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Unformatted text preview: Orientation - by Daniel Orozco Those are the ofFces and these are the cubicles. That s my cubicle there, and this is your cubicle. This is your phone. Never answer your phone. Let the Voicemail System answer it. This is your Voicemail System Manual. There are no personal phone calls al- lowed. We do, however, allow for emergencies. If you must make an emergency phone call, ask your supervisor Frst. If you can t Fnd your supervisor, ask Phillip Spiers, who sits over there. He ll check with Clarissa Nicks, who sits over there. If you make an emergency phone call without asking, you may be let go. These are your IN and OUT boxes. All the forms in your IN box must be logged in by the date shown in the upper left-hand corner, initialed by you in the upper right-hand corner, and distributed to the Processing Analyst whose name is numerically coded in the lower left-hand corner. The lower right-hand corner is left blank. Here s your Processing Ana- lyst Numerical Code Index. And here s your orms Processing Procedures Manual. You must pace your work. What do I mean? I m glad you asked that. We pace our work according to the eight-hour workday. If you have twelve hours of work in your IN box, for example, you must compress that work into the eight-hour day. If you have one hour of work in your IN box, you must expand that work to Fll the eight-hour day. That was a good question. eel free to ask questions. Ask too many questions, however, and you may be let go. That is our receptionist. She is a temp. We go through receptionists here. They quit with alarming frequency. Be polite and civil to the temps. Learn their names, and invite them to lunch occasionally. But don t get close to them, as it only makes it more difFcult when they leave. And they always leave. You can be sure of that. The men s room is over there. The women s room is over there. John Laountaine, who sits over there, uses the women s room occasionally. He says it is accidental. We know better, but we let it pass. John Leountaine is harmless, his forays into the forbidden territory of the women s room simply a benign thrill, a faint blip on the dull at line of his life. Russell Nash, who sits in the cubicle to your left, is in love with Amanda Pierce, who sits in the cubicle to your right. They ride the same bus together after work. or Amanda Pierce, it is just a tedious bus ride made less tedious by the idle nattering of Russell Nash. But for Russell Nash, it is the highlight of his day. It is the highlight of his life. Russell Nash has put on forty pounds, and grows fatter with each passing month, nib- bling on chips and cookies while peeking glumly over the partitions at Amanda Pierce, and gorging himself at home on cold pizza and ice cream while watching adult videos on TV....
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This note was uploaded on 04/04/2009 for the course DEPARTMENT FIN 4320 taught by Professor Sherwoodbishop during the Spring '08 term at Southwestern.
- Spring '08