| Terms |
Definitions |
|
orkestro
|
orchestra
|
|
Shanameh
|
1300s
|
|
Principle
|
Movement
|
|
|
l
|
|
Geometric shapes
|
square,rectangle,circle,triangle,oval,parallalogram,etc.,flat
|
|
ertavirine (Intelence)
|
NNRTI
|
|
entwickeln
|
to develop
|
|
le dénouement
|
end
|
|
pintar
|
to paint
|
|
Nitric acid
|
Etching metals
|
|
Primary Colors
|
red,Blue, Yellow
|
|
Line
|
Continuous points together
|
|
Mobius Strip II
|
Escher
|
|
Contrast
|
Juxtaposition of strongly dissimilar
|
|
Hatch
|
parallel lines to shade
|
|
A globe is a
|
form
|
|
http://classconnection.s3.amazonaws.com/937/flashcards/672211/jpg/lagrandvitesse.jpg
|
Le Grande VitesseAlexander Calder1969-people didn't like it then but it became famous later on-Public Art
|
|
genre
|
refers to normal everyday activites/ordinary
|
|
medium
|
the material an artist uses
|
|
Richard ESTES
|
Photorealism
late 1960's, early 1970's
|
|
Amazonomachy
|
Parthenon, Iktinos and Kallikrates, 447-432 BC, metopes, west
|
|
una identidad propia
|
their own identity
|
|
pigments
|
finely ground, colored powders that form paint or dye when mixed with a liquid, called the vehicle (such as water or oil)
|
|
diferent values of a certain color
|
monochromatic
|
|
Forest Scene Landscapes, Gerard David, c.1510-15, Mauritshuis, The Hague
|
|
|
Greek Art
|
Balance, Order, Symmetry, Proportion -realistic strength, anatomy -young, god-like, perfection -discus thrower-olympic games, etc.
|
|
Lares
|
usually shown as dancing young guys-skirt, holding a laurel branch. familial and communal gods of protection.
|
|
barrel vault
|
an elongated or continuous semicircular vault, shpaed like a half-cylinder
|
|
The Feathered Serpent Pyramid at Teotihuacán is a six-level step pyramid built in the _______ style of alternating vertical and sloping step faces.
|
Talud
|
|
Ceramics
|
Clay hardened into a relativley permanent material by firing. A practitioner of the cermanic arts is a ceramist.
|
|
skill
|
the ability, coming from one's knowledge, practice, aptitude, etc., to do something well:
|
|
Proportion
|
To refer to the comparative, proper, or harmonious relationship of the part to the whole. It is the relationship of the part to the whole, and how it harmoniously fits in.
|
|
2D
|
an area confined to length and width
|
|
to be obsessed with
|
von etw. besessen sein
|
|
balance
|
Principle of desiagn that deals with arranging the visual elements in a work of art equally
|
|
scroll
|
a long roll of illustrated parchment or silk
|
|
actual and implied
|
the two types of texture
|
|
barren
|
instrument used to apply pressure in order to transfer ink from a printing plate to another surface
|
|
The artist André Breton issued a manifesto that described the point of "resolution between these two states, dream and reality." What was this movement?
|
Surrealism
|
|
Chiaroscuro
|
Method of arranging light and shadow in two-dimensional art to create the
illusion of a three-dimensional form which appears to emerge from the darkness.
|
|
Triumphal Arch
|
a monumental archway; usually they are built to commemorate some notable victory
|
|
future cultures
|
Teotihuacan set the stages for many _______ ________
|
|
perspective
|
a system for drawing objects in space as they appear to the eye
|
|
Leonardo da Vinci
|
A 15th century Italian artist, scientist, engineer, inventor and architect
|
|
media
|
the combined use of more than one medium in a work of art
|
|
Flack Wheel of Fortune
|
Oil and acrylic on canvas
|
|
Color Wheel
|
A system of organizing and classifying colors that bends the colors of the visable spectrum
|
|
op art
|
modern technique with which a painter creates optical illusions with the use of dazzling patterns.
