14th Century Art Powerpoint-Mideterm 7

14th Century Art Powerpoint-Mideterm 7 - 14thcentury...

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1 14 th  century Tempera on altar painting Late Gothic Late 1300s Italy Wide diversity of Political systems Papal states: Pope still has control Republic of Florence (biggest role in Renaissance) and Siena More freedom with merchants More anatomy Canvas: carry during processions There is more competition, discussions, individuality (one idea can be better than another ) 1 st segment of chiaroscuro was in Vasari, book of 5 segments, book of who contributed to the Renaissance, Michael Angelo’s student Duccio and Giotto differences G: uses currascur for depth and space
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2 Italy Around 1400
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3 Figure 19-1 BONAVENTURA BERLINGHIERI, panel from the Saint Francis Altarpiece, San Francesco, Pescia, Italy, 1235. Tempera on wood, approx. 5’ x 3’ x 6”. What they do on  manuscripts would  transfer to altar Went back to Panels Multi-paneled Easel paintings: paint it  and hang on wall, not  mosaics Stylized Figures much larger No desire for visual  Saint Francis: famous for  talking to the animals,  wounds of Christ in his  name, representative one  of the groups of Monks/  Priests
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4 Figure 19-2 NICOLA PISANO , pulpit of Pisa Cathedral baptistery, Pisa, Italy, 1259–1260. Marble, approx. 15’ high. Innovations Come in  sculptures Natural transition Studied Roman style Sarcophaguses Trained in Gothic style Starts to try to make the style  his own
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5 Figure 19-3 NICOLA PISANO , The Annunciation and the Nativity, detail of Pisa baptistery pulpit, Pisa, Italy, 1259–1260. Marble relief, approx. 2’ 10” x 3’ 9”. Similar with Roman  sarcophagus style Hierarchical scale Multiple scale Jesus Bath Madonna: proper  Roman matron Realism class
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6 Figure 19-4 GIOVANNI PISANO , The Annunciation and the Nativity, detail of the pulpit of Sant’Andrea, Pistoia, Italy, 1297–1301. Marble relief, approx. 2’ 10” x 3’ 4”.
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  • Fall '16
  • Giotto di Bondone

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