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Course: WRIT 027, Spring 2012
School: UPenn
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Albert. Wachtel, "Introduction, The First Trinity." The Cracked Lookingglass: James Joyce and the Nightmare of History. Selinsgrove: Susquehanna UP, 1992. 15-38. Print. Proposition: Joyces work is more closely related to daily experience than written history. Goal: The goal is to show that Dubliners has no factual base but instead contains accidental occurrences. Plan: The plan is to offer...

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Albert. Wachtel, "Introduction, The First Trinity." The Cracked Lookingglass: James Joyce and the Nightmare of History. Selinsgrove: Susquehanna UP, 1992. 15-38. Print. Proposition: Joyces work is more closely related to daily experience than written history. Goal: The goal is to show that Dubliners has no factual base but instead contains accidental occurrences. Plan: The plan is to offer background information on Joyces life and his works. Then Wachtel opens the book with a proposition. He provides evidence for his statement and quotes known people. He then explains the stories from his point of view and inserts premises throughout the book. Audience: The audience is anyone who read Dubliners and wants to have a better understanding of the stories while receiving one persons point of view. Albert Wachtel believes that Joyces work is more closely related to daily experience than written history. He believes that Dubliners is full of probable events and scrupulously uninterpreted accidental occurrences. There are also those few times where there is factual base in the stories but there is no direct reference. Wachtel agrees that Joyces stories combine autobiography and fiction. Therefore he refers to them as fictional histories. He quotes Aristotle by saying that a person of a given kind will probably, and perhaps even necessarily, further the action of a unified set of circumstances in specific, causally related and rationally explicable ways, no matter how unusual the circumstances. He uses this to make his point that Joyces stories are filled with accidental and irrelevant occurrences. Our opinions, as readers, reveal things about the events or the characters themselves. Joyces stories leaves readers with so many questions. The author then explains some symbols involved in each story. Wachtel agrees that the stories are in fact connected. Death does for Flynn what the adventure stories of the Wild West did for the narrator of An Encounter: offers an escape. Joyce uses play on words with paralysis, parallelogram, gnomon, and simony. Wachtel argues that the first stories are in Dubliners to depict the meanness, entrapment, and blindness of the protagonists. Does: Offers background information on Joyces life and his works. Opens the book with a proposition. Provides evidence for his statement and quotes known people. Explains the stories from his point of view and inserts premises throughout the book. Provides reasons for each premise. Keywords: accident, fact, autobiography, fiction Fairhall, "The James. Paralyzed City." James Joyce and the Question of History. Cambridge: Cambridge UP, 1993. 64-71. Print. Proposition: Joyce thinks that Dublin is, without question, the center of paralysis. Goal: The goal is to show that other people do not agree with his statement. He wishes to show that while Dublin was impoverished, it had its good features too. Plan: The plan is to quote other critics that think that Joyce only speaks harshly of Dublin. Then he plans to make a new premise, differing from Joyces premise of a paralyzed city. Fairhall provides information on Joyces life. He then provides quotes from people that think that Dublin was a good city. Audience: The audience is people who read some of Joyces work and is questioning whether Dublin was as bad as Joyce makes it seem. Fairhall quotes F.S.L. Lyonss article on Joyces view of Dublin. Lyons believes that Joyce is unable to see Dublin for anything other than drab, impoverished, servile. Joyce wrote a letter stating that Dublin is the center of paralysis and 10 years after this letter the city erupted in revolution. Lyons argues that the problem with Dublin was not paralysis, like Joyce said, but rather tension. The south of Dublin was prosperous, professional, governmental. But the north was commercial. While there were slums on both sides of the river, the ones in the north were more prominent. The streets in the North were shabby. Joyce was born in the south but moved to the north because of his fathers affairs. The switch hit him hard because his familiar busy streets got replaced by scruffy streets. Regardless of having to move to the unpopular north, he still had a strong sense of nationalism. He was Irish Catholic. He was very affected by the betrayal of Parnell. Joyce needed to escape everything and so he moved out of Ireland. Fairhall claims that socialism contributed to the tension that Lyons pointed out. Fairhall quotes a passage from Joyces Dublin that states that there are multiple Dublins. The author says that the view of Dublin depends on who is looking at it. To Joyce, it may seem to be the center of paralysis but to the theatre members, life and excitement could be used to describe the city. Does: Fairfield offers a quote from another critic supports his proposition. He offers a new premise and provides evidence for said premise. He provides background information and analysis on Joyces life to support premise. He provides quotes from other critics to support his premise. Keywords: Dublin, corruption, Joyce, Parnell
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