paper 2 notes 2

paper 2 notes 2 - CENSORSHIP According to information in...

Info iconThis preview shows pages 1–2. Sign up to view the full content.

View Full Document Right Arrow Icon
CENSORSHIP According to information in the film's file in the MPAA/PCA Collection at the AMPAS Library, the Breen office had many concerns about the film. In letters to studio head Jack L. Warner, the censors warned against the general brutality of the delinquent teenagers, the latent homosexuality of Plato, hints of sexual activity between Jim and Judy in the mansion sequence, the inference of the idea of incest in the relationship between Judy and her father, and Judy's promiscuity, which was more pronounced in an earlier version of the script in which she was brought to the police station for soliciting. Modern sources state that the script continued to change. In one version, Plato did not die. The sex and violence were, in some cases, minimized. Modern interviews with actors and crew from the film reveal that, after shooting commenced, Ray allowed Dean to make improvisatory changes to his lines on the set. The production code=used up until late 1950s, challenged by producer-director Otto Preminger’s films who released films without PCA seal of approval. 137 “they know that the motion picture within its own field of entertainment may be directly responsible for spiritual or moral progress”138 general principles-1. The sympathy of the audience shall never be thrown to the side of crime, wrong-doing, evil or sin 138 4. sex perversion or any inference to it is forbidden 140 POST CLASSICAL/CULTURE Rebel Without a Cause soon developed the reputation as being the first film to tackle problems of middle-class youth, but when it opened, the impact of its violence and sexuality shocked some reviewers into mixed, albeit strong, criticism. Some reviews found the development of the parental characters weak or unfair. The film marked Wood's first adult role, and one for which she was nominated for an Academy Award for Best Supporting Actress, losing to Jo Van Fleet in East of Eden . Mineo, whose role is considered by critics the first instance of a homosexual boy on film, was nominated for Best Actor in a Supporting Role, but lost to Jack Lemmon in Mister Roberts . Ray was nominated for Best Motion Picture Story, but lost to Daniel Fuchs's
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full DocumentRight Arrow Icon
Image of page 2
This is the end of the preview. Sign up to access the rest of the document.

This note was uploaded on 03/04/2009 for the course CTCS 18000 taught by Professor Casper during the Fall '09 term at USC.

Page1 / 6

paper 2 notes 2 - CENSORSHIP According to information in...

This preview shows document pages 1 - 2. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online