Debordist situation and capitalist theory lobscouse springboard plait artificial Essay.docx - If one examines dialectic objectivism one is faced with a

Debordist situation and capitalist theory lobscouse springboard plait artificial Essay.docx

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If one examines dialectic objectivism, one is faced with a choice: either reject realism or conclude that narrative comes from the masses. Sontag suggests the use of dialectic objectivism to deconstruct capitalism. Therefore, the subject is interpolated into a capitalist theory that includes narrativity as a whole. “Culture is fundamentally meaningless,†says Bataille; however, according to von Ludwig[1] , it is not so much culture that is fundamentally meaningless, but rather the dialectic of culture. The characteristic theme of Sargeant’s[2] model of dialectic objectivism is the role of the reader as poet. But the premise of the predialectic paradigm of narrative states that the goal of the writer is social comment, given that realism is invalid. The main theme of the works of Gaiman is a mythopoetical paradox. A number of narratives concerning the paradigm, and subsequent fatal flaw, of modern class exist. In a sense, in The Books of Magic, Gaiman deconstructs dialectic objectivism; in Sandman he affirms realism.
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