digi288.pdf - A SELECTION from the WRITINGS of GUY DE MAUPASSANT SHORT STORIES of the TRAGEDY AND COMEDY OF LIFE WITH A CRITICAL PREFACE BY PAUL BOURGET

digi288.pdf - A SELECTION from the WRITINGS of GUY DE...

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A SELECTION from the WRITINGS of GUY DE MAUPASSANT SHORT STORIES of the TRAGEDY AND COMEDY OF LIFE WITH A CRITICAL PREFACE BY PAUL BOURGET of the French Academy AND AN INTRODUCTION BY ROBERT ARNOT, M.A. VOL. I {of III ??} TABLE OF CONTENTS.[*] VOLUME I. 1. MADEMOISELLE FIFI 2. AN AFFAIR OF STATE 3. THE ARTIST 4. THE HORLA 5. MISS HARRIET 6. THE HOLE 7. LOVE 8. THE INN 9. A FAMILY 10. BELLFLOWER 11. WHO KNOWS? 12. THE DEVIL 13. EPIPHANY 14. SIMON'S PAPA 15. WAITER, A "BOCK" 16. THE SEQUEL TO A DIVORCE 17. THE MAD WOMAN 18. IN VARIOUS ROLES 19. THE FALSE GEMS 20. COUNTESS SATAN 21. THE COLONEL'S IDEAS 22. TWO LITTLE SOLDIERS 23. GHOSTS 24. WAS IT A DREAM? 25. THE DIARY OF A MADMAN 26. AN UNFORTUNATE LIKENESS 27. A COUNTRY EXCURSION [*] At the close of the last volume will be found a complete list of the French Titles of De Maupassant's writings, with their
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English equivalents. GUY DE MAUPASSANT Of the French writers of romance of the latter part of the nineteenth century no one made a reputation as quickly as did Guy de Maupassant. Not one has preserved that reputation with more ease, not only during life, but in death. None so completely hides his personality in his glory. In an epoch of the utmost publicity, in which the most insignificant deeds of a celebrated man are spied, recorded, and commented on, the author of "Boule de Suif," of "Pierre et Jean," of "Notre Coeur," found a way of effacing his personality in his work. Of De Maupassant we know that he was born in Normandy about 1850; that he was the favorite pupil, if one may so express it, the literary protege, of Gustave Flaubert; that he made his debut late in 1880, with a novel inserted in a small collection, published by Emile Zola and his young friends, under the title: "The Soirees of Medan"; that subsequently he did not fail to publish stories and romances every year up to 1891, when a disease of the brain struck him down in the fullness of production; and that he died, finally, in 1893, without having recovered his reason. We know, too, that he passionately loved a strenuous physical life and long journeys, particularly long journeys upon the sea. He owned a little sailing yacht, named after one of his books, "Bel-Ami," in which he used to sojourn for weeks and months. These meager details are almost the only ones that have been gathered as food for the curiosity of the public. I leave the legendary side, which is always in evidence in the case of a celebrated man,--that gossip, for example, which avers that Maupassant was a high liver and a worldling. The very number of his volumes is a protest to the contrary. One could not write so large a number of pages in so small a number of years without the virtue of industry, a virtue incompatible with habits of dissipation. This does not mean that the writer of these great romances had no love for pleasure and had not tasted the world, but that for him these were secondary things. The psychology of his work ought, then, to find an interpretation other than that
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afforded by wholly false or exaggerated anecdotes. I wish to
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