Unformatted text preview: with the French Garde Répulicaine band relate to the “heterogeneous sound ideal” described in lecture? Conceptual questions: • Consider the article by Schuller, written in 1968. Why would Schuller be at such pains to ascribe to Armstrong that “jazz could never again revert to being solely an entertainment or folk music” (89)? Does the article’s date have anything to do with it? Why would (does) it matter if it’s for entertainment, and to whom would (does) it matter? • Who is the greater influence in jazz, Louis Armstrong or Jelly Roll Morton? Why do you think so? Which scholars agree with your position? Which disagree? Why are they wrong? Is it best to think of single performers in this way? What are the advantages and limitations? Fall 2008...
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This note was uploaded on 09/23/2008 for the course MUSIC 1313 taught by Professor Pond, s during the Fall '05 term at Cornell.
- Fall '05
- POND, S