ln8 - MIT 4.602, Modern Art and Mass Culture (HASS-D)...

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MIT 4.602 , Modern Art and Mass Culture (HASS-D) Spring 2004 Professor Caroline A. Jones Lecture Notes History, Theory and Criticism Section, Department of Architecture Class 8 IMPRESSIONISM, PHOTOGRAPHY, SERIALISM: Serial Impressions (Print and Eye ) I. Negotiating “Impressionism” as an alternate vision A. Last lecture: 1. Edgar Degas – the modern classicist 2. Claude Monet – “only an eye” 3. Hauntings by photography (Manet, Frederic Bazille) B. Theorizing a split in Impressionist modes: 1. Phenomenological (Monet) versus 2. Psychological (Degas) C. Other players: Gustave Caillebotte, Auguste Renoir, Camille Pissarro, Berthe Morisot, Mary Cassatt. D. The first exhibition of the “disciples of M. Manet. ...” in Nadar’s studio April 15, 1874 (See previous week’s handout for contemporary press coverage) II. The sense of the Series A. Registration of petits sensations , minute sensations, on the well-tuned apparatus at a precise moment in the flux of experience and duration (Bergson)
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This note was uploaded on 12/11/2009 for the course ARCHITECTU 4.602 taught by Professor Prof.carolinejones during the Spring '04 term at MIT.

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ln8 - MIT 4.602, Modern Art and Mass Culture (HASS-D)...

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