4-26-07 New German Cinema after 1970

4-26-07 New German Cinema after 1970 - New German Cinema...

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New German Cinema after 1970 26 April 2007 German art films were never that popular during this time within their own country, sales started going up in the mid-‘90s Ali: Fear Eats the Soul (1974, Rainer Werner Fassbinder) Most important German filmmaker of the last half century, innovative films combined with an incredible film output (this is his 15 th film in 6 years!) Move towards melodrama, influenced by Douglas Sirk and All that Heaven Allows Originally made distanced, cold Godard films, then moved into this emotion-centered open style Very concerned with color and the way he frames his substance, characters in claustrophobic frames to communicate sense of restricted movement Lower class/middle class characters, which are not used to communicating emotions through language, he was mistrustful of language and thought of it as a tool of power to suppress someone else The Marriage of Maria Braun (1979, Fassbinder) He began his “German trilogy” about German history beginning with this film about WWII
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4-26-07 New German Cinema after 1970 - New German Cinema...

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