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english theater

Course: THAR 281, Spring 2012
School: Texas A&M
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Word Count: 221

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Emphasison th TheAgeofEnlightenment th sentimentality Morality Moraloptimism 1713 1784 Frenchphilosopher DiscourseonDramatic Poetry,1758 TheParadoxof Acting,1773 Drame Bourgeious Examinestheproblemsofthemiddlesclass Offermoralandphilosophicalsolutions Morerealisticaction Morerealisticscenicelements English Nosung dialogue Songssetto contemporary melodies Middleand lowerclass characters...

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Emphasison th TheAgeofEnlightenment th sentimentality Morality Moraloptimism 1713 1784 Frenchphilosopher DiscourseonDramatic Poetry,1758 TheParadoxof Acting,1773 Drame Bourgeious Examinestheproblemsofthemiddlesclass Offermoralandphilosophicalsolutions Morerealisticaction Morerealisticscenicelements English Nosung dialogue Songssetto contemporary melodies Middleand lowerclass characters Satirical France Actionmimedbyperformers Usedcontemporarymusic Audiencewouldsingthedialogue CharactersinspiredbyCommediadellarte Satire Bestknown18th centuryEnglishcomic playwright Theatremanager (DruryLane), politician TheSchoolfor Scandal(1777) Video Pierre Pierre Augustin CarondeBeaumarchais (1732 1799) FrenchDramatist Figaro (TheBarberof Seville,TheMarriageof Figaro) Battleofwits Comedyofintrigue Classtension Germanmovemenet Late18th centruy Rejecteddramaticrules Radicalsubjectmatter andstyle JohnWolfgangGoethe FriedrichShciller Mood Locationsthatwererecognizable Historicalaccuracy Threedimensionalproperties Multiplepoint perspective Multiplevanishing points 1690 1787 Italianfamilyofscenic designersandartists Baroqueart Enormousscale Elaborate details/ornamentation Angleperspective Scenicdesignsextended pastproscenium Rooms Silkscreensforcoloring Oillamps Auditoriumstilllit Groundrow Bombastic Standardizedstage movements Addresstheaudience 1717 1779 Englishdirector Managementpartneratthe DruryLanetheatre LeadingactoratDruryLane Strictrehearsalperiod Morenaturalstylesofacting Banishedspectatorsfromthe stage
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Texas A&M - THAR - 281
French NeoclassicalTheatreEarly French TheatreIn the early part of the seventeenth centuryFrench theatre had little in common withItalian theatreMedieval theatre practicesReligious narrativesNo Proscenium Arch theatreNo scenic effectsItalian Inf
Texas A&M - THAR - 281
1/26/2012TheItalianRenaissance1400 1620TheSchool ofAthens,RaphaelRenaissanceAculturalmovementinthelatemiddleages(beginninginFlorence)focusingonthestudyofliterature,science,politics,art,andreligionwithspecialemphasisonthereturntotheclassics.What'
Texas A&M - THAR - 281
Japanese TheatreThree principal forms of JapaneseTheatre N or Noh Bunraku KabukiNOH Origins in 14thCentury Japan Dominant for ofJapanese theatreuntil 1600 Combines varioustheatrical formsinto one entireexperience YgenNoh TheatreZeami Mot
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Texas A&M - THAR - 281
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Texas A&M - THAR - 281
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