Regret - Regret Chopin Kate Regret Kate Chopin Mamzelle Aurlie possessed a good strong figure ruddy cheeks hair that was changing from brown to gray and

Regret Kate Chopin Regret Kate Chopin Mamzelle Aurélie possessed a good strong figure, ruddy cheeks, hair that was changing from brown to gray, and a determined eye. She wore a man's hat about the farm, and an old blue army overcoat when it was cold, and sometimes top-boots. Mamzelle Aurélie had never thought of marrying. She had never been in love. At the age of twenty she had received a proposal, which she had promptly declined, and at the age of fifty she had not yet lived to regret it. So she was quite alone in the world, except for her dog Ponto, and the negroes who lived in her cabins and worked her crops, and the fowls, a few cows, a couple of mules, her gun (with which she shot chicken-hawks), and her religion. One morning Mamzelle Aurélie stood upon her gallery, contemplating, with arms akimbo, a small band of very small children who, to all intents and purposes, might have fallen from the clouds, so unexpected and bewildering was their coming, and so unwelcome. They were the children of her nearest neighbor, Odile, who was not such a near neighbor, after all. The young woman had appeared but five minutes before, accompanied by these four children. In her arms she carried little Élodie; she dragged Ti Nomme by an unwilling hand; while Marcéline and Marcélette followed with irresolute steps. Her face was red and disfigured from tears and excitement. She had been summoned to a neighboring parish by the dangerous illness of her mother; her husband was away in Texas -- it seemed to her a million miles away; and Valsin was waiting with the mule-cart to drive her to the station. "It's no question, Mamzelle Aurélie; you jus' got to keep those youngsters fo' me tell I come back. Dieu sait, I wouldn' botha you with 'em if it was any otha way to do! Make 'em mine you, Mamzelle Aurélie; don' spare 'em. Me, there, I'm half crazy between the chil'ren, an' Léon not home, an' maybe not even to fine po' maman alive encore!" -- a harrowing possibility which drove Odile to take a final hasty and convulsive leave of her disconsolate family.