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the Invoking Muse: MWP-sponsored Day-Long Writing Retreats At last year s MWP Leadership Retreat, Angela Cephas( 03) and Cheryl Foreman ( 02) put their heads together and an idea sprouted: why not have a series of day-long writing retreats over the year as well as our regularly scheduled weekend writing retreat? It s easier to sneak away for a day to nd the muse rather than work out all of the details necessary to get away for a weekend. This year the Foreman-Cephas team came up with 6 writing retreats to pique our interest and spark our creativity, from Barnes and Noble s downtown to the Linganore Winery to the Visionary Arts Museum to a getaway on the Chesapeake Bay. We are looking forward to another series for 2008-2009. We have also included 2 poems written at the retreat by Nancy Polen, Supervisor of the TU Working Fund, who de nitely made the most of her morning. Here are some photos taken at the February retreat, A Room with a View, held at the Towson Room at Cook Library on the Towson University campus. Jim Frazier 03, and colleague write in the Towson Room at Cook Library. Cindy Waugh 07, writing. Maya Sennaar attended with her aunt, Linda Wharton 91. Katie Hearn 05, writing. 10 Nancy composed Polen these poems while participating in the MWP s February Writing Retreat: A Room with a View. Saturday Writing Retreat By Nancy M. Polen Working Fund Supervisor/Travel Manager Phone ext. 5122; Fax ext. 4886 NPolen@towson.edu If I were to paint myself would I paint myself gray or full of color strands of white or petals of pink, or sitting in a sink rich red like a rose distorted eyes, mouth, nose thorns climbing escaping shaping another day. Would I paint myself long or short thin or fat, gray or blonde or sitting along the side of a pond. Would I respond when called or dance along unobserved. Today so I d say I d be curved, the brown of a tree crevice and around lined up and down, curved to bend to a rising to a different end. Nancy Polen, writing. Room with a View By Nancy Polen, NPolen@towson.edu A Narrow View In a narrow but long window a narrow long bare tree reaches out and goes beyond free spots of buildings old and new hang out and about. I know but can not see the tree coming up from the ground. The ground I imagine lled green around dazzling with morning dew a lightness and a darkness more windows and brick beyond, dimensions of shapes and gapes into the past and now the present at last. 11

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