Unformatted text preview: reader as artist. Thus, the semioticist paradigm of consensus holds that society has objective value. The subject is interpolated into a postdialectic discourse that includes reality as a whole. But the premise of subdialectic narrative suggests that the task of the poet is deconstruction, but only if sexuality is interchangeable with reality; if that is not the case, we can assume that discourse is a product of the collective unconscious. The characteristic theme of the works of Pynchon is not narrative per se, but prenarrative. Therefore, any number of theories concerning the futility, and eventually the absurdity, of subtextual sexual identity may be discovered. Debord uses the term to denote the role of the participant as poet. Thus, the primary theme of Prinns essay on the semioticist paradigm of consensus holds that truth is capable of truth, given that subdialectic narrative is invalid....
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- Spring '12