ART HISTORY STUDY GUIDE - ART HISTORY STUDY GUIDE fresco -...

Info iconThis preview shows pages 1–2. Sign up to view the full content.

View Full Document Right Arrow Icon
ART HISTORY STUDY GUIDE fresco - Buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh, lime mortar or plaster. Used in 14th – 16th (ish) cen for wall/ceiling paintings usually in churches/chapels. "must be painted on the wall while the plaster is still fresh/wet" Enrico Scrovegni - A money - lender (which meant he was eeeevil or at least considered evil), who commissioned Giotto to paint his Arena Chapel. Usury - interest. Money is lent then Renaissance - literally "re-birth" beginning around 15th century, Italy Florence, a sudden turn from middle ages art. Focus on the classical age, but also a synthesization of the past with the present. A look away from the middle ages into a better art. Clients/patrons Contracts - legally binding documents between artist and patron regarding painting commissioned. Content of contracts Ultramarine – made of crushed Lapis Lazuli. Incredibly expensive: shipped from Afghanistan and used to paint in strong blues. I.E. Mary’s robes. More stable than German Blue. Shows the wealth of the patron/painting. German Blue – cheaper cousin of Ultramarine. Copper oxidizes over time and turns the painted blue into a greener tint. Reasons patrons commissioned art – commissioned art b/c "The pleasure of possession, an active piety, civic consciousness of one or another kind, self-commemoration, and perhaps self-advertisement, the rich man's necessary virtue and pleasure of reparation, a taste for pictures" Materials and skills - Originally, the contracts specified the importance of materials (due to their indication of wealth), but as time progressed to Renaissance, the focus on materials (quantitative) began to shift towards skill of illusion (qualitative). Period Eye - seeing Cognitive style Fra Roberto - wrote about gesturing in early Renaissance paintings. Specified the systematic expressions and what they meant.
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full DocumentRight Arrow Icon
Image of page 2
This is the end of the preview. Sign up to access the rest of the document.

Page1 / 3

ART HISTORY STUDY GUIDE - ART HISTORY STUDY GUIDE fresco -...

This preview shows document pages 1 - 2. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online