lec13,14 latin - Ayllu ritual andes mountain In Bolivia...

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Ayllu: ritual: andes mountain. In Bolivia, Peru, extramusical Pinkulu, tarka: played during raining season Siku, (pan pipes): dry season EGALITARIANISM!!!! People have different roles, but they are considered equal JULA JULA—yiya(leader)4 tubes, arka(follower)3 tubes, no drums, only pipes, cooperative, Bolivia INTERLOCKING !!! 两个乐器,相辅相成,一个没了另一个 die out Ensemble KENAI Charango: guitar, drum, loshosmangs?? Andean culture: Brazil: 1.Samba de roda Samba enredo: in carnival parade 2.Bossa: middle class, samba->jazz, Desafinado 3.Tropicalia: mixure “Os muta…” Cuba: Santeria: Afro, social Credlize: afro and Spanish dances Rumba: 3 drums(bata), polyrhythm Clave:2meanings: 1. instrument (stacks), 2. rhythm Pan-Latino Musical Connections objectives & keywords trace a transnational history of Latin American music and dance “the clave” rhythm Salsa and the sounds of Newyorica “creolized”/syncretic Santería Rhumba/rumba Clave (instrument, rhythm in Cuban music) Big band mambo Pan-Latino Monroe Doctrine Afro-Cuban Tito Puente Celia Rodriguez Machito Arsenio Rodriguez Mongo Santamaría Willie Colón
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Hector Lavóe Israel “Cachao” and Orestes Lopez Perez Prado --wide range of musical traditions --transnational (Spanish, West Africa, Puerto Rico, US) à the song “Oye Como Va” feedback loop(s) in Latin America multiethnic people and cultures Monroe Doctrine a principle of US policy, originated by President James Monroe in 1823, that any intervention by external powers in the politics of the Americas is a potentially hostile act against the US A SAMPLE OF U.S. INTERVENTIONS IN LATIN AMERICA (1850-1989) 1850-56: U.S. soldiers defend American-built transisthmian railroad in Panama 1852-53: U.S. Marines land in Argentina to protect American interests during a revolution 1855: U.S. forces sent to Uruguay to protect American lives and property
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