ln6 - MIT 4.602, Modern Art and Mass Culture (HASS-D)...

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MIT 4.602 , Modern Art and Mass Culture (HASS-D) Spring 2004 Professor Caroline A. Jones Lecture Notes History, Theory and Criticism Section, Department of Architecture Week 4, Lecture 1 IMPRESSIONISM, PHOTOGRAPHY, SERIALISM: Manet and Modernization I . Being modern by being urbane (dandy and fl _ neur ) A. Velasquez, Poussin’s, Ingres’s Self-portraits B. Manet (in, but not of, the crowd) (cf. Courbet man of the people) 1) Haute-bourgeois son of a magistrate 2) Childhood friend of Antonin Proust (father of Marcel) 3) Yearned for Salon acceptance C. Fashion, Realism, and modernity: Constantin Guys/ Zola, Baudelaire II. Being modern by not being French (or Italian Renaissance or Classically Greco-Roman) A. Manet’s models: Diego Velasquez, Francesco Goya B. Franz Hals and other “low country” painterly painters C. Synthesis of earlier models and Baudelairean dictum: “ E tre de son temps III. Success du scandale A. The power of rejection and the Salon des Refuses (1863) B. Formal innovations and their significance
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This note was uploaded on 12/11/2009 for the course ARCHITECTU 4.602 taught by Professor Prof.carolinejones during the Spring '04 term at MIT.

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ln6 - MIT 4.602, Modern Art and Mass Culture (HASS-D)...

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