LECTURE 9 OUTLINES Pictorialism
Key players:
Lady Eastlake: Absence of aesthetic judgment disqualifies photography as an art. Very against the photographic machine. Art depends on selection and rejection. Evokes Joshua' Reynolds' Seven Discourses o
Basics of Photogrammetry Note#6 Photogrammetry Art and science of making accurate measurements by means of aerial photography Analog: visual and manual analysis of aerial photographs in hard-copy format such as photographic prints (9x9in) or positi
In saying that landscape is something, defined by our vision and interpreted by our minds, Meinig is arguing that that way in which one views and experiences a landscape affects the meaning of that landscape. It is not just the viewer of a landscape
Photography
The Camera Obscura - literally "dark room"- is a phenomenon known since the Renaissance (from his writings, we know Leonardo knew about it). In a dark room, if there is a small hole in one wall, the light passing through the hole will pro
CIOS 258 TO1 Lesson Outline Week 2
9/13 Photographic Intention: Why do you take photographs? Photographic Intention: Why do you take photographs? Describe, briefly, five photographs that you did not take, but wished you had? See the http:/www.unphoto
Professor: Darius A. Spieth Art History Program LSU School of Art
Robert Demachy, Speed, from Camera
Work #7, July 1904, photogravure
Pictorialism was the dominant direction for ambitious photography from the mid1880s until the early 1900s; remnan
CONTEMPORARY PHOTOMEDIA COMM 12116
Workbook 2 - Fundamentals of Composition
WORKBOOK 2 - FUNDAMENTALS OF COMPOSITION This week, at a practical level, we are looking at the basics of composition, which is sometimes referred to as `framing'. Essentia
CONTEMPORARY PHOTOMEDIA COMM 12116
Workbook 2 - Fundamentals of Composition
WORKBOOK 2 - FUNDAMENTALS OF COMPOSITION This week, at a practical level, we are looking at the basics of composition, which is sometimes referred to as `framing'. Essentia
CONTEMPORARY PHOTOMEDIA COMM 12116
Workbook 2 - Fundamentals of Composition
WORKBOOK 2 - FUNDAMENTALS OF COMPOSITION This week, at a practical level, we are looking at the basics of composition, which is sometimes referred to as `framing'. Essentia
CIOS 258 TO1 Lesson Outline Week 2
1/24 Date Assigned 1/24 Photographic Intention: Why do you take photographs? Date Due 1/31 Week 2: Photographic Intention: Why do you take photographs? Describe, briefly, five photographs that you did not take, but
Professor: Darius A. Spieth Art History Program LSU School of Art
Oscar G. Rejlander, The Two Ways of Life,
combination albumen print, 1857
Up to this point, the photographs we discussed were of a rather utilitarian nature; in this and upcoming ex
CIOS 258 TO1 Lesson Outline Week 2
9/19 Date Assigned 9/19 Photographic Intention: Why do you take photographs? Date Due 9/26 Week 2: Photographic Intention: Why do you take photographs? Describe, briefly, five photographs that you did not take, but
CIOS 258 TO1 Lesson Outline Week 2
Photographic Intention: Why do you take photographs? Date Assigned 2/6 Date Due 2/13 Week 2: Photographic Intention: Why do you take photographs? Describe, briefly, five photographs that you did not take, but wished
Chris Basgier W131, Spring 2008 REX 4 Constructing Photographs, Understanding Representation The Assignment: This assignment asks you to engage with the rhetorical, meaningmaking elements of photographs, such as framing, vectors, camera angle/positio
Significant Photographers and Inventors
Oscar G. Rejlander - An English photographer that began making elaborate photographic prints in 1855 using the technique of "combination printing". The process used several negatives and prints shot expressly f