ARS 102 Study List 1

ARS 102 Study List 1 - The Holy Trinity, c. 1425. fresco,...

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ARS 102: STUDY LIST FOR TEST 1 (Sept. 14) ***Please note that Renaissance Art of Flanders, scheduled for Sept. 12, will not be included on Test 1. It will be on Test 2.*** Terms Renaissance humanism buon fresco Georgio Vasari Medici neo-Platonism Latin-cross plan and parts (nave, apse, transcept, crossing) rustication foreshortening trompe l’oeil International Gothic Style tempera atmospheric (aerial) perspective continuous narrative linear perspective chiaroscuro oil painting sfumato Pope Julius II pieta Mannerism allegory Images 1. Giotto, Scrovegni (Arena) Chapel, Padua, Italy.1305-6. figs. 17-2 and 17-3. 2. Fillipo Brunelleschi, Dome of the Florence Cathedral. 1417-36, Florence, Italy. 3. Michelozzo (attributed to), Palazzo Medici-Rucellai, Florence. beg. 1446. 4. Lorenzo Ghiberti, The Story of Jacob and Esau. 1435. Gilt bronze relief, fig. 17-51. 5. Donatello, David. c. 1446-60. Bronze, fig. 17-53. 6. Gentile da Fabriano. The Adoration of the Magi, 1423. Tempera on panel, fig. 17-60. 7. Masaccio.
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Unformatted text preview: The Holy Trinity, c. 1425. fresco, fig. 17-61. 8. Masaccio. The Tribute Money , c. 1427. fresco, fig. 17-64. 9. Sandro Botticelli. Primavera, c. 1482. tempera on canvas, fig. 17-72. 10. Andrea Mantegna. Camera Picta, c. 1465-74. fresco, fig. 17-68. 11. Leonardo da Vinci, The Last Supper, c. 1495-98. tempera wall mural, fig. 18-2. 12. Leonardo da Vinci, Mona Lisa, c. 1503-5. oil on panel, fig. 18-4. 13. Michelangelo, David , 1501-4. marble, fig. 18-12. 14. Michelangelo, The Last Judgment, 1534-41, fig. 19-13, 14. 15. Michelangelo, Pieta, c. 1500. marble, fig. 18-11. 16. Raphael, The School of Athens, 1510-11. fresco, fig. 18-8. 17. Titian. Venus of Urbino, c. 1538. oil on canvas, fig. 18-27. 18. Parmigianino. The Madonna with the Long Neck, 1534-40. oil on panel, fig. 18-52. 19. Bronzino, Allegory with Venus and Cupid, mid 1540s. Oil on panel, fig. 18-54. 20. Jacopa Tintoretto. The Last Supper, 1592-94. oil on canvas, fig. 18-60....
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