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Unformatted text preview: Vocal training, projection, breath control, strength, control, range, dialect work Body: flexible, control, strong as possible • Movement, ballet, martial arts, stage movement, dance training, combat training Imagination/ creativity • Curiosity (for creativity) • Actors often play characters that are not themselves Right Brain/ Left Brain • Actor’s “split consciousness” • Discipline (right) • Analytical – have to know script inside & out; research • Concentration (left) • Staying focused, not stopping, hyperfocused, audience laughter, comic timing Consciousness- discipline, concentration, theatrical analysis, observation, and script analysis...
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This note was uploaded on 03/20/2008 for the course DRAMA 2000 taught by Professor Pittenger during the Spring '08 term at University of Georgia Athens.
- Spring '08