|
|
Medium is?
|
Material and technique used by artist for different types of paint
|
|
Cone of Vision
|
In linear perspectival rendering, a 45- to 60-degree angle that includes the artist's vision from the artist's point of view when depicting an illusion of a 3D object or scene
|
|
This French sculptor created a lead sculpture of a nude woman falling sideways into the water
|
(Aristide(s)) Mallilol
|
|
Content
|
A description of what you see in a work of art
|
|
Abstract Expressionism
|
..., a New York school of painting characterized by freely created abstractions
|
|
Positive Space
|
shapes or forms in 2- or 3-D art
|
|
Institutional Critique
|
Criticizes the gallery in a subtle way i.e. MoMA Poll
|
|
length, width, texture, direction, degree of curve
|
Name the 5 lines vary
|
|
separation of spheres...
|
specialization, focus on one area of expertise.
|
|
Three steps to one perspective drawings:
|
horizon line
vanishing point
draw flat face
|
|
Basic art historical questions are?
|
Facts (artist, date), style (visual traits), iconography (subject matters), technical matters (the medium), patron (who is the work intended for), position in a larger context (early vs. late)
|
|
Shape - Element of Art
|
Is 2 dimensional; can be organic, geometric, positive, or negative
|
|
Delacroix, Liberty Leading the People
|
tribute to those of rev. 1840, pryamid of death to inspirtation, france, liberty, revolt, lady is inspirtation, tell status of ppl by clothing, bohemian dressed man w/ radical art w/ radical politics
|
|
a desire to break from the past
|
one of the primary concepts which governs modern art is:
|
|
feature
|
szerepel
|
|
grid
|
háló
|
|
complaint
|
panasz
|
|
tasty
|
delicious
|
|
tasteless
|
blank
|
|
mural
|
freskó
|
|
pro-freedom
|
szabadságpárti
|
|
appalling
|
visszataszító
|
|
pathetic
|
szánalmas
|
|
depict
|
ábrázol
|
|
inspiration
|
ihlet
|
|
fly
|
légy
|
|
scandal
|
botrány
|
|
水(shuǐ)彩(cǎi)
|
watercolors
|
|
reach
|
elér (fizikailag)
|
|
float
|
lebeg, úszkál
|
|
elaborate
|
kidolgozott, kifinomult
|
|
glass case
|
üvegvitrin
|
|
plight
|
nehéz helyzet
|
|
representation
|
ábrázolás, értelmezés
|
|
sketch pad
|
vázlatfüzet
|
|
画(huà) 布(bù)
|
canvas
|
|
blank
|
üres (pl. papír)
|
|
public opinion
|
közvélemény, közvélekedés
|
|
approach sg
|
közelít vmihez
|
|
marine life
|
tengeri élővilág
|
|
strange materials
|
furcsa alapanyagok
|
|
wide audience
|
nagy közönség
|
|
continuing debate
|
folytatódó vita
|
|
素(sù)描(miáo) 本(běn)
|
sketch notebook
|
|
画(huà) 材(cái)
|
painting materials
|
|
松(sōng)节(jié) 油(yóu)
|
turpentine oil
|
|
上(shàng)光(guāng) 油(yóu)
|
retouch varnish
|
|
调(tiáo) 色(sè) 板(bǎn)
|
palette
|
|
attitude to sg
|
hozzáállás vmihez
|
|
contrary to sg
|
ellentétben vmivel
|
|
be in bad taste
|
ízléstelen
|
|
写(xiě) 生(shēng)
|
sketch from nature
|
|
be ahead of sg
|
megelőz vmit
|
|
调(tiáo) 色(sè)
|
to mix the colors
|
|
be still going strong
|
sikeresen/töretlenül halad előre
|
|
reposse
|
embossed
|
|
I
|
Intermediate
|
|
abstracto
|
abstract
|
|
la forma
|
form
|
|
le compositeur
|
composer
|
|
Influir(i-y)
|
to influence
|
|
Ballet Rehearsal
|
Degas
|
|
el talento
|
talent
|
|
The Last Supper
|
Leonardo
|
|
Embarkation for Cythera
|
Watteau
|
|
20
|
lois mailou jones
|
|
Secondary colors.
