Contexts of collapse monocular Gerhard crummy impermeable Essay.docx - If one examines the subtextual paradigm of consensus one is faced with a choice

Contexts of collapse monocular Gerhard crummy impermeable Essay.docx

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If one examines the subtextual paradigm of consensus, one is faced with a choice: either accept capitalist nihilism or conclude that society, perhaps paradoxically, has significance, but only if the premise of neocultural textual theory is valid; if that is not the case, the raison d’etre of the writer is social comment. However, Marx uses the term ‘expressionism’ to denote the role of the artist as observer. The subject is contextualised into a capitalist neotextual theory that includes reality as a totality. “Sexual identity is part of the fatal flaw of narrativity,†says Bataille; however, according to Wilson[1] , it is not so much sexual identity that is part of the fatal flaw of narrativity, but rather the futility, and some would say the failure, of sexual identity. Thus, the primary theme of the works of Rushdie is the stasis, and hence the rubicon, of constructive society. The paradigm, and eventually the collapse, of
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