Home He made an appearance on a popular song by Big L, "Da Graveyard", and on Mic Geronimo's "Time to Build", which also featured early appearances by DMX, and Ja Rule in 1995. His first official rap single was called "I Can't Get With That", for which he released a music video. [15] Musical career 199697: Reasonable Doubt and In My Lifetime, Vol. 1 From the beginning of his professional recording career, when no major label gave him a record deal, JayZ, Damon Dash, and Kareem Biggs created Roc-A-Fella Records as their own independent label. After striking a deal with Priority to distribute his material, Jay-Z released his 1996 debut album Reasonable Doubt with beats from acclaimed producers such as DJ Premier and Super DJ Clark Kent and a notable appearance by The Notorious B.I.G.. Despite reaching only number 23 on the Billboard 200, the album was well-received by critics.[9] This album would later be included in Rolling Stone's "500 Greatest Albums of All Time" as #248 and would later reach platinum status.[16] After reaching a new distribution deal with Def Jam in 1997, Jay-Z released his follow-up In My Lifetime, Vol. 1. Executively produced by Sean "Puff Daddy" Combs, it sold better than his previous effort. Jay-Z later explained that the album was made during one of the worst periods of his life. He was reeling from the death of his close friend The Notorious B.I.G. The album was a personal revelation for Jay-Z as he spun the tale of his hard knock upbringing.[17] The album's glossy production stood as a contrast to his first release, and some dedicated fans felt he had "sold out". However, the album did feature some beats from producers who had worked with him on Reasonable Doubt, namely DJ Premier and Ski. Like its predecessor, In My Lifetime, Vol. 1 earned Platinum status in the United States.[16] 19982000: Vol. 2... Criminal charges and mainstream success In 1998, Jay-Z released Vol. 2... Hard Knock Life which spawned the biggest hit of his career at the time, "Hard Knock Life (Ghetto Anthem)". He relied more on flow and wordplay, and he continued with his penchant for mining beats from the popular producers of the day such as Swizz Beatz, an upstart in-house producer for Ruff Ryders, and Timbaland. Other producers include: DJ Premier, Erick Sermon, The 45 King, and Kid Capri. Charting hits from this album included "Can I Get A...", featuring Ja Rule and Amil, and "Nigga What, Nigga Who", which featured Amil too. Vol. 2 would eventually become Jay-Z's most commercially successful album; it was certified 5 Platinum in the United States and has to date sold over five million copies.[16] The album went on to win a Grammy Award, although Jay-Z boycotted the ceremony protesting DMX's failure to garner a Grammy nomination.[18] In 1999, Jay-Z released Vol. 3... Life and Times of S. Carter, the album proved to be successful and sold over 3 million records.[16] Vol. 3's most successful single was "Big Pimpin'", featuring UGK. Around the same time, Jay-Z was accused of stabbing record executive Lance "Un" Rivera for what Jay-Z perceived was Rivera's bootlegging of Vol. 3... Life and Times of S. Carter. The stabbing allegedly occurred at the record release party for Q-Tip's debut solo album Amplified at the Kit Kat Klub, a now defunct night club in Times Square, New York City, on December 9. Jay-Z's associates at the party were accused of causing a commotion within the club, which Jay-Z allegedly used as cover when he supposedly stabbed Rivera in the stomach with a five-inch (127 mm) blade.[19] Jay-Z initially denied the incident and pleaded not guilty when a grand jury returned the indictment. Jay-Z and his lawyers contended he was nowhere around Rivera during the incident and they had witnesses and videotape evidence from the club that showed Jay-Z's whereabouts during the disturbance. Nevertheless, he later pleaded guilty to a misdemeanor charge that resulted in a sentence of three years probation. [20] In 2000, Jay-Z released The Dynasty: Roc La Familia, which was originally intended to become a compilation album for Roc-A-Fella artists but somehow turned into another Jay-Z album.[21] The album helped to introduce newcomer producers The Neptunes, Just Blaze, Kanye West and Bink!, which have all gone on to achieve notable success. This is also the first album where Jay-Z utilizes a more soulful sound than his previous albums. The Dynasty: Roc La Familia sold over two million units in the U.S. alone.[16] 200102: Feud with Nas, The Blueprint and The Blueprint In 2001, Jay-Z spoke out against Prodigy after he took an issue with a Jay-Z line from "Money, Cash, Hoes" that he felt were subliminal shots at Mobb Deep and referenced Mobb Deep's beef with Tupac Shakur, Snoop Dogg, and Death Row Records. He later performed a song "Takeover," at Summer Jam 2001, which initially attacked Prodigy and revealed photos of Prodigy dressed like Michael Jackson.[22] A line at the end of "Takeover" referenced Nas, who criticized him on "We Will Survive".[23] Nas responded with a diss track called "Stillmatic" and almost instantly, Jay-Z added a verse to "Takeover" which dissed Nas and would start a feud between the two rappers. Jay-Z later released his sixth studio album The Blueprint which was later considered by many to be one of hip hop's "classic" albums, receiving the coveted 5 mic review from The Source magazine. Released during the wake of September 11 attacks, the album managed to debut at number one on the Billboard 200, selling more than 427,000 units;[24] the album's success was overshadowed by the tragic event. The Blueprint has been certified 3x Platinum in the United States.[16] The Blueprint was applauded for its production and the balance of "mainstream" and "hardcore" rap, receiving recognition from both audiences. The Blueprint was written in only two days.[25] Eminem was the only guest rapper on the album, producing and rapping on the song "Renegade". Four of the thirteen tracks on the album were produced by Kanye West and represents one of West's first major breaks in the industry.The Blueprint includes the popular songs "Izzo (H.O.V.A.)", "Girls, Girls, Girls, Jigga That Nigga and Song Cry. Jay-Z's next solo album was 2002's 3 million (U.S. only) selling[16] The Blueprint: The Gift & the Curse, a double-album. The album debuted on the Billboard 200 at number one, selling over 545,000 units and surpassing The Blueprint.[26] It was later reissued in a single-disc version, The Blueprint 2.1, which retained half of the tracks from the original. The album spawned two massive hit singles, "Excuse Me Miss" and "Bonnie & Clyde" featuring Jay-Z's girlfriend of four years Beyonc Knowles. "Guns & Roses", a track featuring rock musician Lenny Kravitz, and "Hovi Baby" were two successful radio singles as well. The album features the tracks "A Dream", featuring Faith Evans and a recording of the late The Notorious B.I.G.; and "The Bounce", featuring Kanye West. The Blueprint 2.1 features tracks that do not appear on The Blueprint: The Gift & the Curse, such as "Stop", "La La La (Excuse Me Again)", "What They Gonna Do, Part II" and "Beware" produced by and featuring Panjabi MC.