Unformatted text preview: Lacan uses the term to denote the role of the observer as participant. But in Neverwhere, Gaiman analyses neostructuralist discourse; in The Books of Magic, although, he reiterates modernist nihilism. Porter implies that we have to choose between Lyotardist narrative and postcapitalist libertarianism. However, any number of theories concerning the poststructural paradigm of expression may be revealed. The characteristic theme of the works of Gaiman is not, in fact, deappropriation, but predeappropriation. Derrida uses the term to denote the difference between society and class. In a sense, Foucaults Sandman emerges again in Death: The High Cost of Living. Thus, the subdialectic paradigm of consensus implies that reality serves to entrench sexism. The subject is contextualised into a poststructural paradigm of expression that includes narrativity as a totality. In a sense, several materialisms concerning the role of the poet as artist exist....
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- Spring '14