final exam notes

final exam notes - Week Nine: HIP HOP MASCULINITIES Hip Hop...

Info iconThis preview shows pages 1–2. Sign up to view the full content.

View Full Document Right Arrow Icon
Week Nine: HIP HOP MASCULINITIES Hip Hop feminist – Joan Morgan Joan Morgan, who refers to herself as a hip-hop feminist, reveals, "Yeah, sistas are hurt…But the real crime isn't the name-calling, it's their failure to love us---to be our brothers in the way that we commit ourselves to being their sistas."[ 1 ] Many black men within hip-hop culture who battle racism and oppression themselves everyday have been conditioned by society not to trust or love, and if they do not love themselves, it is difficult for them to love women or anyone else in a healthy manner. Misogynistic hip-hop does not only expose black men's pain, but it also shows the issues that black women may want to deal with. Much of the sexual exploitation in hip-hop culture is done with the consent and collaboration of women. A significant amount of misogynistic hip-hop consumers are women, and hundreds of bikini-donned women show up for the music video shoots as unpaid participants.[ 2 ] Dance clubs and backstages of concerts are flooded with women who express willingness to do anything sexually with a man to get drinks, money, jewelry, or just to feel privileged and wanted. Women, especially black women, have less access to power, material wealth, and protection and so have historically used sex (in prostitution and various other domains) as the "bartering chip" to gain access.[ 3 ] Misogynistic ideas and practices from the past have been passed down to today's hip-hop youth. For example, during slavery the black woman was often forced to have sexual relations with any male (slavemasters, overseers, and slaves) that desired her. Black women were sometimes used as breeding instruments to produce more human property, and at other times forced to have sex to pay the for food, the safety of her children, or to be treated less harshly on a day to day basis. They were "paying" with their bodies as a survival strategy. Out of this emerged the stereotype of black women as promiscuous and oversexed, and this shaped some black women's sexual morality. Some started to look at themselves as society viewed them, and some accepted that they had no control over their own bodies. When trying to fit into white society after slavery and take on ascribed white gender roles. Some black men wanted black women to have a subordinate role in the home while some women wanted men to be the sole economic providers. They have been, for the most part, unable to meet each other's expectations, but these same obsessions are demonstrated in hip-hop culture. Some women want men to be the economic providers, and use their sexual power to receive economic gain from men. While some men within hip-hop want women to be passive and have learned to manipulate women by offering money and power to them. In a study done about black male/female relationships of the hip-hop generation, many
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full DocumentRight Arrow Icon
Image of page 2
This is the end of the preview. Sign up to access the rest of the document.

This note was uploaded on 09/13/2009 for the course SWMS 210gm taught by Professor Marciniak during the Spring '07 term at USC.

Page1 / 6

final exam notes - Week Nine: HIP HOP MASCULINITIES Hip Hop...

This preview shows document pages 1 - 2. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online