[27] 200305: The Black Album, retirement and Collision Course Jay-Z toured with 50 Cent, Busta Rhymes and Sean Paul while finishing work on what was announced as his final album, The Black Album.[28] He worked with several producers including Just Blaze, The Neptunes, Kanye West, Timbaland, Eminem, DJ Quik, 9th Wonder and Rick Rubin. Notable songs on the album included "What More Can I Say", "Dirt Off Your Shoulder", "Change Clothes", and "99 Problems". A few of the songs done on this album portray a more personal side of Jay-Z; for example, "Moment of Clarity" sheds light on his feelings towards his estranged father and coping with his death and deals with accusations that he sold out to reach a wider audience. "What More Can I Say" addresses the "biting" accusations leveled against him by Nas in "Ether" and other detractors. The Black Album has sold 3 million copies in the US.[16] On November 25, 2003, Jay-Z held a concert at Madison Square Garden, which would later be the focus of his film Fade to Black. This concert was his "retirement party". All proceeds went to charity. Other performers included collaborators like The Roots (in the form of his backing band), Missy Elliott, Memphis Bleek, Beanie Siegel, Freeway, Mary J. Blige, Beyonc, Twista, Ghostface Killah, Foxy Brown, Pharrell and R. Kelly with special appearances by Voletta Wallace and Afeni Shakur, the mothers of The Notorious B.I.G. and Tupac Shakur respectively. While Jay-Z had attested to a retirement from making new studio albums, various side projects and appearances soon followed. Included in these were a greatest hits record, mash-up projects and concert appearances with R. Kelly and Linkin Park. In 2004 Jay-Z collaborated with rock group Linkin Park. The project was named Collision Course, and contained a six track EP, as well as a making of DVD. Some of the mash ups tracks were entitled "Dirt Off Your Shoulder/Lying From You", "Jigga What/Faint", and "Numb/Encore". "Numb/Encore" went on to win a Grammy for Best Rap/Sung Collaboration, and was performed with Linkin Park live at the Grammys, with a special appearance by Paul McCartney, who added verses from the song Yesterday. The EP sold over 1 million copies in the US alone.[16] Jay-Z was the executive producer of Fort Minor's debut album The Rising Tied. Mike Shinoda got together with Jay-Z and Linkin Park bandmate Brad Delson to discuss what tracks should make the album. Later in 2004, Jay-Z was named president of Def Jam Records, which led to Jay-Z, Dash and Biggs selling their remaining interests in Roc-A-Fella Records and Jay-Z taking control of both of the companies. [29] Reportedly this major industry move was prompted by disagreements between Jay-Z and Dash as to what direction Roc-A-Fella could undertake.[30] The publicized split between Jay-Z, Dash and Biggs led to the former partners sending jabs at each other in interviews.[31] 200507: "I Declare War", Kingdom Come and American Gangster Jay-Z at a concert in 2006. On October 27, 2005, Jay-Z headlined New York's Power 105.1 annual concert, Powerhouse. The concert was entitled the "I Declare War" concert leading to intense speculation in the weeks preceding the event on whom exactly Jay-Z would declare war. As he had previously "declared war" on other artists taking lyrical shots at him at other events, many believed that the Powerhouse show would represent an all-out assault by Jay-Z upon his rivals.[32] The theme of the concert was Jay-Z's position as President and CEO of Def Jam, complete with an on-stage mock-up of the Oval Office. Many artists made appearances such as the old roster of Roc-A-Fella records artists, as well as Ne-Yo, Teairra Mari, T.I., Young Jeezy, Akon, Kanye West, Paul Wall, The LOX, and Diddy.[33] At the conclusion of the concert, Jay-Z put many arguments to rest to the surprise of hip hop fans. The most significant development in this show was closure to the infamous hip hop rivalry between Jay-Z and Nas. The two former rivals shook hands and shared the stage together to perform Jay-Z's "Dead Presidents" blended with Nas's song "The World is Yours".[7] Jay-Z returned with his comeback album on November 21, 2006 titled Kingdom Come.[34] Jay-Z's comeback single, "Show Me What You Got", was leaked on the Internet in early October 2006, scheduled to be released later on that month, received heavy air-play after its leak, causing the FBI to step in and investigate.[35] Jay-Z worked with video director Hype Williams, and the single's video was directed by F. Gary Gray (Friday, The Italian Job). The album features producers such as Just Blaze, Pharrell, Kanye West, Dr. Dre and Coldplay's Chris Martin (single entitled "Beach Chair").[36][37] The first week saw 680,000 sales of the CD, which Entertainment Weekly said was "the highest single-week total in Jay's decadelong career".[38] This album has sold 2 million copies in the U.S. alone.[16] Jay-Z released his tenth album entitled American Gangster on November 6, 2007. After viewing the Ridley Scott film of the same name, he was heavily inspired to create a new "concept" album that depicts his experiences as a street-hustler.[39] The album is not the film's official soundtrack, although it was distributed by Def Jam.[40] Jay-Z's American Gangster depicts his life in correlation to the movie American Gangster. At the start of the album's first single, "Blue Magic", Jay-Z offers a dealer's manifesto while making references to political figures of the late 1980s with the lyric: "Blame Reagan for making me to into a monster, blame Oliver North and Iran-Contra, I ran contraband that they sponsored, before this rhymin' stuff we was in concert."[41] Also notable about the "Blue Magic" music video was Jay-Z flashing 500 euro notes, in what Harvard Business School professor Rawi Abdelal has called a "turning point in American pop culture's response to globalization." The album has sold 1 million copies in the US.[16] On December 24, 2007, Jay-Z stated that he will not remain at Def Jam as the company's President, and vacated the position effective of January 1, 2008.[42] 2008present: Glastonbury, New Record Deal and The Blueprint 3 Jay-Z during his Glastonbury performance It was controversially announced on February 2, 2008 that Jay-Z would headline the 2008 Glastonbury Festival, becoming the first major hip hop artist to headline the British festival. [43][44] Tickets initially failed to sell out - with 100,000 being sold out of a possible 137,500. As the festival sold out in 2 hours the previous year critics blamed the choice of a hip hop artist as opposed to a rock band as the main problem, [45] although more a likely cause is the preceding run of terrible weather and flooding that in 2007 made life at the festival very difficult.[46] Tickets eventually sold out in the final day before the festival. One of the more outspoken critics of his selection was Noel Gallagher of Oasis fame, who criticised the organizers of the festival for scheduling Jay-Z as a headliner for the traditionally guitar-driven, stating "I'm sorry, but Jay-Z? No chance. Glastonbury has a tradition of guitar music and even when they throw the odd curve ball in on a Sunday night you go 'Kylie Minogue?' I don't know about it. But I'm not having hip hop at Glastonbury. It's wrong."