Literary Terms 18
Complete List of Terms and Definitions for Literary Terms 18
| Terms | Definitions |
|---|---|
| Syntax | word order |
| Allusion | to reference |
| antithesis | opposition; contrast: |
| das Gespräch | a conversation |
| protagonist | the main character |
| assonance | resemblance of sounds. |
| Exemplification | an illustration or example |
| Persuasion | The act of persuading |
| resolution | a resolve or determination |
| hyperbole | obvious and intentional exaggeration. |
| caricature | points out flaws with humor |
| Flat Character | A one dimensional character. |
| octave | a group of eight lines |
| Paradox | a statement that contradicts itself |
| adage | a familiar proverb, wise saying |
| Drama | literature meant to be performed |
| Parable | Brief, allegorical narrative that teaches a moral; moral themes are explicit & can be interpreted in many ways |
| fact | something that actually exists; reality; truth: |
| Imagery | mental pictures experienced by the reader |
| Colloquial | Informal diction that reflects casual, conversational language |
| unctuous | (adj.) excessively smooth or smug; trying too hard to give an impression of earnestness, sincerity, or piety; fatty, oily; pliable |
| Audience | the intended reader of a piece |
| Explication | writing that presents a detailed analysis or thoughtful interpretation of a subject. |
| archetype |
a character type that occurs frequently in literature and myth ex: the noble savage - queequeg wise old man - yoda |
| Ode | a poem praise of something divine |
| metaphor | figure of speech using implied comparison or substitution of one thing for another |
| consonance | the repetition of consonants (or consonant patterns) especially at the ends of words |
| Diary | Writers personal day-to-day account of his or her experiences and impressions |
| biography | a story told from someone else |
| Novel | has a longer, more complicated plot |
| couplets of rhymed iambic pentameter | Heroic Couplet |
| Classicism | Literature (and other arts) movements of ancient Greece and Rome, using strict forms, accenting reason, and characterized by restraint. Opposite of Romanticism. |
| text with meaning besides literal, often with symbols | allegory |
| foreshadowing | to show or indicate beforehand; prefigure: |
| iambic | a satirical poem in this meter. |
| Euphemism | Euphemism is the substitution of an agreeable or less offensive expression in place of one that may offend or suggest something unpleasant to the listener |
| direct characterization | the author directly states a character's traits Ex: 'Curly was quick and mean' (Of Mice and Men, John Steinbeck) |
| dynamic character | A character that changes significantly throughout the story [they are different at the end than they were in the beginning |
| Characterization |
the various literary means by which characters are presented. Examples- HIMMH "Dr. Peebles was only an animal doctor, but had a calming way of talking like any doctor" (67). |
| simile | a similarity between two objects or ideas, using like or as (and sometimes than) |
| Die Geschichte findet statt... | The story takes place... |
| Paraphrase -- |
communicating the same idea using different words. "re- wording" |
| METER | A regular pattern of stressed and unstressed syllables that gives a line of poetry a predictable rhythm. |
| Pathos | a writer or speaker's attempt to inspire an emotional reaction in an audience--usually a deep feeling of suffering, but sometimes joy, pride, anger, humor, patriotism, or any of a dozen other emotions. |
| Analogy | a similarity or comparison between two different things or the relationship between them |
| enjambment | continuation of a sentence without a pause between the line or stanza |
| allegory | a representation of an abstract or spiritual meeting through concrete or material forms, figurative treatment of one subject under the guise of another |
| epitaph | an instription on a tombstone or burial place |
| ambiguity | Allows for two or more simultaneous interpretations of a word, phrase, action or situation. |
| catharsis | the release of emotions by the audience at the end of a tragedy |
| Tall tales | Tales of spirits or the super-natural |
| dialogue | words a character speaks in a drama |
| Parallelism | The use of identical or equivalent syntactic constructions in corresponding clauses or phrases |
| diction | A writer’s choice of words, phrases, sentence structures, and figurative language, which combine to help create meaning. |
| Define: fable | Brief story that frequently includes animal characters and a moral. |
| Fabliau | Short, metrical tale told by minstrels in twelfth and thirteenth centuries, often spicy and satiric. |
| the basic rhythmne structure of the poem | METER |
| EPIGRAPH | a quotation or aphorism at the beginning of a literary work suggestive of the theme. |
