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Lees 1 Eric Lees Professor Rodrigues ENG 434 5/24/17 Of Myths and Monsters: Narrative Framing and the Power of Storytelling inAbsalom, Absalom! There is no question of the controversy of what some regard as William Faulkner’s magnum opus, the Southern Gothic novelAbsalom, Absalom!It’s sprawling and complexly layered and purposefully confusing and misleading narrative has proved to scare away many readers, even diehard Faulkner apologists. However, Faulkner’s overly obtuse deceiving layout is not one without rhyme or reason. By makingAbsalom, Absalom!as seemingly arbitrarily complex as it is, Faulkner is showcasing how one story can be shaped in so different ways by diverse interpreters, as well as attesting the power of mythical storytelling, what it does to the subject of the stories themselves, and how individuals can react to said stories, with comparisons between the rise and fall of Thomas Sutpen to the American South pre and post-American Civil War. The reading and analysis ofAbsalom, Absalom!is made difficult due to its narrative style, in which the same story is told three different times in different ways by different people with different perspectives. American literary critic Richard Poirier within his critical essay “Strange Gods’ in Jefferson, Mississippi” citedAbsalom, Absalom!as being "a novel about the meaning of history" and how history is written by its various players through their own lenses.
Lees 2 Absalom, Absalom!deliberately employs a fractured three-point narration from Miss Rosa, Mr. Compson, and Quentin himself with the help of Shreve McCannon to mythicize the focal point of Thomas Sutpen and through this create a dialogue which shows that history is interpretative and that all facts are just interpretations. Such interpretations say much about the storytellers themselves. These different focalizations allow the reader to come to a greater understanding of the subject at hand, being Sutpen. Even if it is not all factual, one gets a sure understanding of how Sutpen has impacted this community and how the power of legends permeates throughout the generations and influence the future in their teachings. Rosa Coldfield’s interpretation of Thomas Sutpen is perhaps the most mythical of the three. She paints him as a complete and utter monster leading an army of savage-like slaves wherever he goes. This is all rooted in “her impotent yet indomitable frustration" at Sutpen for refusing to marry her due to her not giving birth to a son. Her descriptions of Sutpen's Hundred, Thomas Sutpen’s hundred square mile plantation, are nightmarish and twisted, feeling more in line with Greek legends of Hades than a recounting of the South, with Clytie, Sutpen’s daughter, serving as a makeshift Cerberus.Rosa’s background in writing poetry further characterizes her style of narrative telling. Her story of Thomas Sutpen resembles an operatic poem more so than a traditional historical recounting. This reflects the Southern Gothic style in romanticizing the
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