|
Green, purple, orange.
|
|
Redolent
|
Strong Smelling (not negatively)
|
|
Qur'an
|
"recitation"
revealed to the prophet muhammed
114 suras (chapters)
|
|
la galeria (thing on i)
|
gallery
|
|
Icon
|
a conventional religious image typically painted on a small wooden panel and used in the devotions of Eastern Christians
|
|
armature
|
framework for supporting plastic material
|
|
highlights
|
reflected light on the subject
|
|
cool color scheme
|
cold or calming feeling
|
|
Rose window
|
found in the Chartres Cathedral
|
|
Prision 2007 Title
|
Exercise Yard, Beautiful West
|
|
Emphasis
|
is given to a center-of-interest, which might be the largest, brightest or l
|
|
brayer
|
a rolly tool that spreads ink
|
|
...
|
Queen Hatshepsut, c. 1450 B.C., Egyptian, New Kingdom.
|
|
Putti
|
those naked plump little boys with wings
|
|
Islamic contributions to architecture
|
pointed arch
high vaults
widely spaced columns
|
|
variety
|
using different elements in an image to produce interest
|
|
expressive
|
to be able to effectively communicate feelings and ideas in visual form
|
|
Perpendicular Gothic
|
the last English Gothic style characterized by a strong vertical emphasis
|
|
Physical Functions
|
artists and craftspeople invent new ways to create functional art
Ex) cars
|
|
clay
|
mixture of earth, mud, dirt with several elements combined that is plastic when wet [allowing it to be worked with], brittle when dry, and very hard when heated
|
|
complementary
|
colors found opposite on the color wheel and have the
|
|
motion
|
element of art that can strongly suggest the passage of time when it is either actual in kinetic art or implied in a still image
|
|
design
|
the plan the artist uses to organize the art elements in a work of art to achieve a unified composition
|
|
Vertical balance
|
Balancing of the visual weight of upper and lower areas of a composition.
|
|
Foreshortning
|
-making the object come out at the viewer using distortion
|
|
Steel frame construction
|
modern day skyscrapers. steel and glass
|
|
space
|
A blank area used to separate things in a drawing
|
|
Double exposure
|
a technique used in film and photography to expose two images onto one negative, or sheet of photographic paper
|
|
tangible
|
A line that can be seen and produced.
|
|
aisle
|
flanks nave and separated from nave by arcade or colonnade
|
|
What is the subject of a picture?
|
The positive space
|
|
Romans
|
The first to perfect the use of the arch
|
|
tactile texture
|
the use of materials to create a surface that can be felt or touched.
|
|
Monotype
|
One of a kind print made from painted or inked surface.
|
|
Cross contour
|
3-D image using lines, like a computer image
|
|
arbitrary color
|
color chosen by an artist to express his emotions or feelings
|
|
Asymmetrical Balance
|
sides are not the same, but they seem to be equal
|
|
hierarchical proportion
|
figures are arranged in a work of art so that scale indicates importance
|
|
What are the three components of painting?
|
Pigment - provides color
Binder - mixes pigment to hold the pigment to the surface
Vechicle - spreads the pigment
|
|
triste
|
sad
|
|
Sooth
|
truth
|
|
la cerámica
|
pottery
|
|
detect
|
to notice
|
|
El fondo
|
Background
|
|
Wrapped Reichstag
|
Christo
|
|
Matisse
Music
France
Expressionism (Fauve)
1909-1910
|
|
|
Shade.
|
Color plus black.