[47] Controversy ensued in the months leading up to the event with artists, promoters and fans weighing in both for and against. Jay-Z responded to this saying, "We don't play guitars, Noel, but hip hop has put in its work like any other form of music. This headline show is just a natural progression. Rap music is still evolving. We have to respect each other's genre of music and move forward."[48] In response to Gallagher's criticism, Jay-Z opened his Glastonbury set with a tongue-in-cheek cover of Oasis's iconic song "Wonderwall".[49] His Glastonbury performance was heralded as a successful response to pre-festival criticism.[50] When Gallagher was asked about the incident he replied "Someone asked me about the fact that Glastonbury hadn't sold out for the first time in years, and if it was because of Jay-Z. From there it grew into this crap that I was standing on an orange crate at Speakers' Corner saying, 'Gather round, brothers and sisters. Have you heard what's happening at Glastonbury this year?' I've hung out with Jay-Z in Tokyo. It's not my bag, but it's all right."[51] When Jay-Z was asked about Gallagher's comments he said "I heard he was reaching out. I don't bear any grudge, it's all good. I just don't believe in good music and bad music, I've always said that." and said that he would be interested in collaborating with Oasis in the future. [52] He also headlined many other summer festivals in 2008, including Roskilde Festival in Denmark,[53] Hove Festival in Norway[54] and O2 Wireless Festival in London.[55] Jay-Z also stated that after he finishing touring he will work on a new album.[56] Timbaland has previously stated that he will be producing the entire album.[57] Recently, however, Jay-Z went on record to say that it is not guaranteed to be a full Timbaland production.[58] During Kanye West's August 6, 2008 concert at Madison Square Garden, Jay-Z came out to perform a new song and he and Kanye proclaimed that it was to be on The Blueprint 3.[59] On May 21, 2009, Jay-Z announced he would be parting ways with Def Jam, and had stuck a multi-million dollar deal to sign for Live Nation, which he would start his Roc Nation imprint which would serve as a record label, talent/management agency, and music publishing company [60] and also partnered up with production team Stargate to start a record label called StarRoc.[61][62] Jay-Z's 11th studio album The Blueprint 3 was originally to be released on September 11, 2009[63] but was instead released on September 8, 2009 due to increasing anticipation.[64] It is his 11th album to reach #1 on the Billboard 200[65] and has surpassed Elvis Presley's previous record, making him the current record holder.[6] On October 9, 2009, Jay-Z kicked off his tour for The Blueprint 3, during which he will support his new album in North America. In a Shave Magazine review of his performance at Rexall Place in Edmonton, Jake Tomlinson expressed that "It was the type of smooth performance you would expect from the hip-hop superstar." The review gave this performance 4 stars. His North American tour is scheduled to continue until November 22, 2009.[66] At his concert on November 8, 2009 at UCLA's Pauley Pavilion, Rihanna joined him on stage and performed Hard for the very first time, then performed Run This Town with Jay. Enjoying their performances were Justin Timberlake, Jessica Biel, Nicole Richie and Samantha Ronson, James Blunt, and Jamie Foxx.[67] Among his success, Jay-Z has ventured into producing Broadway shows. Along with Jada Pinkett Smith and Will Smith, Jay-Z helped produced the play "Fela!," a musical celebrating the work of the late Nigerian star Fela Anikulapo Kuti.[68] Jay-Z said he was inspired by the power of Kuti's work and his life story, which resulted in his interest to help produce the musical.[68] "Fela!" is a story about a African pioneer and political activist who made his first moves on the scene during the 1970s.[68] Business ventures Jay-Z has also established himself as an entrepreneur like his fellow hip hop moguls, and friends, Russell Simmons, Dr. Dre and Sean "Diddy" Combs, who also have business holdings such as record companies and clothing lines. In an interview, he stated that "my brands are an extension of me. They're close to me. It's not like running GM, where there's no emotional attachment."[69] He is the founder of the urban clothing brand Rocawear along with Damon Dash.[70] Rocawear has clothing lines and accessories for men, women and children. The line was taken over by Jay-Z in early 2006 following a falling out with co-founder Damon Dash. In March 2007, Jay-Z sold the rights to the Rocawear brand to Iconix Brand Group, for $204 million. Jay-Z will retain his stake in the company and will continue to oversee the marketing, licensing and product development.[70][71] He also co-owns The 40/40 Club, an upscale sports bar that started in New York City and has since expanded to Atlantic City and Chicago. In 2008, the 40/40 club in Las Vegas was closed down and bought back by the hotel after attendance steadily declined, future plans will see 40/40 Clubs in Tokyo, and Singapore.[72] Jay-Z serves as co-brand director for Budweiser Select and collaborates with the company on strategic marketing programs and creative ad development. He provides direction on brand programs and ads that appear on TV, radio, print, and high-profile events.[73] He is a part-owner of the New Jersey Nets NBA team paying a reported $4.5 million for his share. He is interested in relocating the team to Brooklyn. In October 2005, he was reported in English media as considering buying a stake of Arsenal F.C., an English soccer team.[74] He has also invested in a real estate development venture called J Hotels which recently acquired a $66 million mid-block parcel in Chelsea, New York. Jay-Z and his partners are contemplating constructing a high-end hotel or an art gallery building on the newly acquired site which has the potential to go up about twelve stories.[75] Personal life Relationship with Beyonc Jay-Z's most public relationship has been with American R&B singer Beyonc Knowles, a former member of Destiny's Child. In 2002, Jay-Z & Beyonce collaborated for the song "Bonnie & Clyde". Jay-Z also appeared on Knowles' hit single "Crazy In Love" and as well as "That's How You Like It" from her debut Dangerously in Love. On her second album, B'Day, he made appearances on the 2006 hits, "Dj Vu" and "Upgrade U". In the video for the latter song, she comically imitates his appearance.[76] The couple generally avoid discussing their relationship. Beyonc has stated that she believes that not publicly discussing their relationship has helped them. Jay-Z said in a People article, "We don't play with our relationship.[77] " They keep a low public profile despite being photographed at New Jersey Nets home games and while on vacation in Cannes in 2007. The pair were listed as a power couple on Time Magazine's 100's Most Influential People of 2006.