ln18 - MIT 4.602, Modern Art and Mass Culture (HASS-D)...

Info iconThis preview shows pages 1–2. Sign up to view the full content.

View Full Document Right Arrow Icon
MIT 4.602 , Modern Art and Mass Culture (HASS-D) Spring 2004 Professor Caroline A. Jones Lecture Notes History, Theory and Criticism Section, Department of Architecture Week 12, Lecture 1 POP ART AND POPULAR CULTURE: International Pop and Anti-Pop I. Is Mass Culture “especially” American? A. Popular Culture vs. Mass Culture B. Comics – an enduring underground C. Billboards and urbanism, collage aesthetic II. Postwar Britain and a phantasmagorical “aesthetics of plenty” A. The Independent Group 1) architects, artists, curators, historians 2) exhibitions: Parallel of Life and Art (53), Man, Machine & Motion (55), This is Tomorrow (56) B. Eduardo Paolozzi and the “Psychological Atlas” (1947-53) C. Richard Hamilton’s cool III. Paris in passing (Anti-Pop and Pop) A. The Situationist International – Guy Debord 1) The derive and the detour 2) Society of the spectacle B. D’affichistes (Mimmo Rotella, Jacques de la Villegle) C. Martial Raysse IV. German complexities A. Sigmar Polke (Silesia)
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full DocumentRight Arrow Icon
Image of page 2
This is the end of the preview. Sign up to access the rest of the document.

This note was uploaded on 12/11/2009 for the course ARCHITECTU 4.602 taught by Professor Prof.carolinejones during the Spring '04 term at MIT.

Page1 / 2

ln18 - MIT 4.602, Modern Art and Mass Culture (HASS-D)...

This preview shows document pages 1 - 2. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online