|
|
Straight edged
|
Geometric Shape
|
|
hue
|
name of a color
|
|
Sculpture involves
|
mass and volume
|
|
Kandinsky
|
Der Blau Rieter Expressionism
|
|
pigment primary colors
|
red, blue, yellow
|
|
M.Cézanne in a Red Armchair
|
Pau
|
|
Sacra Conversazione
|
"Sacred conversation"; a representation of the Virgin and Child with saints in a separate scene. Popular in Renaissance Italy.
|
|
Madonna of the Rocks
|
da Vinci
|
|
gouache
|
opaque, water soluble painting medium
|
|
pigment
|
coloring matter in paint and color
|
|
The Armory Show
1913
|
-first large-scale modernist exhibition in U.S.; New
-extremely influential
-highly controversial; people loved it or hated it; Matisse burned in effigy
-first shown in the 69th Regiment Armory, New York City; then shown in Chicago
-idea born in 1911, Assn. of Am. Painters & Sculptors Arthur B. Davies, President
-Marcel Duchamp's Nude Descending a Staircase
|
|
Time
|
Element: location and duration of temporal event
|
|
When was the colloseum built?
|
74 ad
|
|
background
|
the area surrounding the subject matter in the picture
|
|
Value
|
Another term for light and dark
|
|
brachylogy
|
brevity of diction; concise or abridged form of expression.
|
|
Unity
|
common element linking the art work together (style)
|
|
Evaluation
|
process of selecting one thing over another or appreciating the specialness of an artwork
|
|
William Playfair
|
Scottish author and scientist, who used Cartesian coordinates and other aspects of analytic geometry to convert statistical data into symbolic graphics. Introduced the line (or fever) graph and bar chart.
|
|
las artes plasticas
|
plastic arts( sculpture, painting, architecture)
|
|
fresco
|
pigments are mixed with water and applied to a plaster support, usually a wall or ceiling coated in plaster.
|
|
principles of design
|
unity, variety, emphasis, rhythm, movement, balance, pattern, and proportion
|
|
ears
|
parallel to eyebrows and bottom of nose.
|
|
artist
|
A person who makes artworks and is skilled in composing subject matter and the art elements with a variety of art materials and procedures.
|
|
narthex
|
a porch or vestibule of a church, generally colonnaded or arcaded and preceding the nave.
|
|
Labors of Herakles
|
Labor of Herakles include 12 points
|
|
igor stravinsky
|
rite of spring - ballet with choreography by najinsky. caused a riot, used innovative, driving rhythms, unresolved tensions in motifs
|
|
groin vaults
|
intersecting 2 barrel vaults of equal size
|
|
Color intensity
|
saturation or strength of a color determined by the quality of light reflected from it
|
|
Egypt
|
they draw the head,arms, legs to the side. The upper body is twisted to faces
|
|
Gothic
|
The name given to the style of architecture, painting, and sculpture that flourished in western Europe, mainly France and England, between the twelfth and sixteenth centuries.
|
|
potboiler
|
a mediocre work of literature or art produced merely for financial gain.
|
|
relieving triangle
|
In a corbelled arch, the opening above the lintel that serves to lighten the weight to be carried by the lintel itself.
|
|
Society of Jesus (Jesuits)
|
1540; Ignatius Loyola created this religious order for his followers, were missionaries and wanted to convert Protestants to Catholicism
|
|
Gold leaf
|
an extremely thin tissue of gold used for gilding
|
|
analogous colors
|
colors next to each other on the color wheel
|
|
high-key value
|
a value that has a level of middle gray or lighter.
|
|
how can you create visual harmony within a work
|
use a common bond
|
|
length of ears
|
fit b/w the eyelevel line and the line at the bottom of the nose
|
|
how can you measure the face and the human body without a ruler? what is the unit of measurement you can use?
|
measure the length of one eye, and then fit 5 across the width of the face, eye
|
