AS 10 11-29 - o Stone chimes metal bells mouth organ Choson 1392-1910-Dawn of hyangak active court composition-“Koreanization” of foreign music

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Revising a Musical Tradition in South Korea South Korea - Industrial country - Cosmopolitan area - Lots of tradition still imbedded Musical Instruments - Categorized in different ways o Material, strings, percussion General Characteristics of Korean Music - Rhythm o Breathing - Um/yang Principles enforced o Contrast between loud and soft, short and long, dark and bright o Harmonious but not identical - Spontaneity o Ornamentation o Pitch variability - National Tone Color o Natural sound of voice and instruments favored o Warm sound - Five Note Scale Unified Silla: 668-936 - Hyangak o Indigenous music o Native-Korean + Central/South Asian + Chinese o Secular o Wind and percussion led - T’angak o Music of the Chinese T’ang court o Integrated into Korean secular and ritual court music o Ceremonial
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Unformatted text preview: o Stone chimes, metal bells, mouth organ Choson: 1392-1910-Dawn of hyangak ; active court composition-“Koreanization” of foreign music Sejong the Great: 1814-1850 Court Music-Music of the elite-Learned by rote-Combination of Music of Chinese origins and Korean characteristics-Typified as restrained in nature-Ritual/Secular Sujechon (court secular music)-Originally a vocal piece, but it since has lost its lyrics and is performed as instrumental music today-Meaning “long life as everlasting as the heaven” Folk Music-Music of the common/everyday people-Learned by rote-Distinct regional characteristics-Typified as unrestrained and emotional in nature-Ritual/secular...
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This note was uploaded on 04/15/2008 for the course ASIAN STUD 10 taught by Professor Yamanaka during the Fall '07 term at University of California, Berkeley.

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AS 10 11-29 - o Stone chimes metal bells mouth organ Choson 1392-1910-Dawn of hyangak active court composition-“Koreanization” of foreign music

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