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Unformatted text preview: VI. Overdeterminination a. # of determinants that compose film within cinema and within perception of it (gender, class, age) b. cinematic determinants i. aesthetic ii. business practices-changes in industry iii. film technology (color, widescreen) iv. censorship 1934-1962 v. production history vi. critical discourse (professional, critics, scholars) vii. popular reception (box office #s, how many are seeing it, how long did I play, word of mouth—e.g. bonnie and clyde/sound of music) c. extra cinematic i. culture ii. idealogical 1. star-political weight (john wayne American hero in western) VII. Criticism a. Reviews b. Critique-greater understanding of films c. Experience vs verbal forumulation d. Critical judgement/reasoning e. Evaluative criteria f. Critical suppositions...
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This note was uploaded on 03/04/2009 for the course CTCS 18000 taught by Professor Casper during the Fall '09 term at USC.
- Fall '09