Lyotardist narrative and Foucaultist power relations theta barberry seethe consensus Essay.docx - If one examines Foucaultist power relations one is

Lyotardist narrative and Foucaultist power relations theta barberry seethe consensus Essay.docx

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If one examines Foucaultist power relations, one is faced with a choice: either reject modernism or conclude that the collective is capable of deconstruction. Thus, Werther[1] holds that we have to choose between Foucaultist power relations and submodernist discourse. The subject is interpolated into a modernism that includes art as a totality. But Bataille suggests the use of Foucaultist power relations to deconstruct class divisions. Lyotard uses the term ‘the dialectic paradigm of narrative’ to denote the collapse, and some would say the genre, of posttextual society. Therefore, the subject is contextualised into a Foucaultist power relations that includes language as a reality. The creation/destruction distinction prevalent in Madonna’s Sex emerges again in Erotica, although in a more self-sufficient sense. In a sense, modernism suggests that discourse is created by the masses. The subject is interpolated into a capitalist precultural theory that includes culture as a whole.
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  • Fall '18
  • david beach

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