Motion Picture - In keeping with section 29 of the Canadian...

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A Comparative Anthology Edited by Robert Knopf Yale University Press New Haven and London In keeping with section 29 of the Canadian Copyright Act, fair dealing allows you to make one copy. This copy must be used solely for research, private study, criticism, review, news reporting, education, parody or satire.
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Published with assistance from the Louis Stern Memorial Fund. Copyright© 2005 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Adobe Garamond type by The Composing Room of Michigan, Inc. Library of Congress Cataloging-in-Publication Data Knopf, Robert, 1961- Theater and film: a comparative anthology f edited by Robert Knopf. p.cm. Includes filmography. Includes bibliographical references and index. ISBN: 978-0-300-10336-6 r. Motion pictures and cheater. I. Tide. PN199p5.K58 2004 79r.43' 6-dc22 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. In order to keep this title in print, this edition was produced using digital printing technology in a relatively short print run. This would not have been attainable using traditional printing methods. Although the reproduction of this copy may not appear the same as in the original edition, the text remains the same and all materials and methods used still conform to the highest book- making standards. In keeping with section 29 of the Canadian Copyright Act, fair dealing allows you to make one copy. This copy must be used solely for research, private study, criticism, review, news reporting, education, parody or satire.
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Realism, Romance, and the Development of the Motion Picture A. Nicholas Vardac Art in any of its many forms cannot be considered in terms of static manifestation. It must forever be viewed in the light of its dynamics, its flow, and its changing social origins. The birth of the need for the motion picture, the expression of this need in the related arts of the times, its growth, and eventually its transition from the related arts to the screen must be considered as a study in aesthetic dynamics. The spirit which dominated the nineteenth century arose from the intellectual upheavals of the eighteenth. Through the mid-years of the 17oo's realistic rebellion and intellectual inquisition were breeding. The universe was questioned and dissected and its fabric examined. The modern objective and scientific point of view was in the process of birth. Its most immediate and sensational manifestations may in- deed have been in the political arena, with revolutions flaring upon two continents within a matter of decades, but the power of this new Excerpted from A. Nicholas Vardac, Stage to Scrrm: Theatrical Origim of Early Film: David Garrick
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