| asyndeton | the omission of conjunctions, as in "He has provided the poor with jobs, with opportunity, with self-respect." |
| ethos | the fundamental character or spirit of a culture; the underlying sentiment that informs the beliefs, customs, or practices of a group or society |
| anecdote | a short account of a particular incident or event of an interesting or amusing nature, often biographical. |
| fantasy | A fantasy is a highly imaginative writing that contains elements not found in real life. Examples of fantasy include stories that involve supernatural elements, stories that resemble fairy tales, stories that deal with imaginary places and creatures, and |
| Lyric | Short poems, often written in the 'I' form, where the poet expresses his or her feelings |
| exhortation | something said or written in order to urge somebody strongly to do something; the giving or earnest advice or encouragement |
| Personification | A figure of speech that endows ideas, abstractions, or inanimate objects with human form. |
| bibliography | a list of works cited or otherwise relevant to a subject or other work |
| falling action | the falling action (or resolution) is characterized by diminishing tensions and the resolution of the plot's conflicts and complications |
| Epigraph- | the use of a quotation at the beginning of a work that hints at its theme. |
| critique | a critical examination of a work of art to determine how it measures up to established standards |
| flashback (retrospect) | a scene relived in a character's memory |
| tone | a way of wording or expressing things that expresses an attitude; may be angry, matter-of-fact, pedantic, ironic, etc. |
| non sequitur | an inference or conclusion that does not follow logically from the facts or premises |
| metonomy | A term from the Greek meaning " changed label" or substitute name" |
| figurative language | language employing one or more figures of speech (simile, metaphor, imagery, ect.) |
| synecdoche | using one part of an object to represent the entire object |
| chronological order | the order of events that are happening |
| Round Character | is fully developed as an individual, complex as real people are |
| anaphora | The deliberate repetition of a word or phrase at the beginning of several successive verses, clauses, or paragraphs. One of the devices of repetition, in which the same phrase is repeated at the beginning of two or more lines. |
| Define: Epic | a long, narrative poem depicting the adventures of a hero. |
| folk tales | a tale or legend originating and traditional among a people or folk, esp. one forming part of the oral tradition of the common people. |
| comedy | a play, movie, etc., of light and humorous character with a happy or cheerful ending; a dramatic work in which the central motif is the triumph over adverse circumstance, resulting in a successful or happy conclusion. |
| Dennotation | Literal meaning of a word (D as in Dictionary) |
| scapegoat | a person or group who bears the blame for another |
| onomatopoeia | the use of words that by their sound suggest their meaning |
| Verbal Irony | words that are used to suggest the opposite of what is meant |
| periodic sentence | a complex sentence in which the main clause comes last and is preceded by the subordinate clause |
| irony | when a reader is aware of a reality that differs from a character's perception of reality. |
| Hyperbole (ex) | I'm so hungry, I could eat a horse. |
| Science fiction | Is a fiction based on realor imagined scientific developments. |
| Character | Person or animal who appears in a work of fiction. |
| Local Color | The use of language and details that are commmon in a certain region of the country |
| verse | in poetry, one of the lines of a poem |
| Internal rhyme | A line of poetry that rhymes in the middle and end of the line |
| rhetorical device | a technique an author uses to convey a meaning, evoke an emotional response or to persuade a reader |
| the vantage point from which a story is told. | POINT OF VIEW |
| Point of View | The way a story gets told and who tells it. |
| romanticism | romantic spirit or tendency. |
| Mimesis | describes an interesting and common effect: the use of words that suggest movement, shape, size, texture (smooth, rough, soft) |
| Theme | central ideas or issues, often abstract, explored or illustrated in a text - can also refer to an argument raised or pursued in the text, like a thesis |
| fiction | the class of literature comprising works of imaginative narration, esp. in prose form. |
| motif | a recurring subject, theme, idea, etc., esp. in a literary, artistic, or musical work. |
| stereotype | a simplified conception or image invested with special meaning and held in common by members of a group |
| Metre | the organisationg of lines of verse into regular patterns of stressed and unstressed syllables to achieve a rhythmic effect |
