Response to lecture on Women writers in Japan

Response to lecture on Women writers in Japan - there were...

Info iconThis preview shows page 1. Sign up to view the full content.

View Full Document Right Arrow Icon
Response to lecture on Women writers in Japan By KiHyun (James) Kwon After reading A Woman Writer by Tamura Toshiko, a lot of history rushed into my head. I was just recently introduced to the concepts and the basic background information on the Meiji period. However, even though there were a lot of deep meanings in the story, I was able to absorb the immense amount of facts given by the guest speaker. I lived more than half of my life in Korea and looked for similarity between the two neighboring countries. However, the women and their role in the Japanese literature society I felt were unique. For one, the days of technology and westernization came much earlier for Japan then Korea. Women in Korea during the Meiji era in Japan were almost servant-like and had almost no status in the society. They had no influence in the Korean literature. However, the fact that
Background image of page 1
This is the end of the preview. Sign up to access the rest of the document.

Unformatted text preview: there were Japanese woman writers that early on surprised me. Although they were tortured with limitation in what they can write and their little catch-22 on what they can write, the Japanese woman writers were still allowed to write whatever they wanted. That was one of the thoughts that flowed through my mind during the lecture. To convey the hardships of woman writers, Toshiko did a great job of building up the mask/make-up symbolism. After getting critiqued by men for not writing like a woman, Toshiko writes a story of a story of the writer herself. This, I thought, was a very absurd yet effective approach to the men critiques and other woman writers....
View Full Document

Ask a homework question - tutors are online