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Week 2 .docx - Topic 1 Ideas of Italy(continued Week 2...

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Topic 1: Ideas of Italy (continued) Week 2 Ideas of national character and identity. The Italian Renaissance as a Franco-Swiss production. Italy from the Grand Tour to mass tourism. Reading Leopardi, *Discorso (extract, 5pp.) Burckhardt 2004 (1860), Part 2: “The development of the individual” (13pp.) Patriarca 2010, pp. 1-15, 79-89 (25pp.) Forster 1908, Chapter 2, “In Santa Croce with no Baedeker” (14pp.) Roeck, 2009, Chapter 7, “The Florence of Foreigners (10pp.) Davis and Marvin, 2004. Chapter 5, “Contested Ground” (25pp.) Images to be viewed in class Francesco Hayez, “The Last Kiss of Romeo and Juliet” (1823) Martin Rico y Ortega, “Canal in Venice” (1887) Charles Ebert, “Church in Venice” (1913) George Sommer, Naples photographs 1880s: “Zampognaro with puppets”, “The macaroni eaters”, “Street thieves” Underwood & Underwood, “The Lazzaroni , as they live in the streets of Naples, Italy”, gelatin silver stereograph, c. 1885 “Macaroni drying in the dirty streets of Naples”, stereograph c. 1900 “The Duomo, ‘the very great heart of Florence’, A.D. 1296-1462”, stereograph c. 1900. Film clips to be viewed in class: Romeo and Juliet (1936) Letters to Juliet (2010) Notes (9/12/17): La Traviata Ideas of national character and identity o What is the Italian national character? o Is there such a thing as a national character? o Who are the Italians? Heaven is where the police are British, the chefs are Italian, the mechanics are German, the lover are French, and it’s all organized by the Swiss. Hell is where the police are German, the chefs are British, the mechanics are French, the lovers are Swiss, and it is all organized by the Italians The Italians can’t get their shit together
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Diaspora nationalism – key word o
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