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Course: MUSC 205, Spring 2012School: University of Maryland
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7 Surf, Lecture Beach Boys Surf Music California in the late 50s and early 60s: strong economy and image of fun and sun drew people west Surfing: a California craze, especially after the 1959 film Gidget Surfers developed their own culture and music Dick Dale and his Del-Tones Dick Dale: the King of surf musicians and first in many ways Instrumental surf music came first; a distinctive sound...
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7
Surf, Lecture Beach Boys
Surf Music
California in the late 50s and early 60s: strong economy and image of fun and sun drew
people west
Surfing: a California craze, especially after the 1959 film Gidget
Surfers developed their own culture and music
Dick Dale and his Del-Tones
Dick Dale: the King of surf musicians and first in many ways
Instrumental surf music came first; a distinctive sound
EX. Miserlou (1962)
Fast, twangy, metallic sound
Middle-Eastern-sounding melodies over Spanish-inflected chords
Leo Fender, the Showman amplifier and its reverb
EX. The Surfaris, Wipe Out (1963)
- Another instrumental surf classic
- Famous drum solo
Instrumental surf music sound resurfaces later in the music of the Ramones, B-52s and
others; the soundtrack of Pulp Fiction
The Beach Boys
Formed 1961; a family affair
Commercial and critical success
Beach Boys added Chuck Berry riffs and glossy vocal harmonies to surf; and made it
internationally known
EX. Surfin USA
The Beach Boys breakthrough record (1963)
A reworking of Chuck Berrys Sweet Little Sixteen
Lyrics describe a teen utopia:
If everybody had an ocean
Across the USA
Then everybodyd be surfin
Like California . . .
EX. Surfer Girl (1963)
Brian Wilson becomes the bands producer in 1963
EX. In My Room
A two-minute gem
Surfs reverb guitar, Brians falsetto
Both Surfer Girl and In My Room illustrate the Beach Boyss use of complex and
often unorthodox harmonies
Numerous hits follow: Fun, Fun, I Fun, Get Around, Help Me Rhonda,
California Girls
Ca. 1965 Brian Wilson experimenting in the studio and with drugs (LSD)
Pet Sounds (1966)
A result of Brian Wilsons studio and drug experimentation
Diverse and unusual instrumentation, virtuosic vocal arrangements, advanced harmony
One of the classic rock albums
EX. Wouldnt It Be Nice
A fantasy of marital bliss
Notable introduction: harp suggests fairy tale? (instrumentation)
Remarkable singing (vocal tracks alone)
Pet Sounds continued
EX. God Only Knows
Complex counterpoint
EX. Good Vibrations (1966)
Result of six months work in the studio
Unusually wide range of instruments (color): organ, flutes, harpsichord, sleigh bells
Most exotic of all: the theremin
Sectional Form of Good Vibrations:
A
Verse: muted bass, organ, flutes, hushed, intimate
B
Chorus: bowed bass (16th-note triplets), theremin (psychedelic?)
A
B
C
Harpsichord, jews harp, tambourine, thick vocal harmonies (!!), to ritardando
(slow down)
D
Meditation over organ, sleigh bells (Gotta keep those lovin)
B
E
Na na na
B
Instrumental tag out
Later Beach Boys
Smile: ambitious studio project completed only in 2004
Surfs Up (1971): shows some of what Smile might have sounded like originally
1970s: Beach Boys become an oldies band
Surf Summarized:
1962-1964
White and middle class
Optimistic, upbeat music (the Kennedy presidency?)
Surf as subculture: no parents allowed
Surf a metaphor for a lifestyle that celebrated consumption
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