[citation needed] On April 4, 2008, it was reported by People that Knowles and Jay-Z had been married at a private ceremony in New York City.[8] It became a matter of public record on April 22, 2008, [78] but Knowles did not publicly debut her $5 million Lorraine Schwartz-designed wedding ring until the Fashion Rocks concert on September 5, 2008 in New York City.[79] Philanthropy Jay-Z attends President Barack Obama's staff party during the January 2009 inaugural festivities. During his retirement, Jay-Z also became involved in philanthropic activity. On August 9, 2006, he met with UN Secretary General Kofi Annan at the organization's headquarters in New York City. The rapper pledged to use his upcoming world tour to raise awareness ofand combatglobal water shortage. Already on the look-out for a way to, in his own words, "become helpful", he had been made aware of this issue during a visit to Africa.[80] The effort took place in partnership with the UN,[81] as well as MTV, which produced a documentary entitled Diary of Jay-Z: Water for Life, first airing in November 2006.[82] Along with Sean "Diddy" Combs, Jay-Z pledged $1 million to the American Red Cross' relief effort after Hurricane Katrina.[83] Jay-Z stated his support for Kanye West after the latter's outburst against President Bush during a live Katrina charity telethon.[84] He also addressed the issue of the Katrina disaster, and the government's response, in his song "Minority Report".[85] BLUEPRINT 3 The Blueprint 3 is the eleventh studio album by American rapper Jay-Z, released September 8, 2009 on Roc Nation in the United States.[12][13] The album was released digitally on September 11, 2009, and its United Kingdom and international release followed on September 14 that same year.[14] It is the final installment in The Blueprint trilogy, preceded by the critically acclaimed The Blueprint (2001) and its follow-up The Blueprint: The Gift & The Curse (2002). The entire album was leaked on August 31, 2009.[15] When asked about the leak, Jay-Z stated: "It's a preview. I'm excited for people to hear the album. I'm very proud of the work I've done, so enjoy it".[16] Upon its release, The Blueprint 3 received generally positive reviews from music critics, based on an aggregate score of 65/100 from Metacritic. The album sold an estimated 476,000 copies in its first week [17] and it became his 11th US number one album, breaking the record he had previously shared with Elvis Presley.[18] Contents [hide] 1 Background 2 Recording o 2.1 Commercial performance o 2.2 Critical response 3 Track listing 4 Chart history 5 Personnel 6 References 7 External links [edit] Background The earliest hype over The Blueprint 3 came when DJ Clue released in January 2008 a mixtape song called "Ain't I", produced by Timbaland. In the intro, Clue says, "Off that Blueprint 3 baby!" However, a spokesperson for Jay-Z said that it was an old, unreleased song and that the recording of The Blueprint 3 had not yet started.[19] In July, Timbaland, a frequent contributor of previous Jay-Z albums, told MTV News that he would be producing the whole album.[20] But in an interview with the Rolling Stone magazine, Jay-Z called the statement "premature".[21] Later that month, Jay-Z appeared onstage to perform the Kanye West produced song "Jockin' Jay-Z" during the latter's Glow in the Dark Tour.[22] The following day, Jay-Z confirmed The Blueprint 3 as the album's title during an interview with radio station Shade 45.[22] By November 2008, he had finished the album but with lengthy negotiations with Def Jam, he went onto reworking it.[23] In January 2009, Jay-Z confirmed continued production of the album and admitted the leak of several songs.[24][25] The album's street single "D.O.A. (Death of Auto-Tune)" was premiered on June 5 via New York radio station Hot 97.[26] On May 20, 2009, Jay-Z confirmed that he bought out the remainder of his contract from Def Jam Records in order to start his contract with Live Nation, as The Blueprint 3 was set to be released under Roc Nation and distributed by Atlantic Records.[13] [edit] Recording Most of the album's recording sessions took place in Hawaii at Avex Honolulu Studio,[27] in an effort to avoid leakage. West's protg Mr Hudson explained to the The Times that he "won't get bothered there" compared to a major city such as New York or Los Angeles.[28] Sessions for the album took place during 2008 to 2009 at Avex Honolulu Studio and several other recording studios, including Germano Studios, Oven Studios, and Roc The Mic in New York City, Kingdom Studios and Lava Studios in Cleveland, Midnight Blue Studios and South Beach Studios in Miami, The Holy Chateau in Perth, Australia, and Westlake Studio in Los Angeles.[29][27] Jay-Z told Rolling Stone magazine his method of selecting producers: "If Timbaland makes ten great tracks then he produces the album, if Kanye West makes ten great tracks then he produces the album; if he makes three, I'll take three. I let the music dictate the direction."[21] However, judging by the final track listing, it appears that West is producing majority of tracks in the album, and three done by Timbaland. West confirmed two songs, "A Star Is Born" and "Young Forever", during an appearance on the The Wake Up Show in February 2009.[30] Mr Hudson, who is the featured artist on the latter, described it as a flip on the Alphaville record of a similar name.[31] During a joint interview with Hudson, West confirmed that the pop artist would be featured on three songs.[31] Pharrell stated that he emailed "So Ambitious" to Jay-Z the day he was mastering the album. He loved the track so much that he put off the mastering. In a Billboard magazine interview, Jay-Z confirmed "What We Talkin' About", the album's intro, "Thank You", and "Already Home" as song names and collaborations with Australian dance group Empire of the Sun, rappers Drake and Kid Cudi and singer Rihanna.[23] He also mentioned in an interview with DJ Semtex that his favorite song on the album is "Empire State of Mind".[32] The official tracklist for Blueprint 3 was revealed on August 18, confirming the guest appearances from Drake, Alicia Keys, Kid Cudi, J. Cole, and more.[33] [edit] Commercial performance The Blueprint 3 debuted at number 1 on the Billboard 200 albums chart, selling 489,000 units in its first week. This was the third highest first week sales of 2009.[34] It became his 11th US number one album, breaking the record he had previously shared with Elvis Presley.[18] In its second week, it remained at number 1, shifting a further 298,000 units. In its third week it dropped one spot at number 2 selling another 134,000 bringing the albums total sales figures to 908,000 in its first three weeks. In its fourth week it sold 89,000 copies, bringing the four week total to 997,000, just three thousand copies short of platinum status after four weeks of sales. It is the second highest selling hip hop/rap album of 2009 behind Eminem's Relapse. In the album's fifth week it sold 65,000 copies bringing the total to 1,062,000 it is Jay-Z's 11th solo album to go Platinum.