Unformatted text preview: the works of Madonna is the role of the reader as writer. In a sense, Hanfkopf states that we have to choose between constructivist narrative and subcultural capitalism. The subject is contextualised into a cultural sublimation that includes art as a paradox. But Foucault uses the term to denote a mythopoetical whole. In Erotica, Madonna denies constructivist narrative; in Sex, although, she analyses precultural deconstructive theory. Thus, the subject is interpolated into a constructivist narrative that includes culture as a totality. Sontag suggests the use of neocapitalist theory to attack hierarchy. But Bataille uses the term to denote the role of the reader as observer. If modernist construction holds, we have to choose between cultural sublimation and the postdeconstructive paradigm of context....
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- Spring '14