| Mood | refers to people, describes a person's (a character's or the narrator's) frame of mind or state of feeling - may also indicate the emotional response the author hopes to evoke in the mind of the reader |
| Style | the distinctive traits in an author's work, the 'how' of writing - concerns theme, diction (emotional, abstract, poetic), sentence structure, imagery, sound, etc. |
| Idyll/idyllic | refers to innocent simple life in idealised rural setting |
| Epigram | a concise, pointed, witty statement - epigrammatic' style in prose or poetry |
| Enjambement | the opposite of end-stopped line, the sense flows over from one line to another, perhaps even to the next stanza - can reflect a build-up of emotion or create dramatic effect |
| Sonnet | a fourteen-line rhyming poem often in iambic pentameter - rhyme schemes and organisation of lines vary, depending on the type of sonnet, but often set out as a block of 8 lines (octave) or 6 lines (sestet) |
| Atmosphere | often confused with 'mood', it refers specifically to place, a setting, or surroundings |
| Ambivalence | where the writer's attitude to, e.g., a character or event is not clear-cut, but may seem to hold at least two responses |
| moral | of, pertaining to, or concerned with the principles or rules of right conduct or the distinction between right and wrong; ethical: |
| naturalism | a manner or technique of treating subject matter that presents, through volume of detail, a deterministic view of human life and actions. |
| epiphany | a sudden, intuitive perception of or insight into the reality or essential meaning of something, usually initiated by some simple, homely, or commonplace occurrence or experience. |
| novella | a fictional prose narrative that is longer and more complex than a short story; a short novel. |
| resume | a brief written account of personal, educational, and professional qualifications and experience, as that prepared by an applicant for a job. |
| sequence | the following of one thing after another; succession. |
| connotation | the associated or secondary meaning of a word or expression in addition to its explicit or primary meaning: |
| symbol | something used for or regarded as representing something else; a material object representing something, often something immaterial; emblem, token, or sign. |
| folktale | a tale or legend originating and traditional among a people or folk, esp. one forming part of the oral tradition of the common people. |
| journal | a daily record, as of occurrences, experiences, or observations: |
| Pastiche | a literary work composed in the style of a well-known author |
| Soliloquy | a speech by a character alone on stage, thinking aloud, revealing thoughts and emotions, or communicating directly with the audience - tool for revealing psychological complexity |
| Setting | context in which a work of literature takes place: geographical, social, historical, generalised, conventional, symbolic etc. |
| Dramatic irony | tool especially in drama, used for tragic or comic purposes - where a character(s) is/are unaware of somethign that the audience/reader and possibly other characters on stage are away of |
| Concrete | refers to objects or aspects that may be percieved by the senses |
| Free verse | verse written without any fixed or traditional structure in metre or rhyme - very flexible because it follows the speech rhythms of the language |
| Monologue | speech, usually of some length, by a single speaker - a 'dramatic monologue' has a listener present and reveals the character of the speaker in a striking way |
| Grain | a reader can go acceptingly along wih assumptions and values in a text, or go 'against the grain', resisting and questioning values and assumptions in that text - also apply to other situations... |
| short story | a piece of prose fiction, usually under 10,000 words. |
| climax | the highest or most intense point in the development or resolution of something; culmination: |
| autobiography | a history of a person's life written or told by that person. |
| Stanza | blocks of lines into which a poem is organised - in traditional forms of poetry each stanza follows a scheme governing metre, lines and rhymes |
| End-stopped line | a line of poetry where the meaning pauses or stops at the end of the line - a statement or idea can stand out clearly, and provide a pause for reflection |
| Plot | the events of a narrative in the order the author has chosen to present them - chronology may be distorted for particular effects, as in flashbacks or flash forwards; e.g. a novel may begin with the ending of the story |
| Quatrain | stanza or group of four lines that can have different rhyme schemes |
| Denouement | how the ending of of a novel or play turns out, how the plot is unravelled or revealed - literally, from the French, 'unknotting' |