| Terms |
Definitions |
|
unstressed, stressed(foot)
|
iambic
|
|
homily
|
sermon or lecture
|
|
hyperbole
|
obvious and intentional exaggeration.
|
|
rising action
|
conflict starts to unfold
|
|
euphony
|
agreeableness of sound; pleasing effect to the ear, esp. a pleasant sounding or harmonious combination or succession of words:
|
|
theme
|
the message about life/human nature that is told in a literary work
|
|
atmosphere
|
a surrounding or pervading mood, environment, or influence:
|
|
motif
|
a recurring subject, theme, idea, etc., esp. in a literary, artistic, or musical work.
|
|
jongleur
|
(in medieval France and Norman England) an itinerant minstrel or entertainer who sang songs, often of his own composition, and told stories.
|
|
denouement
|
the final resolution of the intricacies of a plot, as of a drama or novel.
|
|
Allegory
|
A form of extended metaphor where objects take on a symbolic meaning.
|
|
words that imitate the sounds the name
|
onomatopoeia
|
|
concordance
|
an alphabetical index of subjects or topics.
|
|
tone
|
prevailing character or style, as of manners, morals, or philosophical outlook:
|
|
gongorism
|
imitation of the ornate and intricate style of Góngora y Argote.
|
|
philippic
|
any speech or discourse of bitter denunciation.
|
|
allusion
|
a passing or casual reference; an incidental mention of something, either directly or by implication:
|
|
autobiography
|
someone that writes a story based upon themselves
|
|
didactic
|
A _____ story, speech, essay or play is one in which the author's primary purpose is to instruct, teach, or moralize.
|
|
audience
|
the persons reached by a book, radio or television broadcast, etc.; public:
|
|
chantey
|
a sailors' song, esp. one sung in rhythm to work.
|
|
rhyme
|
identity in sound of some part, esp. the end, of words or lines of verse.
|
|
falling rhythm
|
a rhythmic pattern created by the succession of metrical feet each of which is composed of one accented syllable followed by one or more unaccented syllables.
|
|
pleonasm
|
the use of more words than are necessary to express an idea; redundancy.
|
|
parasynthesis
|
the formation of a word by the addition of a derivational suffix to a phrase or compound, as of greathearted, which is great heart plus -ed.
|
|
assonance
|
rhyme in which the same vowel sounds are used with different consonants in the stressed syllables of the rhyming words, as in penitent and reticence.
|
|
context clues
|
clues given in the story that tell what might happen next, or what a word might mean
|
|
the character says or does one thing, but means another(sarcasim)
|
verbal irony
|
|
canto
|
one of the main or larger divisions of a long poem.
|
|
common meter
|
a ballad stanza of four iambic lines and strict rhymes, often used in hymns, rhyming abcb or abab.
|
|
libretto
|
the text or words of an opera or similar extended musical composition.
|
|
texture
|
the quality given, as to a musical or literary work, by the combination or interrelation of parts or elements.
|
|
What is meter?
|
It is the fixed pattern of accented and unaccented syllables in a line of poetry that produces its rhythm.
|
|
What is a ballad stanza?
|
It's a stanza that usually consists of:1. An abab or abcb rhyme scheme.2. A 4 line stanza, known as a quatrain.3. Alternating lines of 4 pairs of syllables (called tetrameter), for a total of 8 syllables, and 3 pairs of syllables (called trimeter) for a total of 6 six syllables.Each pair is accented on the second syllable.
|
|
the words of a poem are not in the usual grammatical construction
|
inverted word order
|