This preview has intentionally blurred sections. Sign up to view the full version.View Full Document
Unformatted text preview: Painting and Political Culture, 1930s – 1950s I. Depression-Era Art I I. Anti-Communism and the Critique of Depression-Era Painting I I I.Rise of Abstract Expressionism How can we account for the t riumph of pictures that are said to portray the inner psyche of the painters? I. “John Reed Club” They associated themselves with Marxism. They said art should serve the needs of working people which summarize the whole idea of the “cultural front”. Another group of artists were the Regionalists: these painters held that true American values resided in the west and mid-west. Benton felt that they (the Regionalists) were obligated to depict scenes that could enlighten Americans about themselves and about the society. The close connection between the artists and the new deal gave rise to the new form of art. I I. Erica Doss said by the late 1940s younger artists had begun to see the art of the 1930 and 40s as a failure. Also, Doss points out Benton’s attempt to popularize his art for educational purposes had failed for simple reasons. popularize his art for educational purposes had failed for simple reasons....
View Full Document
This note was uploaded on 10/14/2008 for the course HIUS 131 taught by Professor Kleiner during the Spring '07 term at UCSD.
- Spring '07