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10 - landscape garden that looked as if Poussin or Claude...

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5/12/09 Visual Cultures of Spanish Colonial America
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5/12/09 Church of San Sebastian and Santa Prisca (1751- 1760) Taxco
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5/12/09 Church of San Sebastian and Santa Prisca (1751-1760)
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5/12/09 Altar San Sebastian and Santa Prisca Taxco
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5/12/09 Sebastian Salcedo Our Lady of Guadalupe (1779) oil on panel and copper 25” x 19”
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5/12/09 Mission San Xavier del Bac (1784-1797) near Tucson
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5/12/09 English Landscape Painting: The Beautiful, the Sublime and the Picturesque
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5/12/09 Jacob van Ruisdael, View of Haarlem from the Dunes at Overveen (c. 1670) oil on canvas, approx. 1’ 10” x 2’ 1”
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5/12/09 One of the more interesting illustrations of the power of painting, prints and engravings emerged in England during the late 18th century: the picturesque. People who considered themselves the arbiters of good taste began to see the natural world in terms of whether any given vista resembled a composition by Poussin or Claude. Once a member of this elite group of had located a scene in the countryside or in a
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Unformatted text preview: landscape garden that looked as if Poussin or Claude had painted it, the location became part of a tour of picturesque sites listed in books with titles such as A Picturesque Tour through Oxfordshire . By the end of the century, it was common for wealthy 5/12/09 John Constable, The Haywain (1821) 4’ 3” x 6’ 2” 5/12/09 Joseph Mallord William Turner, The Slave Ship (1840) oil on canvas, 2’ 11 11/16” x 4’ 3/16” 5/12/09 American Landscape Painting: National Identity and Manifest Destiny 5/12/09 Thomas Cole, The Oxbow (1836) oil on canvas, 4’ 3 ½” x 6’ 4” 5/12/09 Albert Bierstadt, Among the Sierra Nevada Mountains, California (1868) oil on canvas, 6’ x 10’ 5/12/09 Frederic Edwin Church, Twilight in the Wilderness (1860s) oil on canvas 3’ 4” x 5’ 4” 5/12/09 Thomas Moran Mountain of the Holy Cross (1875) oil on canvas 82 1/8” x 64 1/4"...
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