[35][36] The album in its fifth week is also number 5 on the Billboard 200 albums chart. In its sixth week the album rose up 2 spots to number 3 on the Billboard 200, despite selling 55,000 copies, 10,000 less than its previous week. 43,000 copies were sold in the US in its seventh week, putting it at number 4 on the charts. In week eight the album sold 41,000 copies. In the next week album sold 38,000 units.[37][38] In next three weeks album sold over 100,000 copies and its current sales in the U.S. is over 1,350,000 units.[37] The album has topped Billboard Rap Albums chart for 10 consecutives week. In its eleventh week the album fell to number 2 on the rap charts, being surpased by the debut of 50 Cent's Before I self Destruct According to Mediatraffic [39], the worldwide sales are as follows: 489,000 first week, 369,000 second week (note that the album was released internationally a week after the US and Canada, so this week was its first week released internationally): 858,000 total. 194,000 third week: 1,052,000 total. 135,000 fourth week: 1,187,000 total. 99,000 fifth week: 1,286,000 total. 86,000 sixth week: 1,372,000 total. 63,000 seventh week: 1,435,000 total. 57,000 eighth week: 1,492,000 total. 56,000 ninth week: 1,548,000 total. 51,000 tenth week: 1,599,000 total. After 10 weeks of release, the Blueprint 3 sold over 1.6 million units worldwide. [edit] Critical response The Blueprint 3 received generally positive reviews from music critics, based on an aggregate score of 65/100 from Metacritic.[40] Newday gave it an A rating,[41] and Robert Christgau gave it an A- rating and called it "fairly superb".[2] USA Today gave the album 3 out of 4 stars and praised its lyrical qualities, stating "There was a time when a rapper couldn't expect to last past his 20s. Jay-Z, who is nearing 40 and releasing his 11th studio album, shows that for someone who is measured mostly against himself, lyrical dexterity doesn't have an expiration date".[9] Entertainment Weekly gave it a B+ rating and wrote that it succeeds at its goal of "reaching maximum commercial blast radius while maintaining its street bona fides". [3] The Daily Telegraph gave The Blueprint 3 4 out of 5 stars and commended its modern sound.[42] About.com gave the album 3 out of 5 stars and wrote that it "is a fresh listen, but it doesnt live up to the hype".[43] The A.V. Club gave it a B+ rating and wrote that "Jay-Z sounds liberated by his legacy rather than weighed down by expectations".[44] Despite giving it a generally favorable review, Slant Magazine's William McBee called it "predictable" and "complacent," and wrote that "The album is a hip-hop feast, for sure, filled to the brim with elite production and elite rapping, but it lacks the hungriness, the spirit, and the craziness that marks a classic album." [45] The Smoking Section had a similar sentiment, writing "While he's always been able to connect with listeners either by drawing on his humble beginnings or giving them something to aspire to, theres just not much of that this go around."[46] The Washington Post gave the album a negative review and criticized its lyrical substance.[47] Despite calling the songs "more superficial" than Jay-Z's best work, Chris Carle of IGN gave it a rating of 7.9/10 and wrote that "This is commercial rap, but it's well-made, and many of the tracks have been tailor-made to be singles".[48] The Times gave the album 3 out of 5 stars and called it "no great milestone, but far from the predicted disaster."[49] The Guardian's Alexis Petridis gave it a mixed review and wrote that the album "peters out in a mass of indistinct tracks" following its first four songs. [50] In a generally favorable review of The Blueprint 3, Kiilian Fox of The Observer wrote that Jay-Z is "maturing into a responsible elder statesman" through the album. [51] [edit] Track listing MIDNIGHT SUN Few rappers can make an entrance like Jay-Z. He didn't just take the stage -- he set a timer first. Before his sold-out show began last night at 1st Mariner Arena, the THX sound effect boomed through the speakers and digital clocks displayed on the big screens started counting down from 10 minutes. When time ran out, the curtain was pulled back, revealing Jay-Z's tight 10-piece band and a screen shaped like the New York City skyline. He didn't just walk onto the stage, either. He rose from the floorboards, wearing black shades, black pants, a black shirt and a black leather jacket. Now that's an entrance. The rest of the show was everything you'd expect from one of hip-hop's superstars: Swaggering, bragging and furious verses. Jay-Z dominated the mike, and the audience loved nearly every minute of it ... When Jay-Z told them to bounce, they bounced. When he told them to make some noise, they made some noise, chanting "HOVA" and making his trademark diamond-shaped hand sign. Here is a link to a photo gallery from the show. Jay-Z's performance was a 90-minute hit parade that toured through "The Black Album," "Vol. 2 ... Hard Knock Life" and the rapper's latest No. 1 album (his 11th to debut at No. 1, which surpasses Elvis' record, he reminded us last night), "The Blueprint 3." Longtime collaborator Memphis Bleek joined Jay-Z for much of the show, J. Cole guested on "Every Day A Star Is Born" and singer Bridget Kelly easily held down Alicia Key's parts on "Empire State of Mind." The highlights: "Jigga What, Jigga Who" was just dirty; Jay-Z nailed it. "Heart of the City (Ain't No Love)" had an easygoing groove. And Pharrell joined Jay-Z for a solid performance of the brass heavy, highstepping "So Ambitious."Jay-Z had the band fade out at the end of several songs so he could deliver the last verse and chorus a capella, which gave the words even more weight. The show's only stumble was the long, rambling finish. Jay-Z might know how to get a performance rolling, but he had trouble wrapping things up last night. During the encore, he took about 15 minutes to give shout outs to strangers in the crowd, identifying them by what they were wearing. If you weren't up front, it was incredibly boring, and unsurprisingly, people started leaving early. Finally, Jay-Z closed out the show with a so-so rendition of "Forever Young" and saluted the crowd while being lowered back down below the stage. Endings aside, last night's show was definitely one for the books. The opening acts weren't too shabby, either. Washington's own Wale, who looks to be the most promising rapper to come out of the District, warmed up the audience with some heavy-hitting hip-hop (and even a little go-go). During his last song, Wale strode out into the crowd, shaking hands and greeting folks. When his debut "Attention: Deficit" drops Nov. 10, he might not need to introduce himself anymore. N.E.R.D. hit the stage after Wale, delivering an intense set of rap/funk/hip-hop. Their songs, which seemed too progressive for the crowd, changed tempos more than Madonna changes outfits. The only track that really brought down the house was their closer, Pharrell's "Drop it Like It's Hot."
