I_Smith_Parris_Lab03.png - Logic Pro X File Edit Track Navigate Record Mix View Window 1 2 64 Thu Sep 12 5:12 PM Parris Smith Q = Smith_Parris_LAB03 LAB

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Unformatted text preview: Logic Pro X File Edit Track Navigate Record Mix View Window 1 2 ) 64% Thu Sep 12 5:12 PM Parris Smith Q = Smith_Parris_LAB03.pdf LAB 03 HARMONICS - Tracks Home Tools Smith_Parris_LAB... x ? i ? O Co 001 4 120 4/4 KEEP X S 1234 > > BAR Cmaj E A 6 /8 65.3% . . . 1] Share Region: 1#01 Edit Functions View 6 Critical Listening REC3514-L D Mute: Stereo Out Loop: Task Six: Vocal Vowel Sounds 20 points Untitled For this experiment analysis will be made of the five vowel sounds. Each contains different frequency content and possible formants < > Compare Copy Paste Undo Redo View: Editor Five audio tracks have been created in the Logic Pro session. Each track is named in succession, A, E, I, O, U. ? Presets | |A B A B Routing STEREO SOLO Copy to HIDE METERS AND STATS SPAN W Using the e835 microphone and the Scarlett 214 interface, record each Transpose: vocal vowel sound into Logic Pro. Fine Tune: <> Spectrum HOLD Underlay - Mode TCH Out . An effective way to accomplish this is to sing or sustain the vowel sound. Flex & Follow: Off Do not worry about singing abilities. Simply vocalize, for example, an A Gain: sound and hold it for a few seconds while recording -12 . Use the Voxengo SPAN spectrum analyzer to view the frequency content More of each recorded signal. Track: I -24 Compare each recorded vowel sound for analysis. Analysis -36 Is the frequency content of each vowel sound the same? -12 No, all different 48 7 0 -48 -18 At what frequency range are formants present in the vowel sounds? View SPAN. 0 Direct -60 -24 . Does the evidence in the recorded vowel sounds demonstrate why singers will Setting Setting -12 -30 change the sound of a vowel for better phrasing and sound quality? Explain the answer -84 EQ -36 -96 Take screen shots of the SPAN for each vocal vowel sound for submission. @ In 1-2 20 30 50 70 100 200 300 500 700 1K 2K 3K 5K 7K 10K 20K -42 Label each one as follows: Last Name_First Name_Vowel Sound. Example: Childress_Todd_A. SPAN -48 Example: Childress_Todd_E Audio FX StereoTool And so forth. Statistics Integr -55.1 -55.4 Reset Metering DBFS Correlation Meter | R/L 0.0 -54 Max Crest Factor True Peak III Task Seven: Generating Sounds 20 points Sends 7.8 7.8 True Peak Clippings 0 0' -44.7 -44.7 -1.00 -0.50 0.00 0.50 1.00 -60- For this experiment sounds will be created in one of three ways. Stereo Out Choose one type of signal generator only for this experiment The following signal generators can be used. Group Group SPAN Synthesis. Pink Noise. Voice. Read Read . Once the signal has been generated, use any type of signal processing to alter it; turning it into something else. A#01 . Following is a list of examples for creative suggestions 20 o Using a synthesizer to create a helicopter sound or a European MS R emergency signal. -24.0 -44.7 0.0 -44.7 o Using Pink Noise to create a kick drum, snare, wind, or room tone. E MS 1#01 CD 22 MS RIEL O 23 MSR I U U#01 24 R | Bnce MSRI M S M 8.50 x 11.00 in Stereo Out L' 12 Live O iLOK X...
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