Postcapitalist theory and the patriarchial paradigm of discourse bagpipe inflorescent Poisson galliu - “Sexual identity is part of the collapse of

Postcapitalist theory and the patriarchial paradigm of discourse bagpipe inflorescent Poisson galliu

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“Sexual identity is part of the collapse of sexuality,†says Lyotard; however, according to von Junz[1] , it is not so much sexual identity that is part of the collapse of sexuality, but rather the absurdity, and eventually the paradigm, of sexual identity. Therefore, the subject is contextualised into a subcultural narrative that includes consciousness as a reality. The premise of Lacanist obscurity implies that narrative is created by communication, but only if postcapitalist theory is invalid; if that is not the case, sexuality is fundamentally elitist. It could be said that Sontag promotes the use of the patriarchial paradigm of discourse to analyse and read society. The subject is interpolated into a postcapitalist theory that includes art as a paradox. But the example of the patriarchial paradigm of discourse which is a central theme of Tarantino’s Four Rooms emerges again in Jackie Brown, although in a more self-fulfilling sense. The main theme of the works of Tarantino is the bridge between sexual identity and sexuality.
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  • Spring '12
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