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Maryland - MUET - 220
1RosenblumEthan RosenblumMUET200-0112Boden SandstromElizabeth GoldmanNovember 9, 2009Pop-Rai & GlobalizationThe music and culture of Rai musicians could not flourish in their native land ofAlgeria because of the corruption of the government. Thes
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Sam KatzMUET 200-0102Dr. SandstromMs. Flynn11/30/09Jay-Z: Rags to RichesThe rapper/icon Jay-Z performed in concert at Baltimore Mariner Arena in Baltimore, Marylandon October 27th, 2009. The rapper who was born with the name Sean Carter has overcom
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1MUET 200 Semester: Fall 2009WORLD POPULAR MUSICS AND IDENTITYInstructor: Dr. Boden SandstromLecture: Wednesdays 1:00pm - 2:50pm, 0200 Skinnerboden@umd.eduDiscussions: Mondays, School of Music wing, CSPACOffice Phone: 301-405-5567Office: 3110H CSPA
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MUET200Fall 2009Thought PaperDue Date: September 21Length: 1 to 1 pagesGrade: 25 pointsAttend the Amadou Kouyate Lecture/Performance on September 16. Write a 1 to 1 page paper answering the following questions:1) How does Kouyate express his ident
Maryland - MUET - 220
WORLD POPULAR MUSICS AND IDENTITYWELCOME!Ethnomusicological ApproachEx. Beyonc If I Were a Boy Single Ladies World Music Awards 2008,Monte-Carlo Monaco,Study grounded in EthnomusicologyStudy of people making music (Jeff Titon)Analysis of performanc
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WRITING GUIDELINES FOR ALL MUET200 ASSIGNMENTSGeneral Instructions: Papers should be stapled (staplers are available at all UM libraries). Papers should be numbered. Papers should be proofread for proper spelling, grammar, paragraph formatting, andsc
Maryland - MUET - 220
Womans place is the home. But home is not contained within the four walls of anindividual house. Home is the community. The city full of people is the Family. And badly to the Home and Family need their Mother.Write an essay about the changing role of
Maryland - MUET - 220
Introduction: Late 19th century was a time of moneymaking but also it was characterized by theimmense amount of money donated. Carnegie spent over 30 million to establish libraries nationwide In Mark Twains book The gilded age he describes this era as
Maryland - MUET - 220
Fourteenth Amendment (1868):Section One: All persons born or naturalized in the United States, and subject to thejurisdiction thereof, are citizens of the United States and of the State wherein they reside.No State shall make or enforce any law which s
Maryland - MUET - 220
1) The existence of an area of free land, its continuous recession, and the advance ofAmerican settlement westward, explain American development. Frederick JacksonTurner, 18932) The bullet is the pioneer of civilization, for it has gone hand in hand wi
Maryland - MUET - 220
Plessy v. Ferguson: (1896) Experiments ran to see if the Louisiana Separate Car Act wasconstitutional, Homer Plessy (1/8 black) entered a white Louisiana Car and was arrested.Fought this all the way through the court systems in which the Supreme Court r
Maryland - MUET - 220
Master Timeline:1849:California Gold Rush1862:Homestead Act1863:Lincoln Announces Ten Percent Plan1864:Wade-Davis Bill passed by congressLincoln pocket vetoes Wade-Davis billYosemite Valley reserved as public park1865:Lincoln Assassinated; And
Cornell - MUSIC - 2101
Mozart, Piano Sonatain C major, K. 545, rstmovement (1788)53636363536363531 2345678f igu r e b .1 A rst approximation of the Rule of the OctaveGjerdingen, Music inthe Galant Style, 4685363636535363653531 2345678f
Cornell - MUSIC - 2101
Aldwell/Schachter, 8-9Overtone seriesAldwell/Schachter, 10Aldwell/Schachter, 11Aldwell/Schachter, 12Mozart, K. 545/iAldwell/Schachter, 13
Cornell - MUSIC - 2101
http:/www.youtube.com/watch?v=JdxkVQy7QLMViolino IViolino IIViolino IIIBassoKanon und Gigue J.Pachelbel (1653-1706) 7 11
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Aldwell/Schachter, 16Mozart, Piano Quartetin G minor, K. 478,rst movement (1785)Schubert, StringQuartet in G, D. 887,rst movement (1826)be realized as a Romanesca:e x . 2 .5Handel, from his exercises for Princess Anne, Allegro, m. 4 (ca. 172434)
Cornell - MUSIC - 2101
Hermann Schrder, Die symmetrischeUmkehrung in der Musik (1902)Brahms, Intermezzo inA major, op. 118 no. 2(1893)Brahms, Intermezzo inA major, op. 118 no. 2(1893)Brahms, Intermezzo inA major, op. 118 no. 2(1893)Brahms, Intermezzo inA major, op.
