finalreview - Question 1 John Constable, The Haywain, 1821...

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Question 1 John Constable, The Haywain , 1821 Reacting to outdoor conversation Loose brushstroke “authentic experience”- feel like he was there, he knows this place Constable is important because he creates a representation of a real thing that you could see through the painting He has a claim to that place and a real personal connection with it that gives him credibility because that is what it looks like Anti-conventionalism: His do not look constructed because they abandon the framing technique, the people in those paintings are not the primary focus, they are just part of the landscape, loose brushwork During industrial revolution, the urbanized bourgeoise are the ones who buy the paintings but live in these urban cities. They can not get nature in their city so they identify with Constable because he knows the landscape and represents nature. This is the viewer’s claim to nature. Appeared as an escape from industry and it’s a claim to nature Roy Lichtenstein, Little Big Painting , 1965 Made by a silkscreen, you can not see the painter’s hand. They are associated with mass- production, industrial Reacting to pop culture &abstract expressionism Argument: Art must be separate
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This note was uploaded on 04/21/2008 for the course ART HIS 40c taught by Professor Herbert during the Spring '08 term at UC Irvine.

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finalreview - Question 1 John Constable, The Haywain, 1821...

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