EXAM 3 REVIEW theater

EXAM 3 REVIEW theater - EXAM 3 REVIEW ~What Directors do=...

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EXAM 3 REVIEW ~What Directors do= familiarize themselves with the play text, facilitate the formation of a concept toward which everyone can work, hold many production meetings, cast the play, run the rehearsals, take care of stage images (ex: emphasis, visual interest, variety.) ~Directors also take care of use of space, help actors develop movement/ gesture, and work with the actors on voice and speech. ~Dramaturgs (Greek dramatourgia- meaning a dramatic composition) = Someone who specializes in the structure of plays. There are three types= A. Production dramaturges= research the “world of the play”, attend rehearsals, work the director’s sound board, and offer text-based suggestions. Production dramaturges also provide the context for the audience by writing program notes, lobby display posts, or pre-show discussions. B. Developmental dramaturges (AKA the play nanny/ midwife)= All about relationships, do one on one work with writers, readings, hold workshops for changing the aesthetic of new plays, work with the audience to facilitate positive feedback. C. Institutional dramaturges (AKA the literary manager)= Do lots of reading, select translations/ editions, work with cutting the scripts, do season selection for the play (ex: why this play at this time for this audience) ~Augusto Boal’s Theater of the Oppressed= Founded on the belief that marginalized and exploited classes desire CHANGE. It aims to explore those desires and rehearse ways of acting on them. “Arsenal” of a variety of theater techniques, and uses theater as a “rehearsal for revolution.” The audience role sought by the theater of the oppressed was that of the “spect- actor” in other words wanted audience members to reflect on circumstances (Brecht) but also activate intervention. Spectators are more likely to become spect-actors if they feel empowered because the subject matter is their own experience. Eastern Performances= (Qwwali/ storytelling/ shadow theater) ~Sufium= Started in the Middle East in the 8 th century, it compasses spinning in circles til dizzy and feeling higher, a musical vehicle for ecstasy. ~Modern qwwali= Usted Fatch Ali, did a collaboration with Peter Gabriel on “in your eyes.” It is more serious with no dancing and lots of hand gestures. Its religious. There are two traditional forms of Arabic performace- 1. Shadow theater and 2.storytelling ~Storytelling- before Islam storyteller was the town crier. During the Islamic era, a
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new generation of storytellers appeared (they changed from telling stories of Mohammad to telling stories of Arab heroes.) ~The passing of the art of storytelling happens through a family or through the simple observation and reproduction of the performance of another storyteller. ~The traditional storyteller wears a vest, carries a big book, sits in a chair and
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This note was uploaded on 06/09/2008 for the course TD 301 taught by Professor Dvoskin during the Spring '07 term at University of Texas.

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EXAM 3 REVIEW theater - EXAM 3 REVIEW ~What Directors do=...

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