Cornell - MUSIC - 2101
455a ppendix a: schema prototypesThe PrinnerThe Prinner (see chap. 3) was often used as the riposte or answer to an opening gambit. Itsperiod of greatest currency was the 1720s to the 1770s, though it remained an optionthroughout the century. The pre
Cornell - MUSIC - 2101
455a ppendix a: schema prototypesThe PrinnerThe Prinner (see chap. 3) was often used as the riposte or answer to an opening gambit. Itsperiod of greatest currency was the 1720s to the 1770s, though it remained an optionthroughout the century. The pre
Cornell - MUSIC - 2101
Johann Philipp Kirnberger (pupil of J. S. Bach)Die Kunst des reinen Satzes, 1771-79Rising intervals:augmented prime=anxiousminor second=sadmajor second=pleasant, also fu! of feelingaugmented second=languishingminor third=sad, melancholymajor third
Cornell - MUSIC - 2101
music. Or put another way, it highlights only what Locatelli has in common with RimskyKorsakov. Walther, following the lead of Andreas Werckmeister (16451706),3 looked atclausulae more melodically, as was then the norm. For him, each of the four voices p
Cornell - MUSIC - 2101
music. Or put another way, it highlights only what Locatelli has in common with RimskyKorsakov. Walther, following the lead of Andreas Werckmeister (16451706),3 looked atclausulae more melodically, as was then the norm. For him, each of the four voices p
Cornell - MUSIC - 2101
Mozart, Piano Sonatain C major, K. 545,third movement (1788)Brahms, String Sextetin G major, op. 36, rstmovement (1866)music. Or put another way, it highlights only what Locatelli has in common with RimskyKorsakov. Walther, following the lead of And
Cornell - MUSIC - 2101
Extrapolated from Wye J. Allanbrook, Rhythmic Gesture inMozart: Le nozze di Figaro and Don Giovanni. Chicago:University of Chicago Press, 1983.HighMiddleMinuet (triple/ Minuet (triple/slow)fast)Sarabande(triple)March/Gavotte(duple)LowLndler/W
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Moderato= 100piano4FineFine912D.C.D.C. al Finepoco rit. 2003 www.theperfectscores.comMozart, minuet from Don GiovanniMozart, Don Giovanni, Ballroom Scene (Act I)Improvising Dances: A Dialogical Schematic OutlineDuple Meter Rhythms:March (t
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Moderato= 100piano4FineFine912D.C.D.C. al Finepoco rit. 2003 www.theperfectscores.comMozart, minuet from Don GiovanniImprovising Dances: A Dialogical Schematic OutlineDuple Meter Rhythms:March (transferrable; allegro)Bourre (middle; allegr
Cornell - MUSIC - 2101
UNIT3Rhythm and MeterPhrase GroupsUse brackets to indicate the division into phrases in the following excerpts andspecify the number of bars in each phrase, as in the sample provided. Many ofthe phrases are not in normal four- or eight-bar length, a
Cornell - MUSIC - 2101
Improvising Dances: A Dialogical Schematic OutlineDuple Meter Rhythms:March (transferrable; allegro)Bourre (middle; allegro)and Contredanse (low; presto)Gavotte (high; allegretto)4 4>>4 4>>4 43 j 4>>Triple Meter Rhythms: Minuet (relativ
Cornell - MUSIC - 2101
Lhomme arm (anonymous 15th-century French secular song,used as cantus rmus in more than forty masses)Claudio Monteverdi, cantus rmus from Ave maris ste!afrom the Vespers of 1610Westron Wynde (early 16th-century song used as cantus rmus)Aldwell/Schac
Cornell - MUSIC - 2101
Counterpoint!Cantus Firmus and 1st Species Counterpoint!October 17, 2011!Cantus Firmus!Melodic line to which counterpoint is composed !Should be uid and easy to sing!Typically found in the tenor voice!L homme Arm!http:/www.youtube.com/watch?v=mRsD
Cornell - MUSIC - 2101
Aldwell/Schachter, 69Aldwell/Schachter, 70Aldwell/Schachter, 71Aldwell/Schachter, 73Aldwell/Schachter, 73Fux, 42-43Fux, 44-45
Cornell - MUSIC - 2101
each time writing down only the melody. Here is the version most frequently citedtoday:3e x . 4 .1Riepel, a Fonte melody (1755)X . bX X XJ3&4X.XXEXX XJXXERiepels many treatises provide few basses because for knowledgeable devotees ofex. 4.T
Cornell - MUSIC - 2101
Aldwell/Schachter, 74-75Aldwell/Schachter, 76Aldwell/Schachter, 77Aldwell/Schachter, 7874m usic in the galant styleSectionSchema1st HalfRomanescaPrinner ripostePrinner, modulating]2nd HalfKeyCCCFonte(modulation)Prinner, modulatingCade
Cornell - MUSIC - 2101
Aldwell/Schachter, 79Aldwell/Schachter, 80Aldwell/Schachter, 81Aldwell/Schachter, 82Aldwell/Schachter, 83Aldwell/Schachter, 84Aldwell/Schachter, 85
Cornell - MUSIC - 2101
The M onteThe Monte (see chap. 7) was the preferred schema for an ascending sequence. In theearlier eighteenth century, Montes of three or more sections could effect relatively distantmodulations. In the later eighteenth century, Montes usually had onl
Cornell - MUSIC - 2101
Aldwell/Schachter, 86Aldwell/Schachter, 87Aldwell/Schachter, 88
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Dance types: march, minuet, bourre, gavotte, contredanse,siciliano/pastoraleTopoi: registers (French OvertureMilitary/Hunting TurkishombraPastoral/Musette); &modalities (cantabileStrictBrilliantSturm und DrangEmpndsamkeitFantasia)InstrumentationAfe
Cornell - MUSIC - 2101
Durante, Partimento diminuto in Ain the melody and dosido ( ) in the bass:e x . 6 .11Leclair, Opus 1, no. 3, mvt. 2, Allegro, m. 1 (1723)bb 2&4?b2b4uXXX XXDo-re-miX XX X XXXv1ex. 6.27wXXXjXXa1Leclair, Opus 1, no. 3, mvt. 4, Al
Cornell - MUSIC - 2101
CriteriaExcellentAverageEstablish6valid6criteria6for6historical,6technical,6and6aesthetic6evaluationDemonstrates*broad*and*deep*understanding*of*relevant*genre*and*repertoireDemonstrate6awareness6and6command6of6formal,6harmonic,6rhythmic
