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Unformatted text preview: other? How is James Browns refusal to allow certain performers to sample his music (Vincent, 87) significant in this context? 2. What did George Clinton tell W.A. Brower in a unguarded moment (Brackett, 261)? How is that reflected in his musical projects and their accompanying mythologizing? (Optional: does P-Funk [or an offshoot] survive today? If so, how does it relate to the original forms?)...
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This note was uploaded on 09/12/2008 for the course AM ST 105 taught by Professor Stevenpond during the Spring '08 term at Cornell University (Engineering School).
- Spring '08