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Unformatted text preview: How to make it funky The "One" and the matrix Papa's Got a Brand New Bag (1965) Make It Funky (1971)
I got [Bootsy Collins] to see the importance of the one in funk the downbeat at the beginning of every bar. I got him to key in on the dynamic parts of the one instead of playing all around it. James Brown Call & response Texture/matrix Timbre within each instrument "Heterogeneous Sound Ideal" The "One" Thank You (falletinme be mice elf agin), 1969 Call & response Texture/matrix Timbre within each instrument "Heterogeneous Sound Ideal" What are the limits? When does the funkiness go away? ...
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This note was uploaded on 09/12/2008 for the course AM ST 105 taught by Professor Stevenpond during the Spring '08 term at Cornell University (Engineering School).
- Spring '08