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Aldwell/Schachter, 104-5Aldwell/Schachter, 107-8, 110Aldwell/Schachter, 110Aldwell/Schachter, 111RomanescaPr i nne rMod. PrinnerF o n teCadenceDo-Re-MiM ont eEvaded Cad.M e ye rHalf Cad.CommaClausula VeraPo nt eCudworthQuiescenzaFenarol
Cornell - MUSIC - 2101
Aldwell/Schachter, 110Aldwell/Schachter, 111one of his contemporaries. The idea is to mimic, in slow motion, the type ofautomatic processes of memory 32JMT 51:1 149-3 Gjerdingen ex. retrieval and action planning that a trainedapprentice might apply t
Cornell - MUSIC - 2101
The PonteThe Ponte (see chap. 14) was a bridge built on the repetition or extension of the dominant triad or seventh chord. In minuets, this bridge was placed immediately after thedouble bar and connected the just-cadenced second key with a return to th
Cornell - MUSIC - 2101
The QuiescenzaThe Quiescenza (see chap. 13) marks a short period of quiescence following an importantcadence at the end of an important section. As a framing device, it could also appear asan opening gambit (usually not repeated), though this usage was
Cornell - MUSIC - 2101
Friedrich Daube (1756) is valuable as a sign that galant simplications of musical syntaxhad begun to inuence conceptions of the tonal system.3 Daubes General-Bass in dreyAccorden [Thoroughbass in Three Chords] drew attention, as Rameau had earlier in Fr
Cornell - MUSIC - 2101
STUFF TO KNOW FOR NEXT WEDNESDAYS MIDTERMAldwell/Schachter:Keys, scales, intervalsConcepts and denitions of consonance and dissonanceNeighbor tones, passing tones, suspensions, anticipations,appoggiaturasRhythmic organization and metrical features (
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 1.33) The equations arey1 = B1 , y1 + y2 = B2 , y1 + y2 + y3 = B3so substituting, we see y2 = B2 B1 and y3 = B3 y1 y2 = B3 B1 (B2 B1 ) = B3 B2 .Soy1B1100 y2 = 11 0 B2 .y30 1 1B34) We have to solve x1 w1
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 2.13) Certainly the planes are changed. The last two have dierent equations after the addition.100The new matrix is 1 1 0 so the the rst column has changed. Clearly the coecient001matrix has changed. The solutio
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 2.29) We needb1b2to be a linear combination of the columnscolumns are multiples of1236and2. Both4so any linear combination is such a multiple. So we musthave b2 = 2b1 .When there is one solution, ther
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 2.312)987001789001123001 0 1 0 4 5 6 0 1 0 = 4 5 6 0 1 0 = 6 5 4 321100123100789100and123123100 1 1 0 1 3 1 = 0 1 2 0 2 31401 0 117) We have a + b + c = 4, a + 2b + 4c = 8 and a + 3b + 9c = 14
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 2.41) Since A is 3 5 and B is 5 3, AB and BA are, respectively, 3 3 and 5 5. SinceD is 3 1, ABD = (AB )D is 3 1. Since D is 3 1 and B is 5 3, DB is not dened,so DBA is not dened. Finally, B and C have dierent dime
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 2.50012) 0 1 0 looks like the identity, except the rst and third rows (or columns) are100switched. So switching them again should be the identity. You can check1 001001 0 1 0 = 0 1 0 .100100010P = 0 0 1 l
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 2.65) Multiplying A by the E31 matrix below gives210210100 0 1 0 0 4 2 = 0 4 2 0056353 0 1so1 100100L= 0 1 0 = 0 1 0 3013 0 1and210100210 0 4 2 = 0 1 0 0 4 2 .0053016351116) We have A = 2 4 5
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 2.719. We have031 ) AT =10|1093|0110|100 3 | 9 110|100 1 | 3 1/3101 3and (A1 )T =. A similar computation for (AT )1 gives3 1/30 1/3(AT )1 = (A1 )T . This is not an accident!1c1cFor A =, AT =
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 3.12) Since the addition is usual, the rst four conditions are satisifed as they dont involve thescalar multiplication.(5) fails as 1 (3, 8) = (3, 0) = (3, 8).(6) holds as (c1 c2 )(x1 , x2 ) = (c1 c2 x1 , 0) = c1
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 3.21) (a)122461224612246 1 2 3 6 9 0 0 1 2 3 0 0 1 2 3 .000000012300123The pivot variables are x1 and x3 . The other variables are free.(b)242242 0 4 4 0 4 4 .000088The pivots are x1 and x2 . The free
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 3.32)(a)111111114444 4 4 4 4 4 4 4 4 0 0 0 0 .000044444444The rank is 1.111234 2 3 4 5 0 134345611110123 0 2 4 6111 02 305611110 1 2 3 00001111 2 3 2 4 61 0 1 20123 .000
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 3.43)13261 313 0 0003|19 | 5 3|53|11 | 1 6|61133|1 0003|301 3 3 | 513133|10 0 1 | 1 0 000000|033|10 3 | 306|60 | 21|1 .0|0The free variable is y . Setting it equal to 0 we get xp
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 3.51) v1 v2 + 4v3 1v4 = 0. Solving av1 + bv2 + cv3 = 0 is the same as solving a + b + c = 0,b + c = 0 and c = 0 which we see has (a, b, c) = (0, 0, 0) as the only solution. This establishesthe independence of cfw_
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 3.61242482) For A =we can eyeball it and see that a basis for the row space is (1, 2, 4)1124. Since the row reduced echelon form is20 0 0 4 2 1 , 0 .the second and third variables are free so a basis f
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 4.14) If AB = 0 then the columns of B are in the nullspace of A. The rows of A are in theleft nullspace of B .Say A and B are both 3 3 of rank 2. Then the nullspace of A has dimension 3 2 = 1.But this nullspace c
Cornell - MATH - 2940
Math 2940 Solutions, Fall 2011Section 4.2cos .0(b) aT a = 2 and aT b = 0 so our projection is the zero vector!2) (a) aT a = 1 and aT b = cos so our projection is5) For a1 = (1, 2, 2) we have aT a1 = 9 and111 2 2 2 1 2 2 = 24422441/9 2/9