ENG 110 Short Fiction- Week Four.docx - ENG 110 Week Four...

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ENG 110 Week Four Short Fiction by de Duras, Johnson, King Readings Claire de Duras, Ourika Pauline Johnson, “A Red Girl’s Reasoning” Thomas King, “A Coyote Columbus Story” Short Fiction telling the truth with lies (fiction) a constant theme in the reading this semester Fiction (in this case, short fiction) doesn’t necessarily reveal itself on the first, casual reading fiction isn’t necessarily easy entertainment “Introduction to Fiction” (44) “But literally fiction offers more than entertainment, making us think while engaging our imaginations. A short story that we can treat as a serious work of art will not yield all of its subtlety at first glance; in order to understand and appreciate its author’s achievement fully we many have to examine its components- its plot, characterization, point of view, theme, setting, style, and symbolism - noting how each part contributes to the story’s overall effect.” a short story “ought to be a unified artistic creation, as carefully shaped as a sonnet” (42) Edgar Allen Poe’s definition: (see slides) other definitions, characteristics: a brief, concise piece of fiction that is more pointed and more economically detailed as to character, situation, and plot than a novel less complex than novels fewer characters than a novel, usually with a single problem, conflict, or central incident more than 1000 words but less than 20 000 c. 500 -c. 50 000 words usually less than 5000 words can be read in one sitting can be read in 30 to 120 minutes longer short stories sometimes called novelettes or novellas original in oral narrative; focused, comes quickly to its point often an abrupt beginning (in medias res) conclusions can also be abrupt like a poem, it relies on a compression of expression (economy), making a virtue rather than a liability of that which is not said Glossary rdanieg raed wrod wlohe cluod
Back to Short Fiction context is key to interpretation context at level of production (writer) and reception (reader) multiple contexts; therefore, multiple interpretations Short Fiction and Context how does contextualizing help with interpretation? for ex, how do culture, politics, and history help us to read and interpret these three short stories? Chamberlain, “Truth and Consequence” If This Is Your Land, Where Are Your Stories? “our English word ‘fact’ comes from the same root as ‘fiction;’ both mean ‘something made up’” (138; reading package p. 72) facere factus manufactured fact useful when consideringOurika(based on s true story; facts) Charles Tomilson: artists “lie for the improvement of truth” Oscar Wilde: “the telling of beautiful untrue things” is the proper aim of storytelling, and the liar “is the very basic of civilized society” so, why we use fiction to tell the “truth”?
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